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Feedback
Koniar, Martin ; Solčáni, Ján (referee) ; Rathouský, Luděk (advisor)
My diploma work is an installation, made from multiple instances of a device iniciating string resonance via electromagnetic field. These devices along with strings are placed on the wall in geometrical shape. Installation creates loop on multiple levels. Except the fact that installation have a circular shape, position of each string starts at the end of another string. Second, more inconspicious loops takes place in the electromagnetic device resonating the strings, that do that with feedback loop. Strings consist every step of chromatic scale, that repeats itself, just an octave higher. Amplification of the final sound of strings is done purely acoustically, with help of the wall on wich the piece is installed. This piece is in its nature concerned with spirituality in music, not necessarily in sense of evoking a spiritual experience, but rather demonstrating metaphors and parallels, that exists between physical aspects of tonal music and different religious ideas. The symmetrical shape of installation refer to religious and occult visuality, built f.e. in cabal on Fibonacci numbers, that is present not only in nature ( for example, the veins of the leaves grow by these numbers), but also in tonal music system (ancient philosophers were working with this concept, see Plato's Music of the Spheres). Strings in this piece produce drone sound, that is naturally evoking spirituality (most visible in buddhist monk meditation). This sound in the piece demonstrates immutability and constancy, the fact that all the chromatic tones are playing demonstrates wholeness (this fact may produce interesting resonances emerging between chromatic steps), so to speak, the unchangeable laws of physics, or to put it in religious lingo, the god law. The symbol of loop also refers to religion, like the eternal return of the same, the periodicity of history. Strings can be viewed as astrophysical symbol. Everything stated is nothing but my recourse, that should not ultimately determine the perception of the piece by viewer. The goal of the work is to offer experience without need to be put into context
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Feedback
Koniar, Martin ; Zentková, Barbora (referee) ; Rathouský, Luděk (advisor)
My diploma work is an installation, made from multiple instances of a device iniciating string resonance via electromagnetic field. These devices along with strings are placed on the wall in geometrical shape. Installation creates loop on multiple levels. Except the fact that installation have a circular shape, position of each string starts at the end of another string. Second, more inconspicious loops takes place in the electromagnetic device resonating the strings, that do that with feedback loop. Strings consist every step of chromatic scale, that repeats itself, just an octave higher. Amplification of the final sound of strings is done purely acoustically, with help of the wall on wich the piece is installed. This piece is in its nature concerned with spirituality in music, not necessarily in sense of evoking a spiritual experience, but rather demonstrating metaphors and parallels, that exists between physical aspects of tonal music and different religious ideas. The symmetrical shape of installation refer to religious and occult visuality, built f.e. in cabal on Fibonacci numbers, that is present not only in nature ( for example, the veins of the leaves grow by these numbers), but also in tonal music system (ancient philosophers were working with this concept, see Plato's Music of the Spheres). Strings in this piece produce drone sound, that is naturally evoking spirituality (most visible in buddhist monk meditation). This sound in the piece demonstrates immutability and constancy, the fact that all the chromatic tones are playing demonstrates wholeness (this fact may produce interesting resonances emerging between chromatic steps), so to speak, the unchangeable laws of physics, or to put it in religious lingo, the god law. The symbol of loop also refers to religion, like the eternal return of the same, the periodicity of history. Strings can be viewed as astrophysical symbol. Everything stated is nothing but my recourse, that should not ultimately determine the perception of the piece by viewer. The goal of the work is to offer experience without need to be put into context
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The Personal Motif
Vlčková, Tamara ; Zálešák, Jan (referee) ; Rathouský, Luděk (advisor)
In my bachelor work I focus on intimate communication. I am interested in the moment of detection and in a simple question: What makes sense? I'm interested in everyday situations and in a human body, which I display in different social situations and personal dialogue - with the audience, work, and man. The main motives of my drawings are personal stories that remind familiar stories, and transmit such information, which audience accepts and transforms in its own way. Important is a constellation of people and things, and also attitude, a gesture that creates the story. I mix reality, dreams, ideas, and questions - choosing aspects I tend to think about, that touch my feelings or that I fear. Equally important is the installation, where a personal space for watching drawings will be kept.
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Loneliness
Kalhousová Pernicová, Zuzana ; Franta, Jiří (referee) ; Rathouský, Luděk (advisor)
Theme of loneliness generates in most of us negative feelings of fear and emptiness, while rarely on Loneliness, is regarded as positive, life takes effect. The actual problem is a taboo, hides in the background of the more popular social topics, so we usually lack information that would allow us to approach him other than "emotional" attitude. However, it is linked to a number of fundamental questions, whether by death, the awareness of one's own being, and as a result, it is also about taking responsibility for himself and perception of normality, individuality and conformity. For this reason, I believe that the relationship that we create to loneliness, forms then our relationship to ourselves, our close relationship and subsequently the functioning of the whole society.
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Do you know what a fish will do when it runs up a hill?
Elznic, Zita ; Štroblová, Kateřina (referee) ; Rathouský, Luděk (advisor)
Diploma thesis entitled Do you know what a fish will do when it runs up a hill? concerns the topic of industrial fishing. Formally, it is an installation that contains two parts. The first part is an oval object on which are attached mechanical fish, which form a moving flock. Using engines, they interact with each other and the viewer accompanied by the song. The second part includes three separate mechanical fish, which create a direct dialogue with the viewer. The installation is located in a white cube. The result is to give the impression that the fish are alive and, with the help of a human voice, get closer to the viewer. Title Do you know what a fish does when it runs up a hill? based on a child's joke. This sentence is characteristic of the topic, in that it is all nonsense. The fish do not run, do not move on land and do not even talk. An attempt at this joke to humanize fish is quickly over when you know the answer. Just clapping tells us how foreign this different world is.
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The Festival of Wiener Schnitzels
Helán, Martin ; Mainer, Martin (referee) ; Rathouský, Luděk (advisor)
In my thesis I dealt with still life paintings with food. The main keyword of this work is banality. It is the irrelevance of some situations that I used as a motive to create a visually impressive moments. I painted a meal as a celebration of the banal and seemingly unspiritual things, like a gift from God, which is a part of our ordinary everyday life.
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Pergo/Pedro
Valchářová, Martina ; Malý, Břetislav (referee) ; Rathouský, Luděk (advisor)
The theme of my bachelor thesis is the issue of methamphetamine addiction and abuse in Czech Republic. The series is compiled of drawings that depict meth labs around my home town. Drawings should be mediated between the theme and gestural drawing.
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