Original title: Filmový scenár ako denník
Translated title: The script as a diary
Authors: Godovič, Marek ; Ulver, Stanislav (advisor) ; Vajchr, Marek (referee)
Document type: Master’s theses
Year: 2009
Language: slo
Publisher: Akademie múzických umění v Praze. Filmová a televizní fakulta AMU. Knihovna
Abstract: [cze] [eng]
Magisterská teoretická práca "Film ako denník. Denník a jeho dve podoby v osobných dokumentoch Martina Šulíka a Naomi Kawase" se zamierava na definovanie a stručné vymenovanie denníkových premien v leteratúre, fotografiia filme. Ide o osobné dokumenty, ktoré kladú doraz nie na faktografiu, ale na pocitovú a emočnú stránku osobnost. Práca sa bližšie venuje príkladom dvoch podob osobných dokumentov spracovaných na základe denníkov slovenského režiséra Martina Šulíka (Poslední cesta Lemuela Gullivera aneb Klíč k určován trpaslíků) a japonskej rešisérky Naomi Kawase (Tiene) The thesis "The script as diary. the diary and his two examples in the personal documents by Martin Šulík and Naomi Kawase" is interesting in the definition and summary of diary changes in the literature, photography and film. The autthors writes about personal documents, which focus not the facts about life, but more in the emotional feelings of persons. the thesis focuses more on the two examples of personal documents, which are inspirated by the diaries: the documents by slovak film director Martin Šulík (The Key for Determining Dwarfs or The Last Travel of Lemuel Gulliver) and japanese a director Naomi Kawase (Shadows)

Institution: Academy of Performing Arts in Prague (web)
Document availability information: Available to registered users in the Digital Repository of Academy of Performing Arts.
Original record: http://hdl.handle.net/10318/4758

Permalink: http://www.nusl.cz/ntk/nusl-79156


The record appears in these collections:
Universities and colleges > Public universities > Academy of Performing Arts in Prague
Academic theses (ETDs) > Master’s theses