|
|
Slovak National Uprising
Orság, Michal ; Terén, Laco (referee) ; Ambrůz, Jan (advisor)
The aim of the thesis was to bring events after 1945, when there was a period of remembrance in the company , which served as a therapy , politics and aesthetics . Work on the memories gradually morphed into , among other things , to the monuments that act against collective oblivion . Arise place of remembrance , which relate to historical events and private stories . Partisan monuments fill in the country which they have to remind essentially absent . Again remembering you and gets to the surface again forgotten information that creating a logical connection form the structure . This structure is subject to change , which helped by rewriting and overlapping information in different layers of the structure . Neither art does not avoid the remembrance and forgetting , and creates a theme of a strategy , which is included rewriting . Media and individual override blank sheets in the past, currently , collecting and composing the mosaic , which allows you to create your own identity.
|
|
| |
|
| |
|
|
PEOPLE-VOICE
Chalabalová, Aneta ; Gravlejs, Ivars (referee) ; Ambrůz, Jan (advisor)
I collect, through audio recordings and online platforms, the culture of events that I attempt to reflect through my social strata, as well as the group of people who provide me with the material. I try to evoke a certain self-reflection in the viewer and show a different perspective on the issues associated with the topics mentioned. The output is action/installation.
|
|
| |
|
| |
|
|
Transparency of voice and light
Hejduk, Adam ; Tomáš,, Svoboda (referee) ; Ambrůz, Jan (advisor)
The diploma thesis entitled Transparency of Voice and Light presents an audiovisual installation, the theme of which is individual reflection of the environment through the creation of fictional stories. In his work, the author also deals with the possibility of overlaps with own previous works and with the creation of a thematic interconnection. The installation links a set of subjective fictional narratives. The installation is scenographic in nature and represents a platform for telling personal statements and ideas.
|
|
| |
|
|
Level
Mrňová, Petra ; Prokop, Tomáš (referee) ; Ambrůz, Jan (advisor)
In her work, the student focuses on the objectification of personal perception of a specific conflict situation. She identifies a hurtful feeling that has stuck in her memory and constantly raises questions. With ignorance or unconsciousness of where the edge is and where it is beyond the edge. Describes and seeks mantineles of self-insight capacity. Where does the ability to control begin and end? The author tries to empathize with people who cross her imaginary edges in what is right, and asks herself if they cross their own? The performative placement of tempered glass in the crown of a tree serves for a materialistic grasp of the limits: "what can be carried", "where is the edge", "what is capacity."
|
|
| |
guest ::
