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Reflections on the Chechen War in Czech documenatary film
Chaloupka, Zdeněk ; Kratochvíl, Jaroslav (advisor) ; ŘEZNÍČEK, Martin (referee)
Bachelor thesis deals with the image of the Chechen conflict in the Czech documentary film in the 90‘s and tries to understand the environment in which this image was created. Much of the work is devoted to the social and political context of the time. This is especialy a formation of institutions after Velvet revolution such as People in Need and Epicentrum agency, which significantly contributed to the media interpretation of the conflict. Thesis also analyzes the television documentaries reflecting Chechen war in terms of content and tone. Finally considers to what extent was the message of the documentary film makers influenced by ideological attitudes and social order. The aim is to determine what factors influenced the final form of films and on what basis it was biasd to the on side of the conflict.
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The Main Dramatic Conflict In the Contemporary Czech Film
Štěpánková, Darina ; TRAJKOV, Ivo (advisor) ; Mašín, Tomáš (referee)
Thesis named The Main Dramatic Conflict In the Contemporary Czech Film analyzes what is the impact of the position of the main dramatic conflict in the structure of the five full lenght czech films made in 2014. The films are The Way Out, Fair play, Nowhere in Moravia, Three Brothers and the documentary film Into the Clouds We Gaze. The work is divided into two main parts. The firs part summarizes theoretical resources relating to the problematic of the main dramatic conflict and it also includes historic point of view. The second part appertain to five practical film analyzes that are based on films together with a screenplays. It reveals the changes that was made during the editing process and the way how they impacted the story structure.
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Hooligan as an object of film analysis
Volek, Jiří ; BLAŽEVIČ, Jasmina (advisor) ; Bojar, Tomáš (referee)
Final thesis reflects the preproduction and production of thesis film with the topic of radical football fans. Work defines the theme of violence in the world of rowdies and film work with them. Further analyzes not only the history of football fans, but their categorization in terms of sociology and their impact on contemporary society. Work is devoted to the history of Czech cinema, working with the motif of the football world. The reasoning at the conclusion of the thesis reflects the impact of the films on this topic at the general audience and selected subculture.
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Robinson Crusoe - comparison of animated movie and live action movie
Nováková, Hana ; KUBÍČEK, Jiří (advisor) ; DUTKA, Edgar (referee)
The topic of this bachelor thesis is comparison between screenwriting for animated film and live action film and a search for differences in both types of writing. Specifically, this thesis compares two films based on the book The Life and Strange Surprising Adventures of Robinson Crusoe of York, Mariner, by Daniel Defoe. Using this book I am able to describe the possibilities of both literature and film, and to demonstrate which parts of the book are preferred for film adaptation and why. I also briefly mention the evolution of the story of Robinson Crusoe, and show how animation and live action films deal with these changes. In the final part of my thesis I compare the 1954 live action film Robinson Crusoe, directed byLuis Bunuel with the 1981 Czech puppet film The adventure of Robinson Crusoe of York, mariner, directed by Stanislav Látal. Comparing these two films enabled me to understand and describe specific rules and procedures in scriptwriting for an animated film.
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THE IMAGE OF DISSIDENT IN CZECH DOCUMENTARY FILM AFTER 1989
Kohout, Martin ; VACHEK, Karel (advisor) ; HENDRICH, Vladimír (referee)
The work is attempting to describe the mental image of a dissident, the way it was most oftenly interpreted in the post Velvet revolution period films known to the public or regularly shown on the televion screens. For this purpose was chosen 53 films, which were devided according to their general interpretation and impression. I followed with an analyzation of the montage and bulding elements, that are used in these films, most oftenly shaping the opinion of the general public. The interpretations and contents of these films were compared to the results of the social-sientific research on the nature of normalization period and the dissent. Also these generally popular films were compared with the works standing outside of the mainstream documentary film, about the topic of dissent or previous regime in general.
This theses is therefore refering to the problems of interpretation of the previous regime, normalization and the role of dissent in czech society.
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Golden Prague
Litschová, Karolína ; KLIMEŠ, Ivan (advisor) ; MRAVCOVÁ, Marie (referee)
This work deals with patriotic symbols which have been processed in feature films in the occupation period 1939- 1945, with emphasis on the symbol of Prague. Prague was sometimes used only as a scene, but for example in the film Pantáta Bezoušek it has become the theme of the whole film. It should be noted that these films which we perceive rather sentimental now, had a big own role and gave hope at the past time. Against these films I put in contrast the German film The Golden City which shows Prague as a city full of corrupted people and pitfalls.
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Using real-life performance in animation
Berger, Marek ; PIXA, Libor (advisor) ; KLIMT, Aurel (referee)
In this thesis I analyze and compare the technologies, which are responsible for wiping off the boundaries between animated movies and movies with real-life actors. From the traditional form of rotoscoping to the most recent forms of the performance capture, used mostly for feature trick movies. I do compare these exact, half-automatic methods with some examples of classical animation that also works with pre-acted videoreferences a lot. I give some examples of movies that rely on more or less successful methods and approaches. Instead of technological issues, I focus on the aesthetical approach, such as the animation and the character design in different forms, between the total realism and strong stylization. I point especially on the big problems with transferring the real-life action literally to the animation, and the troubles resulting from this difficult method
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