|
|
Personality of Ludmila Kotnauerová
Kopecká, Dominika ; KUSNJER, Ivan (advisor) ; JONÁŠOVÁ, Jana (referee)
This work processed biography significant Pilsen teacher Ludmila Kotnauerová that life has taught singing and was also in establishing vocal department at the Conservatory in Pilsen. In addition to approach private life Ludmila Kotnauerové try to briefly summarize her lifelong pedagogical insights and experiences, including examples of technical exercises and the lessons singing. The necessary information is obtained through personal interviews with Ludmila Kotnauerovou and auditions during her teaching.
|
|
|
Postural function and its influence on singing performance
Janů, Karolína ; JONÁŠOVÁ, Jana (advisor) ; KAUPOVÁ, Helena (referee)
The thesis aims at the classical singing technique within the context of the postural function and the body posture. The center of attention is the question, how does the position of the body taken while singing influences the technical and sound quality of the professional singing performance, considering the close relationship between the classical singing technique and the physiological process of breathing, as well as the close link between breathing and the posture. This topic is being seen from the kinesiological point of view, as well as from the singing point of view and the acquired knowledge is afterwards being applied on the particular vocal piece.
|
|
|
Czech lyric soprano at homeland and abroad
Milotová, Eliška ; JONÁŠOVÁ, Jana (advisor) ; KAUPOVÁ, Helena (referee)
My bachelor thesis contain a couple of Czech most famous and well known singers born in the end of 19th century or during the first two decades of 20th century in Central Europe. All of them had an amazing international succes across the world, mostly in Europe and USA. Thesis describe variety of their voices by diversity of human voice music - and their own development. Singers, who I choosed in this thesis, they were members of National theatre in Prague and this institution had a significant influence for their professional career. National theatre was and nowadays is an important institution in the czech culture.
|
|
|
Genesis and History of czech Musical
Benešová, Zuzana ; PŘÍVRATSKÁ, Jiřina (advisor) ; JONÁŠOVÁ, Jana (referee)
The fundamental subject matter of my Bachelor Thesis is the genesis and history of musicals in the Czech republic. In the first part I explore the genres, which laid the foundations of this form of musical theatre. The following part contains a list and an analysis of the first plays of foreign authors presented on the Czech stages. I go further with listing the most prominent theatres that contributed to the advancement of this phenomenon. I describe their history and leading figures. In the final part I introduce the contemporary musicals performed after 1989 and I also refer to the most modern productions, which attract audience in present times.
|
|
|
The mezzo-soprane line in the National Theatre in Prague (in 20th Century)
Houdková, Nikola ; HAJÓSSYOVÁ, Magdaléna (advisor) ; JONÁŠOVÁ, Jana (referee)
This thesis shall introduce the eight most popular mezzo-soprano singers, that were linked to the National Theatre in Prague within one century. The introduction explains why I have chosen this very topic and what was my intention to achieve with this work. The first chapter describes the history of the National Theatre in Prague, the circumstances of its foundation and the eminent personalities, which contributet to its creation. The following eight chapters introduce the mezzo-soprano singers in detail, refer to their musical beginnings, studies, successes, experience, ideas and artistical ambitions. I summarize in the conclution, wheter I managed to achieve everthing I wished and explain the contribution of the work.
|
|
|
Utilization of Mathematical Methods to Evaluate Savings Accounts
JONÁŠOVÁ, Jana
The goal of this dissertation is to show the way how to compare various bank offers by means of variations' multi criterial assessment and to explain the workings of savings accounts. The methods were applied to 10 savings accounts. The advantage of these methods is the fact that they take into consideration the importance of criterions chosen by clients themselves. As a result, the individual savings accounts are listed in order from the best to the worst. Thus the best option determined directly to the client can be recommended to him. There are 5 various methods by which the rankings can be determined. The results are more accurate and the client can get the absolutely right option's recommendation.
|
|
|
"Czech" Nabucco in Germany
Hlaváčková, Petra ; MÁROVÁ, Libuše (advisor) ; JONÁŠOVÁ, Jana (referee)
This thesis deals with nthe emergence of the summer festival Nabucco. The first part introduces the opera by Giuseppe Verdi and opera storyline and characters. The second important part is focused on the actual implementation of the project and interviews with key personalities involved in the performance itself. The aim is to outline the work processes that lie behind the final performances of Nabucco productions.
|
|
|
Art of coloratura Soprano
Dolejší, Anna ; JONÁŠOVÁ, Jana (advisor) ; PŘÍVRATSKÁ, Jiřina (referee)
The theme of " Art of coloratura soprano" I chose because it is closely related to program of my graduation concert, which included arias from the field altogether. In the first part of my work I try to clarify the meaning and usefulness of technical resources associared with coloratura technigue for lyric sopranos. Another part deals with the history and distribution of the roles within this fields.
In the part I present elected representatives Edita Gruberova, Jana Jonášová and Maria Tauberova, which are very significant contributions on the field in the coloratura soprano, and clarify individual positive contribution of these singers to my person. I map the developmental stage of these three singers, I deal with theoretical studies of their repertoire at any given stage, and I evaluate it. I try to use audio recordings to master some technical means of expression of an individual performers, to embrace it and then to implement to my own interpretation of the arias ( Carolina - The Two Widows, Bedrich Smetana, Gilda - Rigoletto, Giuseppe Verdi, Lucia di Lammermoor, Gaetano Donizetti).
|
|
|
Rachmaninov and his operas.
Viskotová, Edita ; Přívratská, Jiřina (advisor) ; Jonášová, Jana (referee)
In this work I attempt to summarize the life and work of Sergei Vasiljevič Rachmaninov. He was one of the most important figures of the first half of the twentieth century. He achieved the highest posts as a composer, an interpreter and conductor. Proof of his exquisite piano playing are numerous recording which we still have today. It is interesting to note that it was the Japanese who first attempted to restore these recordings. Thanks to them, we are able to hear and appreciate the mastery, exceptional musicianship and technicel perfection of Rachmaninov. His piano works are at the pinnacie of the composition Word. His third piano concert is thought of as the apex of interpretative art. He recorded all of his four piano concerts including Rhapsody on Paganini´s theme, under the battons of E. Ormandym and L. Stokowki. His second piano concert alongside Tchaikovsky is the most played concert ever.l His operas remain somewhat in the shadow of his other famous compositions; however it is only a question of time until we shall witness new productions which will bear ligth on their merit.
|
|
|
View of today´s young people to opera and operatic production
Havránková, Petra ; Jonášová, Jana (advisor) ; Hajóssyová, Magdaléna (referee)
This work deals with a brief history of opera up to 21st century and briefly describes the opera houses in Prague. Reveals the painful political background of opera houses ans points to the unpleasant political situation of the Prague State Opera. I focus here on the musocal literacy of young people and I am trying to answer the question why today´s education in music is so low. The document includes also a small research that seeks to uncover the views of young people to opera and operatic production in this country. In the second chapter examined the information and describes my personal opinion as to how the situacion could be resolved. Finally I placed the thanks and look back at previous chapters.
|
guest ::
