Original title: Postmoderní divadelnost v tvorbě Viliama Klimáčka
Translated title: POSTMODERN THEATRALITY IN THE WORKS OF VILIAM KLIMÁČEK
Authors: Páleníková, Zuzana ; Král, Karel (advisor) ; Vedral, Jan (referee)
Document type: Bachelor's theses
Year: 2007
Language: cze
Publisher: Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna
Abstract: [cze] [eng]
Viliam Klimáček je považovaný za najznámejšieho a najúspešnejšieho súčasného slovenského dramatika, nazývaného aj "slovenský Čechov". Jeho tvorba je úzko spätá s bratislavským divadlom GUnaGU, ktorého je spoluzakladateľom. Od roku 1985 tu pôsobil ako amatérsky herec, muzikant, režisér, autor a spoluautor. Klimáčkova poetika a inscenačný štýl GUnaGU, ktoré sa od začiatku vzájomne ovplyvňovali, nesú určité známky postmodernej estetiky. Chcela by som v tejto práci preskúmať klimáčkovskú divadelnosť, jej špecifické črty ako aj vlastnosti, ktoré ju zaraďujú do širších umeleckých súvislostí. Moja anlýza bude založená nielen na teoretickom výskume, ale aj na praktickej skúsenosti z inscenovania jednej z jeho hier - Márie Sabíny. Viliam Klimáček is nowadays the most known and most successful Slovak playwright. He is also called The Slovak Chekhov. His career began in 1985, when he co-founded an amateur theater company GUnaGU in Bratislava where he started as an actor, musician, director and co-author. As time went by, GUnaGU became professional and Klimáček left his original occupation ? medicine. The poetics of his plays and the artistic style of the company influenced each other through the years and became interdependent. Both show obvious signs of what we can call postmodern aesthetics. In this work we try to analyze the specificity of Klimáček?s and GUnaGU?s style and we try to place it in some larger context. This analysis is not only based on theoretical research but also on a practical experience of directing one of his plays ? Maria Sabina.

Institution: Academy of Performing Arts in Prague (web)
Document availability information: Available to registered users in the Digital Repository of Academy of Performing Arts.
Original record: http://hdl.handle.net/10318/3539

Permalink: http://www.nusl.cz/ntk/nusl-78349


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Universities and colleges > Public universities > Academy of Performing Arts in Prague
Academic theses (ETDs) > Bachelor's theses