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Legionella
Váňová, Martina ; Voxová, Barbora (advisor) ; Janďourek, Ondřej (referee)
8 2. ABSTRACT Charles University in Prague, Faculty of Pharmacy in Hradec Králové Department of Biological and Medical Sciences Degree programme: Laboratory diagnostics in healthcare Author: Martina Váňová Supervisor: PharmDr. Barbora Voxová Consultant: Ing. Pavlína Silvestrová Title of bachelor thesis: Legionella The bachelor's thesis deals with the issue of the bacterial genus Legionella sp., especially its laboratory diagnostics from the water. The purpose of this work is to summarise so far known facts and a description of the methods practiced the standard laboratory practice. Then, a statistical evaluation of the occurrence of legionela in the Vysočina Region, the South Moravian Region, the Olomouc Region, the Zlín Region and the Moravian-Silesian Region from 2012 to 2022 based on information provided by the State Health Institute located in Ostrava. There we specific mediums used for cultivation, where special filters or a small volume of water were applied. The cultivation was carried out for 7-14 days. The agglutination tests were used for the specific determination of the species. The bacterial genus Legionella is characterized by its occurrence in the hot water pipes, in places with water stagnation, in air conditioners, especially in hospitals or recreational facilities. The cultivation of...
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Olga Karlíková and Her Artwork in State Institutions
Váňová, Martina ; Rakušanová, Marie (advisor) ; Novotná, Eva (referee)
ANGLICKÁ ANOTACE A theme of the bachelor thesis is a live and work of art a Czech artist Olga Karlíková (1923-2004). Her work have not been lined up theoretically, and treating of her comprehensive monograph and listing her art-works in municipal and private hands is an incentive issue and deal for a renowned historian of art. The aim of my work is to partially contribute to exposure her work. A list of her works in municipal institutions hands is a part of the thesis. Olga Karlíková born in 1923 in Prague and there she live through her childhood. In 1948 she graduated at Academy of Arts, Architecture and Design in Prague, where she studied at Prof. Antonín Kybal (1901-1971), and she gained a stance on tapestry because of him. She worked in Ústav bytové a oděvní kultury - ÚBOK (Institute of Quarter and Dress Culture), where she used to design a quarter textile. She dedicated herself to tapestry the most. There used to be an open and creative atmosphere, and Jinrřich Chalupecký spent there a short episode, for example. Jiří and Daisy Mrázkovy were her long-time and close co-workers. Karlíková was a solitaire artist above all. She created without a support of collective programmes. She acted in a group Bilance for a short time, in totalitarian Czechoslovakia was a member of a Svaz Československých výtvarných...
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Věra a Vladimír Janouškovi. Reflection on artist couples
Váňová, Martina ; Pech, Milan (advisor) ; Czumalo, Vladimír (referee)
Bibliografická citace Věra a Vladimír Janouškovi. Zamyšlení nad manželskými uměleckými páry. [rukopis] : diplomová práce / Martina Váňová; vedoucí práce: PhDr. Milan Pech, Ph.D. Praha, 2015. 132 s. Abstract In the generation of Czech artists born between 1920 - 1935 occurs a particular phenomenon - artist couples. After the Second World War there was a surprisingly high number of artists contracting a life-long partnerships. This generation influenced primarily the Czech art scene in the 1960's. Most of these marriages lasted even in the upcoming difficult times and became a great support in the era of so called normalization in 1970's and 1980's. The goal of the thesis is to observe the work of art of two prominent Czech artists - Věra Janoušková and Vladimír Janoušek - within the context of their marital life. It will focus on the extent of their mutual impact on each other and it will deal with the possibilities of autonomy of the work developed alongside the artist-partner. The diploma thesis will show their work in the times of their marital life and even after partner's death. Keywords Věra a Vladimír Janouškovi, Czech scupture, artist couples, independence, influence
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Věra a Vladimír Janouškovi. Reflection on artist couples
Váňová, Martina ; Pech, Milan (advisor) ; Czumalo, Vladimír (referee)
Bibliografická citace Věra a Vladimír Janouškovi. Zamyšlení nad manželskými uměleckými páry. [rukopis] : diplomová práce / Martina Váňová; vedoucí práce: PhDr. Milan Pech, Ph.D. Praha, 2015. 132 s. Abstract In the generation of Czech artists born between 1920 - 1935 occurs a particular phenomenon - artist couples. After the Second World War there was a surprisingly high number of artists contracting a life-long partnerships. This generation influenced primarily the Czech art scene in the 1960's. Most of these marriages lasted even in the upcoming difficult times and became a great support in the era of so called normalization in 1970's and 1980's. The goal of the thesis is to observe the work of art of two prominent Czech artists - Věra Janoušková and Vladimír Janoušek - within the context of their marital life. It will focus on the extent of their mutual impact on each other and it will deal with the possibilities of autonomy of the work developed alongside the artist-partner. The diploma thesis will show their work in the times of their marital life and even after partner's death. Keywords Věra a Vladimír Janouškovi, Czech scupture, artist couples, independence, influence
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Olga Karlíková and Her Artwork in State Institutions
Váňová, Martina ; Rakušanová, Marie (advisor) ; Novotná, Eva (referee)
ANGLICKÁ ANOTACE A theme of the bachelor thesis is a live and work of art a Czech artist Olga Karlíková (1923-2004). Her work have not been lined up theoretically, and treating of her comprehensive monograph and listing her art-works in municipal and private hands is an incentive issue and deal for a renowned historian of art. The aim of my work is to partially contribute to exposure her work. A list of her works in municipal institutions hands is a part of the thesis. Olga Karlíková born in 1923 in Prague and there she live through her childhood. In 1948 she graduated at Academy of Arts, Architecture and Design in Prague, where she studied at Prof. Antonín Kybal (1901-1971), and she gained a stance on tapestry because of him. She worked in Ústav bytové a oděvní kultury - ÚBOK (Institute of Quarter and Dress Culture), where she used to design a quarter textile. She dedicated herself to tapestry the most. There used to be an open and creative atmosphere, and Jinrřich Chalupecký spent there a short episode, for example. Jiří and Daisy Mrázkovy were her long-time and close co-workers. Karlíková was a solitaire artist above all. She created without a support of collective programmes. She acted in a group Bilance for a short time, in totalitarian Czechoslovakia was a member of a Svaz Československých výtvarných...
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