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Revitalization Program of Floral Garden in Kromeriz
Štěpánek, Martin ; Hrabec, Josef (referee) ; Kopáčik, Gabriel (advisor)
The aim of this bachelor´s thesis is to create a project of adaptation and functional utilization of the whole foreground area of the Flower Garden in Kromeriz including existing buildings, and the design of visitor´s centre project. I am concerned with the importance of the original entrance restoration and utilization of the existing entry building coherency with the town. I re-establish the structuring of the whole foreground area.
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Revitalization Program of Floral Garden in Kromeriz
Kynčlová, Ivana ; Vojtová, Lea (referee) ; Hrabec, Josef (advisor)
A basic idea of design is dividing to a long longitudinal area of „Orange and Dutch Garden“ with a Centre built for visitors. There will be a quadrangle that right a follow up to the second entrance into the garden. Main door is through the Centre built. The entrance which is on the quadrangle will be like seasonal (in the winter) or for VIP visitors. The Centre built for visitors is divided for two basic parts with a single entrance – the restaurant and the education centre. The entrance to the place for education and information is through the entrance hall. There is also the place for a library and for the reading room in the hall. Furthermore there is a bookshop, the room for a provisional exposition, a lecture theatre and a gallery for a permanent exposition. The hall and the restaurant is lit by south-west frontage from a glass and screened by window blind from cloth. The places of gallery are lit by shaft from glass and screened by screen form the cloth. The whole building is from a fair-face concrete with a irregular texture. A roof of the restaurant and the gallery is level, green and the entrance hall is with a level roof too and with a grit roof surface. The center built of visitors make aerial quadrangle. Its organization is originated from design of the indoor gallery. On the ground plan of quadrangle there are changing areas of green, grit, sand, pebbles and paved ways. A grassy surface are for populace – for a recreation, for a rest or for various social games. Along the origin wall there is the green strip with the concrete basements, which are used for exhibiting statues, works of art and so on. Its symmetrical to the inside gallery. The quadrangle of visiting center is connected with thematic garden – the garden of elements. The system of meandring ways meets to visitors individual elements. The elements are represented by attributes, the way of disposition or by the kind of plants. The elements are made up of the jutted out island. On the water element there is dominant a fountain with the statue of the god Neptune. The last part of the garden’s design is a lower garden with a greenhouse and a bird aviary. There is respected the origin historical axis. On the axis there is the symmetrical greenhouse. In the center of the greenhouse there are information about organization of the plants. From this place you can enter to five other greenhouses. In each of them will be grown different kinds of plants. In the first greenhouse there are a gardening, selling the plants and practical workshop for the visitors. Next to the each greenhouse there are a base and a base of the garden. Longitudinal axis of the garden is stressed by the linear water component which is coved by the meandering sandy ways. In this garden from the greenhouse till the aviary there are stripes of different colored flowers. The function of the aviary is previous, the new one is the water area and the footbridges to the aviary. Concrete replica of the rabbit’s hill is moved from the main longitudinal axis to the axis of the flower garden and to the enter of the aviary. In this small building there are projecting screens for watching documents and short movies about history of the garden, nature or about the elements.
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Revitalization Program of Floral Garden in Kromeriz
Koželouhová, Anna ; Vojtová, Lea (referee) ; Hrabec, Josef (advisor)
The topic of the bachelor thesis is the design of the revitalization of the foreground of the Květná garden in Kroměříž and of the service building for visitors. When solving the project, the first ideas were initiated by its strong social context. The garden art has always been a reflection of its own period. The founders of gardens – the aristocracy, monarchs or clergy – have used gardens as a means to represent their social status. They have tried to point out the things that have been conceived as artistically and technically (and later socially) progressive and correct. The main ideal concept of my project results from these facts and considerations. I seek to represent today’s era and society – within the meaning of the good, what they could and according to my opinion should bring to each other. And what they perhaps do… That is why I apply knowledge of today’s technique and ecology in my project – in terms of the use of local natural materials and renewable energy resources. At the same time I try to take advantage of and to give support to the frankness of today’s society and to create a project with a social and human overlap. I incorporate a function of a temporary sheltered housing into the area and support integration of people into the society through garden works and therapies. Last but not least – I would like to open the gardens to the broadest scope of the laic public and to create not only an esthetic function, but an educational as well. From the architectural point of view, I tried to bring contemporary components into the garden, which, however, respect the historical evolution and the temporary situation and connect to them. In the Holandská garden I placed the visitors centre into the ground plan – a path of the former “casino”. It closes up this lengthwise space, it creates a notion of continuance of the colonnade of the Květná garden (and transcription of the arcade on its façade), and it balances the dimension of the tropical glasshouse on the other side of the garden. Regarding the solution of the garden space, I respect the cross axes of the Květná garden as well as the main longitudinal axe of the foreground. I create a simple composition of larger sheets with two new “piazzas” – at the place of the renewed Neptune’s fountain and in front of the visitor’s center. By creating the elevated sheets I add the third dimension to the parcel. In the southern part of the foreground I compose functionally different spaces along the longitudinal axe. Hence, visitor’s attention is non-violently drawn to the aviary. Crosswise, the garden is divided into several parts – the representational one (by the cold glasshouse), the agricultural and educational one (but no less attractive) with the garden centre, and the leisure area of the aviary and the so called “rabbit hill”.
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Castle Zdounky - conservation and restoration in the area
Franková, Tereza ; Kolouch, Jiří (referee) ; Hrabec, Josef (advisor)
The aim of the present thesis is to carry out an architectural study for the reconstruction of the chateau complex Zdounky, located near Kroměříž in Litenčiče Downs. The chateau complex covers the area of ca. 9 hectares and consists of a four-wing chateau, a Baroque granary, a new farm building with an old orchard, and a large landscape park in the English style with a number of small-scale buildings such as a greenhouse, an ice house and other valuable and remarkable natural sites, for instance an old lime tree alley or a restored animal park. The proposal complies with the intention of the current owners, i.e. to use the complex as a centre for environmental education of the youth and to make it available to the general public with an interest in nature and ecology. Therefore, the main goal of the study has been to find an optimal urban-architectural solution in order to preserve the historic value of the buildings and at the same time allow the possibility of using them for their new purposes. The concept of the reconstruction is influence by the correspondence of the surrounding landscape, the place’s history, the historic value of the individual buildings and the morphology of the terrain. The whole complex is organized in order to give the impression of unity where all the functions are connected in a logical way. It was the division of the complex into public, semi-public and private zones that represented the main guideline for the present plan. The design of the reconstructed chateau includes the semi-public and private zones - it comprises both the educational centre with accommodation as well as the owners’ residence surrounded by a private garden. The Baroque granary is reconstructed and used as a museum. Additionally, a new orangery is added and its facilities used for a cider house (in the form of a small café) where local production commodities are sold. Both of these are open to the general public as well as the chateau park. Furthermore, the design includes a trail around the chateau. For the purposes of the present thesis, it was necessary to find and redraw the old plans, verify and document their true condition and measure the Baroque granary, whose documentation was completely missing.
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The monument restoration Bratmann villas - Valašské Klobouky
Zámečník, Marek ; Kolouch, Jiří (referee) ; Hrabec, Josef (advisor)
The Master's thesis comes with an idea of general renovation of the building and its surroundings of Elementary art school in Valašské Klobouky. To expand the insufficient and inappropriate space, the new building will be added to present monumental art nouveau Bratmann's villa which will be completely restored to its former appearance from year 1896. The thesis contains widespread analytic part aimed on theoretical preparation for restoration. The plan was to create harmonious changeover between the old building used for musical education and the new building used for the rest of the art education.
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Roots of Moravian Urban Structure
Mohelník, Ladislav ; Löw, Jiří (referee) ; Prokeš, Oldřich (referee) ; Hrabec, Josef (referee) ; Koutný, Jan (advisor)
The thesis has been written on the basis of main architectural concepts and their application in real life within a historical context investigation. Main architectural concepts are represented in a harmony of architectural composition that deals with relations among form, structure and space in the unique art work. Genius loci play very important role in the architectural creation - it represents a special and extra-ordinary urban locality and its architectural value in the historical, geographical and cultural context. The origin of Ostravice village within the historical frame concept of Moravia domain is the topic of this thesis. Other historical documents gave information about Bruneswerde as the Brno Castle. That means Brno Castle had to be founded not in Brno (as it has been consid-ered for many years) but it was located in Beskydy at Ostravice. The sacred city – Civitas Dei had been located in Bruneswerde region in early ages as the centre of European culture, education and spiritual life. Civitas Dei – divine Jerusalem in the transcription of St. Augustine's book De civitate Dei – is not only glorification of God and religious fantasy. It is also one of significant clues for recognition of historical architecture. The depiction of unknown settlement from the book of unde-fined origin is a superb testimony about extinct architectural works. They are legible from cadastral maps. Brno Castle - residence of nobility and power served shelter to St. Vojtěch, St. Prokop, St. Václav and St. Ludmila as it is obvious for the mentioned picture. Three major temples, three com-position axes symbolized by three towers on coins are in analogical relation to Brno triangle of four saints - the Saint family of Brno temples. Powerful ambitions of Brno City principals and clergy are inscribed into the urban structure in the way of composition relations which are legible to them who devoted themselves to the mystery of harmony. The absence of historical continuity affects personal attitudes and also identity of the whole community. The architecture truly reflects the past state of polis and it is eloquent even after its death. The architectural composition relations influence the natural environment for long time, longer than the architectural work existence. The geometric order of Renaissance Brno existence has not been in attention of architects so far. The features were discovered in characteristic paintings by Albrecht Durer. They are evidently secret works of the genius. A meaningful collaborator and follower in the extensive project was also his friend Jan Čert from Brno and lately from Vienna. His noble genealogy played a significant role in history of Silesia and Moravia for centuries. It is tendency to consider him as Austrian or even German architect. It is because of the fact that the genealogy tree of his noble family had roots in Moravia. It is supposed that Durer with Jan Čert´s support created the extraordinarily monumental architectural and urban works in Brno. A remarkable consensus in the urban composition of two squares and transition of traditional urban structure of Ostravice Civitas Dei into the modern Brno is also confirmed due to the identification of noble creators and owners, who were at the foundation, transformation and extinction of elements of the Moravian urban structure.
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Evaluation criteria of industrial heritage - practical application
Zelik, Radovan ; Hrabec, Josef (referee) ; Králová, Eva (referee) ; Staňková, Eva (referee) ; Zemánková, Helena (advisor)
The protection of monuments in Slovakia is mostly concentrated on „classical“ examples of cultural heritage (castles, historical city centers). It is not paying much attention to industrial buildings, which are important documents of national development in European context from the era of industrialization. These buildings are often also on the edge of public interest, due to their brownfield character, what places then into the great risk. Because many of these buildings are in private hands, it is often complicated to define the protection policy. It is in the interest of healthy development of society to protect cultural heritage as part of its own identity. The thesis is monitoring approaches to protection of monuments in Slovakia, as well as in global context and offers alternative approaches in terms of protection of industrial heritage.
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Industrial and military architecture of seaports, comparative analysis of reconversion of industrial and military heritage
Remy-Zéphir, Šárka ; Prof.Ing.arch.Peter Vodrážka,PhD. (referee) ; Hrabec, Josef (referee) ; Prof.Patrick Dieudonné (referee) ; Zemánková, Helena (advisor)
During World War II, seaports Brest, Lorient and Saint-Nazaire were heavily destroyed because of their strategic location on the Atlantic coastline. Those historical events could be considered as new opportunities for the seaports to realise new thoughts and ambitious architectural projects in order to improve the functionality of the urban organism. In these days, a new occasion has come. Military and industrial areas, which were always thoroughly separated from the town centres, have been now releasing from their original activity. There are huge free building sites in the middle of the cities, waiting for the urban architects.
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The Introduction and Application of General Regression Model
Hrabec, Pavel ; Štarha, Pavel (referee) ; Bednář, Josef (advisor)
This thesis sumarizes in detail general linear regression model, including testing statistics for coefficients, submodels, predictions and mostly tests of outliers and large leverage points. It describes how to include categorial variables into regression model. This model was applied to describe saturation of photographs of bread, where input variables were, type of flour, type of addition and concntration of flour. After identification of outliers it was possible to create mathematical model with high coefficient of determination, which will be usefull for experts in food industry for preliminar identification of possible composition of bread.
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