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Leoš Jánáček - operas
Kyovská Šerých, Mlada ; OTAVA, Martin (advisor) ; ŠIMERDA, Tomáš (referee)
This thesis addresses two principal operas by composer, Leoš Janáček. These are Jenůfa (1903) and The Cunning Little Vixen (1923). The author’s inspiration sources and the method of processing the selected subject are introduced herein. In both operas, L. Janáček is also the author of the libretto, which forms a link between these pieces. The information is drawn from ample Janáček literature and, of course, from music papers. The direction’s point of view is based upon the gained information regarding the pieces and upon the examination of some performance interpretations. With this thesis, I have verified that a thorough familiarity with the work is an absolute necessity for one’s own direction intention. It leads to realize the fact that one can create various interpretations of one piece when having a deep and stable understanding of it.
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Leoš Janáček Jenufa in Prague and Pilsen production with emphasis on the role Kostelnička
Karásek, Jan ; KUSNJER, Ivan (advisor) ; DOLEŽAL, Vladimír (referee)
In my dissertation, I deal in detail with the opera Jenufa from the composer Leos Janacek and the librettist Gabriela Preissova. In the chapter the fourth and the fifth, I aim my interest to elaboration of this opera in the Theatre J. K. Tyl in Pilsen and in the National Theatre in Prague. In next chapters, I reworked my personal interview with one of the czech leading opera singer Eva Urbanová, which performed in many productions as main character Kostelnicka. I would like to convey deep experience of Urbanova's understanding of the character and of Janacek at all for the readers of this dissertation. At the end of my dissertation, I summarize Pilsen and Prague production with the conclusion that Prague production is much better not only in directing treatment but also in the music cast.
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Leoš Janáček " Glagolitic Mass
Kružík, Robert ; MÁTL, Lubomír (advisor) ; SVÁROVSKÝ, Leoš (referee)
Works of Leoš Janáček were always very close to me. I grew up listening to them , when I was a child I listened to his operas many times in the Janáček Theatre, where my father worked for years. I was therefore very excited to delve myself into the work of the Glagolitic Mass, and I am also sure that it is very good material to write a thesis. In the main part of this work I´m going to focus on comparing different interpretive approaches, because we can interpret Janáček´sworks in many different ways and it is hard to determine which is the right one. Me as a native of Brno, i inclined to the "Brno" tradition of interpreting master´s works. I´m very curious about all the different interpretations, above all Sir Charles Mackerras, who is credited with promoting the Janáček music in the world.
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Janáček Philharmonic Ostrava and it´s trumpet group
Soukup, Jiří ; REJLEK, Vladimír (advisor) ; ROUČEK, Jaroslav (referee)
This thesis is divided into two chapters, which consists of subsections. First chapter deals with a complet historical development of Janacek Philharmonic Orchestra. Since the beginnings of musical culture in Ostrava - it was at the turn of the 20 th century, till present. This chapter also includes summary of Janacek Philharmonic orchestra chief conductors and short history of International Music Festival Janacek May.
Second chapter includes summary and biography of Janacek Philharmonic Orchestra former and present trumpet players. This chapter also includes a short subsection which deals with instruments of section and their funding and shopping.
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My way to Janáček and his The Cunning Little Vixen
Kývalová, Eva ; KAUPOVÁ, Helena (advisor) ; VOTAVOVÁ, Yvona (referee)
In this thesis I focused on well known Janáček´s opera The Little Cunning Vixen. First I dealt about artist involved in the creation of the final version of the opera.Thus a writer Rudolf Těsnohlídek who created essays to Stanislav Lolek´s drawings. The purpose of my contribution was to reflect on the character of Vixen. I bachelor thesis I analyze main aria of Vixen "I stole!".
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Influnces on and inspirations for the song of Leoš Janáček
Bařák, Lukáš ; KUSNJER, Ivan (advisor) ; PŘÍVRATSKÁ, Jiřina (referee)
This bachelo thesis deals with influences on and inspirations for the song cycles of Leoš Janáček. After aproach on the autor´s life and work, it focises on individual inspiration parts and describes them accordingly.Obtained knowledge first of all from the book Folkloristické dílo thus publication, unites Janacek´s studies written in the newspapers and other kind of scripts or books.This aknowledgements are filled in author´s deliberation. In the closing chapter is presented chronological order of song cycles.
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Main Czech Pieces for Woodwind Quintet
Javůrek, Jiří ; HLAVÁČ, Jiří (advisor) ; MAREŠ, Vlastimil (referee)
The aim of this work is to serve a complex view of the woodwind quintet repertoire and it deals with the principal works for woodwind quintet of the Czech composers. Woodwind quintet is a stable name for following group of the five wood instruments ? flute, oboe, clarinet, bassoon and French horn. The repertoire is nowadays growing up because of the growing popularity of this group but this work covers only with Antonín Rejcha?s, Bohuslav Foerster?s, Leoš Janáček?s, Pavel Haas?s, Václav Trojan?s and Iša Krejčí?s works and it puts stress on the formal and harmonic analysis. In all pieces of work of the mended composers are insignificant elements of the Czech folklore which, thanks to Czech woodwind repertoire, is spread all over the world.
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Leoš Janáček - Sonata for Violin and Piano
Takahashi, Hiroko ; TOMÁŠEK, Jiří (advisor) ; PAZDERA, Jindřich (referee)
The topic of this bachelor thesis is Sonata for violin and piano by the Czech composer Leoš Janáček. This thesis briefly deals with Janáček´s biography and his way of composing ( see Chapter 1), the position of this Sonata among other Janáček´s works, the background of its creation and perception of the Sonata and Janáček´s as a composer in Japan ( see Chapter 2) and Janáček´s other violin works ( see Chapter4). Moreover, based on an analysis of the Sonata and listening to recordings of its five different performances I prepared my own interpretation ( see Chapter 3) which I played during the bachelor concert on March 10th 2012.I think that this thesis and the performance of the Sonata during the bachelor concert may become the inspiration for the next possible interpretation of this Sonata.
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