Strukturálně fenomenologické úvahy o estetice ozvláštnění ruských formalistů

Flack, Patrick

In their seminal studies in literary theory and poetics, the Russian formalists (Šklovskij, Tynjanov, Jakobson, etc.) famously claim that aesthetic experience amounts to a self-valuable, concrete act of perception functionally induced and conditioned by the formal structure of a work of art or literature. This aesthetic principle, christened by Šklovskij as "estrangement" (ostranenie), played an instrumental role in the formalists' contribution to the establishment and development of literary theory as an autonomous scientific discipline. It has also regularly inspired other thinkers and provided the impetus for productive new insights on art or literature, a fact that seems to underline its acuity and relevance. At the same time however, the formalists' "strange" account of art and literature has been routinely disparaged for being altogether inadequate, philosophically flimsy and descriptively too narrow. Critics have pointed out that the formalists' assertions on the topic of perception rest but on a set of ad hoc psychological hypotheses and are overly determined by their specific scientific aims and modernist prejudices. Worse, the principle of estrangement has been credibly attacked for being semiotically naïve and for stripping art and literature of any "content" or meaning, to say nothing...

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