Original title:
ODKAZ JOHNA CAGE POHYBOVÉMU DIVADLU
Translated title:
JOHN CAGE´S LEGACY TO MOVEMENT THEATRE
Authors:
Fröhlichová, Marie ; PETIŠKOVÁ, Ladislava (advisor) ; MATOUŠEK, Vlastislav (referee) Document type: Bachelor's theses
Year:
2013
Language:
cze Publisher:
Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna Abstract:
[cze][eng] Tato prace si vytycila za cíl obeznámit ctenare s pusobením amerického skladatele Johna Cage ve 20. století predevsim ve vztahu k tanci, pohybu a divadlu.
Nejprve popisuje skladateluv hudebni vyvoj, systemy a principy prace, ke kterým na základe hudební praxe dospel. Poté vysvetluje, jak byly tyto principy Cagem aplikovány v ostatních umeleckych oborech se zamerením pozornosti prave na tanec, pohyb a divadlo.
V zaveru se prace soustreduje k odkazu, jez John Cage umeni a divadlu zanechal, tedy k jeho vlastní zivotní filosofii, která se vyvíjela po dlouhá léta jeho tvorby a ve které nakonec Cage dospel k jednoduchému presvedceni, totiz, ze nejdulezitejsí je existence hudby a zvuku jako takových.This work is aimed to acquaint the reader with the work of American composer John Cage in 20th century primarily with his work related to dance, movement and theatre.
First of all, it describes the composer's musical development, systems and principles of his work that he reached on the basis of his music practise. After explaining how the Cage applied these principles in other artistic disciplines attention is focused to dance, movement and theater.
In conclusion, the work focuses on the reference of John Cage's art and theater legacy ? This, his own life philosophy, which had been develo- ped for many years of his work and in which Cage came to simple persuasion - the most important thing is the existence of music and noises as themselves. The essence of existence of noises.
Keywords:
Cage, John, 1912-1992; divadlo; pohybové divadlo; tanec; život a dílo
Institution: Academy of Performing Arts in Prague
(web)
Document availability information: Available to registered users in the Digital Repository of Academy of Performing Arts. Original record: http://hdl.handle.net/10318/7886