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Around Everything I've Got
Moštěk, Richard ; Chomová, Juliána (referee) ; Vaněk, Vojtěch (advisor)
The central motif of my bachelor's thesis is the expansion of a fictitious universe with the help of displacement the boundary of the perception of the object as an image when entering the space. I'm trying to find an edge the perception of the image as a documentation of fictional stories on canvas, versus an artefact in spite identical use of material and technical process. I am exploring the limits of the canvas stretched on the frame and approaches to "multispectality" through which the work can track. The stylization of the painting is influenced by the aesthetics of the first digital feature films animated films and video games from the 1990s and 2000s. The default connecting point for the individual works are a relationship between a wooden frame, cotton canvas and oil paint. Imaginary point zero. The timeless narrative mirrors the significant features and patterns of human action society, including my inevitably subjective point of view. The aim of the bachelor thesis is to create a set of oil paintings with exaggeration reflecting civilization's reluctance to mature to the long term sustainability. The final output of my project is an installation of paintings/creating objects the scene for the viewer himself – the third person.
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Wonder&Wander
Porubský, Aleš ; Zapletal,, Aleš (referee) ; Mikyta, Svätopluk (advisor)
In the Bachelor's thesis entitled Wonder&Wander I loosely follow up on my previous work, in which I work with the themes of alterego, escapism, self-mythologization and . The work deals with an imaginative world in which I work with characters who are heroes and guides at the same time. Wonder&Wander follows heroes and guides in various situations, environments and moods, which are a reflection of my reality and personal experiences. The paintings of this cycle are thematically about fleetingness, melancholy, abandonment, searching, wandering, feeling the world and inner changes. An important theme of this series is the motif of the journey, which has multiple meanings for me: the journey as a solution to problems, the journey as a search, the journey as a preparation, the journey as an environment for changes... The work Wonder&Wander is divided into two parts in order to create a certain duality of reading of the themes, which are present in the motifs of the images. In the first part, I focused on the landscape and the motif of the journey as such, while in the second part, which consists of portraits, I try to amplify the sense of urgency of the mentioned themes.
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The Change
Maceňková, Katarína ; Fexová, Patricie (referee) ; Artamonov, Vasil (advisor)
In work entitled CHANGE, I return in my memories to my home region, a town where I have lived and lived most of my life and which has been nicknamed the "Triangle of Death" for decades. This time period has had and continues to have a significant impact on my existence. In the first phase of the timeline of creating the topic of the diploma thesis, are my returns through induction and deduction. I approach my father's illness, which is not uncommon in my homeland. I connect connections leading to finding out the causes of origin and occurrence. Subsequently, I recall memories related to the stories heard from people about the factory, which was supposed to be and perhaps was the livelihood for the inhabitants of the poor eastern Slovakia, as well as the production of PCBs. I create, compile and depict images hidden in the memory of moments from my lived childhood. I depict the Chemko Strážske factory, which at that time was a kind of illusion of a happy life. I am looking for a way of acceptance and ways of reconciliation using painting techniques, through the representation of symbols and the central characters that represent it all.
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The Change
Maceňková, Katarína ; Fexová, Patricie (referee) ; Artamonov, Vasil (advisor)
In work entitled CHANGE, I return in my memories to my home region, a town where I have lived and lived most of my life and which has been nicknamed the "Triangle of Death" for decades. This time period has had and continues to have a significant impact on my existence. In the first phase of the timeline of creating the topic of the diploma thesis, are my returns through induction and deduction. I approach my father's illness, which is not uncommon in my homeland. I connect connections leading to finding out the causes of origin and occurrence. Subsequently, I recall memories related to the stories heard from people about the factory, which was supposed to be and perhaps was the livelihood for the inhabitants of the poor eastern Slovakia, as well as the production of PCBs. I create, compile and depict images hidden in the memory of moments from my lived childhood. I depict the Chemko Strážske factory, which at that time was a kind of illusion of a happy life. I am looking for a way of acceptance and ways of reconciliation using painting techniques, through the representation of symbols and the central characters that represent it all.
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Lipid Binders of Art Works and Their Degradation
Pekař, Martin ; Hudeček, Jiří (advisor) ; Coufal, Pavel (referee)
This thesis deals with the identification of lipid components of a work of art with a particular focus on oil painting. After a short summary of the history of oil painting, the thesis deals with individual layers of painting, first in terms of individual components known films and their chemistry. In the section devoted exclusively oilpainting is a brief overview of the oils, their chemical changes during drying and consequently undesirble chemical changes. In the experimental part, the thesis deal with the analysis of oils, especially ratios of fatty acids discovered by GC-MS with resaults of these oils obtained by HPLC and from literature.
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Portrait in period of human life
PALMOVÁ, Věra
The practical thesis will consist of three oil paintings and nine sketches. Each component part will represent a special period of human life (childhood, middle age, oldness). The main aim is to comprehend the anatomical and psychological features of portrayed people at different ages. The theoretical part will deal with the development of portrait from Renaissance to modern art. It will particularly aim at the world's most famous artists and the most important artists in Czech lands.
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Portraits
KANALOŠOVÁ, Alexandra
Development of portrait painting, examination of old age and phenomena of old age wisdom as the basis for own paintings.
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