Original title: Tradice antifon post Pentecosten ve středověkých hudebních pramenech. Komparace a analýza repertoáru.
Translated title: Tradition of Post-Pentecosten Antiphons in Medieval Musical Sources. Comparison and Analysis of the Repertory
Authors: Demská, Štefánia ; Eben, David (advisor) ; Ciglbauer, Jan (referee)
Document type: Master’s theses
Year: 2017
Language: slo
Abstract: [eng] [cze]
This study deals with problems of identity of the office antiphons performed in the period after Pentecost. Mentioned antiphons belong to the New Testament canticle Benedictus for laudes and Magnificat for vespers. This part of the office is not so carefully regulated and between the European traditions occur variations. So this material was used for the determination of each tradition. The variability was not only in the selection and order of antiphons, but also in texts and melodies. After my analysis of the individual Post-Pentecost antiphons in several European medieval sources I found out that in certain cases with the same antiphon text appear completely different melodies or significantly different melodic variations. Due to this fact, in my opinion, is necessary to work with the musical part of this repertoire, consequently sort these chants not only according to the text, but also according to the melody. The ability to assign to the antiphons Melody ID based on the melody of chants (except Cantus ID based on the text) allows us to observe links between traditions which used this melody. In this way it is possible to reveal the relationships between the centers, which were performing the office repertoire. Keywords antiphon, office, manuscript, liturgical year, Pentecost, traditions,... Táto práca sa zaoberá problémami identity antifon officia v období post Pentecosten. Uvedené antifony patria ku novozákonným kantikám Benedictus pre laudes a Magnificat pre nešpory. Uvedená časť officia nie je až tak regulovaná a tak sa medzi tradíciami objavujú rôzne odchýlky. Tento materiál je teda vhodný na určenie jednotlivých tradícii. Variabilita sa netýka len výberu a usporiadania antifon v rámci série, ale aj textov a melódii antifon. Po dôkladnej analýze celej série antifon post Pentecosten sa ukazuje, že v niektorých prípadoch sa pri antifonách s totožným textom vyskytujú úplne odlišné melódie alebo výrazné melodické odchýlky. Z tohto dôvodu je podľa mňa nutné pracovať aj s hudobnou zložkou vybraného repertoáru, teda spracovať antifony nielen z hľadiska textov, ale aj melódii. Možnosť priradiť antifonám melody ID založené na melódiách spevov (okrem cantus ID založenom na texte) nám umožňuje sledovať väzby medzi tradíciami, ktoré danú melódiu použili. Týmto spôsobom je možné odhaliť vzťahy medzi centrami, ktoré predvádzali repertoár offícia. Kľúčové slová antifona, offícium, rukopis, liturgický rok, Sviatok Sv. Ducha, tradície, melodické varianty
Keywords: antiphon|office|manuscript|liturgical year|Pentecost|traditions|variants of melodies; antifona|offícium|rukopis|liturgický rok|Sviatok Sv. Ducha|tradície|melodické varianty

Institution: Charles University Faculties (theses) (web)
Document availability information: Available in the Charles University Digital Repository.
Original record: http://hdl.handle.net/20.500.11956/93006

Permalink: http://www.nusl.cz/ntk/nusl-369838


The record appears in these collections:
Universities and colleges > Public universities > Charles University > Charles University Faculties (theses)
Academic theses (ETDs) > Master’s theses