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The Performance of Masculinity in the Milieu of Czech Extreme Metal
Hradecká, Anna Marie ; Zdrálek, Vít (advisor) ; Turek, Pavel (referee)
Using a method of reflexive ethnography, this thesis deals with a question of masculinity performace in the Czech extreme metal milieu (to be specific I am concerned with the brutal death metal and related sub-genres). Participants of the brutal death metal subculture either in the position of performers or audience are with a very few exceptions men. Brutality, harshness, extremeness and other values are the main aesthetic criteria, which - as we can observe while doing the research - the participants connect with a coherent collection of ideas about a certain ideal of dominant manhood. To achieve these values to the greatest extent possible the musicians use particular musical features and topics of the compositions; and so does both the musicians and the audience via their visual image, with using specific kind of behaviour and having fixed movements and dancing during the music production. On the basis of an analysis of these values and means of their manifestation I am concerned with the question of what specific characteristics the masculine identity, which is performed in the given subculture, has. My research data show that these are: 1) mutual affinity with the other participants, 2) power as an ability of an aggressive attack as well as one's own endurance, and 3) coarseness, lack of...
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The Performance of Masculinity in the Milieu of Czech Extreme Metal
Hradecká, Anna Marie ; Zdrálek, Vít (advisor) ; Turek, Pavel (referee)
Using a method of reflexive ethnography, this thesis deals with a question of masculinity performace in the Czech extreme metal milieu (to be specific I am concerned with the brutal death metal and related sub-genres). Participants of the brutal death metal subculture either in the position of performers or audience are with a very few exceptions men. Brutality, harshness, extremeness and other values are the main aesthetic criteria, which - as we can observe while doing the research - the participants connect with a coherent collection of ideas about a certain ideal of dominant manhood. To achieve these values to the greatest extent possible the musicians use particular musical features and topics of the compositions; and so does both the musicians and the audience via their visual image, with using specific kind of behaviour and having fixed movements and dancing during the music production. On the basis of an analysis of these values and means of their manifestation I am concerned with the question of what specific characteristics the masculine identity, which is performed in the given subculture, has. My research data show that these are: 1) mutual affinity with the other participants, 2) power as an ability of an aggressive attack as well as one's own endurance, and 3) coarseness, lack of...
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Mirko Očadlík's Study "Woman in Czech Music" in the Context of the "Czech Woman in National History" Anthology (1940)
Hradecká, Anna Marie ; Havelková, Tereza (advisor) ; Havelková, Hana (referee)
This bachelor thesis deals critically with the topic of the contemporary discourse on the status and professional involvement of women in Czech music, as formulated in Mirko Očadlík's study Woman in Czech Music [Žena v české hudbě] published in the Czech Woman in National History [Česká žena v dějinách národa] anthology (1940). In this thesis my critical aparatus is based on theoretical reflections of feminist musicology (a critique of the musical canon of Western art music tradition), cultural anthropology and feminist philosophy. The topic offers a range of other issues suitable for further research, and it also contributes to the debate on understanding the position of women in Czech music.
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