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Double monasteries of Poor Clares and Friars Minor in the area of Central Europe in 13th century. Typology of architecture, foundation of royal princesses and contemporary context on the examples of monasteries, especially in Prague and Wroclaw.
Zelenková, Gabriela ; Kolářová Takácsová, Kornélia (advisor) ; Jarošová, Markéta (referee)
Double monasteries of Poor Clares and Friars Minor in the area of Central Europe in 13th century. Typology of architecture, foundation of royal princesses and contemporary context on the examples of monasteries, especially in Prague and Wroclaw. The topic of my bachelor thesis is a comparison of the typology of architecture of double monasteries of Poor Clares and Friars minor. The specifics of the Convent of the Sisters of the Poor Clares had to adapt to the strict order and liturgical regulations of the order, which was reflected in building architecture according to a certain pattern, manifested in the form of monastic churches including emporium, cloister and common areas, separated from contact with the outside world. However, this did not prevent the increasing of the education of the sisters and the maintenance of ties between the individual monasteries. Friars minor provided spiritual guidance for the sisters. Franciscans originated in the 13th century as an order that responds to the development of medieval cities and the wide social layers of inhabitants, which is reflected in the location of monasteries near rivers and walls (hospital function, water availability). In the Central European region, in response to the new ecclesiastical order, the then desire to return to following the...
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The ideal exhibiting concept for Alfons Mucha's Slavic Epic
Belasová, Kristýna ; Jarošová, Markéta (advisor) ; Bendová, Eva (referee)
This thesis focuses on Alfons Mucha's Slavic Epic from a curating point of view. It aims to determine and define the ideal ways on how to exhibit the large-scale paintings. This thesis follows up on numerous architectural studies that repetitively aimed to find the ideal space to accommodate the Slavic Epic cycle. It researches the rich history of exhibitions of the Slavic Epic and highlights the positive and negative aspects of said expositions. This thesis highlights the problematics of large format artworks and the optimal ways of presentation. It determines the target group audience and follows up with the specific means on how the display could be adjusted for said audience. Lastly, the author presents the Slavic Epic as a unique artwork of national significance. The goal of this thesis is to present a universal concept for an exhibition of the Slavic Epic. This concept could later serve as a template for future expositions.
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Marina in the work of Jan van Goyen with regard to the collections of the National Gallery in Prague
Zakhovailo, Kristina ; Jarošová, Markéta (advisor) ; Oulíková, Petra (referee)
This thesis deals with marine painting by one of the leading 17th century Dutch landscape painter Jan van Goyen. The art theme of the marine will be presented in the background of the cultural-historical context of the Golden Age of Dutch painting when the development of marine of the 17th century was conditioned by successful seafaring, which was one of the main pillars of the Dutch economy. The development of the marina genre will be described chronologically from the first generation of marine painters. Furthermore, the second generation to which belongs Jan Porcellis, the founder of the realistic tradition in the marina, had a great influence on the work of Jan van Goyen, who also belongs to the second generation. The main emphasis will be focused on the analysis of selected works by Jan van Goyen from the National Gallery in Prague. The method of formal and iconographic analysis will be applied to the selected works. The certain paintings will be further interpreted through the socio- cultural context of the time when the works were created. The third generation of marine painters will be introduced as well. This bachelor thesis consists mainly of collections from National Gallery in Prague. The purpose of this work is to reflect Jan van Goyen's marine in the collection of the National Gallery...
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The phenomenon of an ancestral portrait gallery in selected aristocratic collections in Bohemia The Origin, Form, Character, and Presentation of the Lobkowicz and Kolowrat collections
Vráblíková, Anna ; Jarošová, Markéta (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
Annotation: The diploma thesis deals with the phenomenon of the portrait family galleries in the Czech Republic. Thanks to using the example of two important collections - Lobkowicz and Kolowrat, it will be shown how the ancestral portrait galleries were created, what was their significance. The thesis will focus on the evaluation of their installation, and their current state will be discussed as well. The thesis will also focus on the manner and form of presentation of individual works of these family galleries and will try to place them in a broader European context. It will be pointed out both to the client of the works, as well as the painters of portraits. The aims of the thesis will also be to evaluate in which spatial contexts the galleries were located and what representative role they played. Keywords: Portrait, the family gallery, the aristocratic collection, Lobkowicz, the Lobkowicz collection, Kolowrat, the Kolowrat collection.
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The comparison of legal regulations of the sickness insurance in the Czech Republic and the Federal Republic of Germany
Jarošová, Markéta ; Zemanová, Jana (advisor) ; Vysokajová, Margerita (referee)
This submitted thesis deals with legal regulation of the sickness insurance. The thesis consists of nine chapters. The fourth to the seventh chapters, which are based on the legal regulation in the Czech Republic, and the ninth chapter, which is based on the legal regulation of the sickness insurance in the Federal Republic of Germany, are fundamental. The purpose of this thesis is to analyse the legal regulation of the sickness insurance in the Czech Republic and the basic institutes in the legal regulation in the Federal Republic of Germany and compare these two legal regulations. The research is supplemented by a historical survey of the social security, especially the sickness insurance, and by a chapter on the legal regulation valid in the Czech Republic till the end of 2008 and by a chapter focused on the legal regulation of the sickness insurance according to the regulations of the European Union. On the bases of the comparison of both the legal regulations I have arrived at the conclusion that the legal regulations are similar and contain similar institutes because of the close historical development and the social structures. The main sources of information were professional publications and commentaries, articles published in professional journals and web pages.
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The Litoměřice Gradual of 1517
Kabourková, Jana ; Kubík, Viktor (advisor) ; Jarošová, Markéta (referee)
The Litoměřice Gradual of 1517 Subject of this thesis is a detailed analysis of monographic Utraquist Gradual from Litoměřice, dated to the year 1517 (Lovosice, SOA, IV C 1).The study involves a review of the published literature to date on and consistent formal and iconographic analysis decorations. In the introduction, the manuscript was partially studied in terms of cultural and historical context of its origin and dating. The donors, Jakub Ronovský and Vaclav Řepnický, are introduced in the extant sources and in connection with a major Utraquist Brotherhood at the Church of All Saints in Litoměřice. Chapter 2.2 extensively elaborates on the issue of dating the manuscript. Personality anonymous, who painted manuscript, evaluated chapter 2.3. Unknown origin painters compensate in this work a comprehensive study of creative expression illuminators and their possible inspiration. In the foreground are highlighted especially the analogy with the second generation of the Danube School and graphic designs from the late 15th century. The second part of the study elaborates formalized Gradual, the individual illuminated folio orientation puts into context the development of contemporary art on the basis of particularized analogies. Besides the comparison with published choral manuscripts Janicek...
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The Prague painting Saint Luke painting the Virgin by Jan Gossaert called Mabuse
Hamrlová, Anna ; Zlatohlávek, Martin (advisor) ; Jarošová, Markéta (referee)
The National Gallery in Prague conserves an important masterpiece of the Fle- mish mannerist Jan Gossaert. The panel painting Saint Luke painting the Virgin was originally determined for the cathedral of Saint Roumboult in Mechelen in Belgium. The artwork represents one of the first applications of Renaissance style behind the Alps. Gossaert was educated in this new style during a visit to Italy several years earlier and combined it with traditional Flemish art. The artist worked for the court of Margaret of Austria in Mechelen around the year 1513, the year the painting originates. His traditional style became influenced by the techniques used in Mechelen by foreign artists. The theme is painted the tradi- tional manner of work on an oak panel. Renaissance and Gothic architecture is decorated by " en grisaille" sculptures. A seemingly simple theme is given deeper meaning thanks to these objects containing hidden meanings. There are also some prints from the time the panel was in the Saint Vitus Cathedral in Prague due to which we can contemplate the progress in presentation of the painting during centuries. 1
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Typology of Renaissance portico of royal works around mid - 16th century in Bohemia. Kostelec nad Cernymi lesy, Podebrady, Brandys nad Labem
Čermáková, Lucie ; Jarošová, Markéta (advisor) ; Zlatohlávek, Martin (referee)
Renaissance arcades typology of royal architectural works in Bohemia around 1550 A.D. Kostelec nad Černými Lesy, Poděbrady, Brandýs nad Labem. Chateaux owned by ruler Ferdinand I. and situated outside of Prague served as a hunting residences. The buildings became king's property in the 1540th . Various reasons for rebuilding led to conversion from gothic castles to comfortable renaissance chateaux. Renaissance appearance of chateaux with an emphasis on the form of courtyards and arcade's corridors are the main topic of this thesis. Types of arcades are examined on three selected buildings, chateaux in Brandýs nad Labem, Kostelec nad Černými Lesy and Poděbrady. For entire overview of morphology used in renaissance arcades passages it is important to point out noble mansions in whose courts the arcade's corridors were used as well. This thesis specifically attempts to bring the analogy to the selected buildings in the Czech environment and also in foreign countries. The examples in the treatises and the inspiration for certain types of arcades from Antique to the Renaissance period are also reminded.
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Wohlmut's organ choir in St. Vitus, Wenceslaus and Adalbert cathedral in Prague
Urych, Jan ; Jarošová, Markéta (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
This thesis deals with the architectural appearance of the organ choir loft, located at the. St.Vitus,Wenceslaus and Adalbert cathedral at Prague Castle. It was realized between 1556- 1561 by Boniface Wohlmut's draft. The main target of this thesis is a detailed and formal analysis of the organ choir loft. Secondary target features approach of the organ choir functions and it's position in the context of the specific cathedral space. It also features inclusion of this organ choir to wider construction portfolio connected with the Boniface Wohlmut personality. The organ choir will be presented in overall art and historic context of examined period.
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Synthesis and biological evaluation of novel tacrine-tryptophan derivatives
Jarošová, Michaela ; Opletalová, Veronika (advisor) ; Zitko, Jan (referee)
Charles University in Prague Faculty of Pharmacy in Hradec Kralove Department of Pharmaceutical Chemistry and Drug Control Student: Michaela Jarošová Supervisor: Assoc. Prof. RNDr. Veronika Opletalová, Ph.D. Consultant: PharmDr. Jan Korábečný, Ph.D. Title of thesis: Study and biological evaluation of new tacrine-tryptophan derivatives Alzheimer's disease (AD) is a chronic neurodegenerative disease with characteristic histopathological changes in the brain. It is the most common cause of dementia. There is about 7.4 million people affected by AD in Europe today. In connection with aging of the population a significant increase of patients affected by the disease can be expected in the coming years. The cause of neural tissue damage is aggregated amyloid β (Aβ), which disrupts neurons by creating glial hem with consequent inflammatory processes. Hyperphosphorylated τ-protein causes neuronal damage intracellularly by forming so-called neurofibrillary tangles. This leads to macroscopically visible brain atrophy and loss of neurons. Current AD pharmacotherapy is based on influencing the cholinergic system. Acetylcholinesterase inhibitors (AChEIs) - rivastigmine, donepezil and galanthamine are used for this purpose. Memantine, antagonist of N-methyl-D-aspartate receptors (NMDA) has been approved for the...
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