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What makes realism real?
Skala, Adam ; NEBESKÝ, Jan (advisor) ; SCHEJBAL, Milan (referee)
The work consists of two parts. The first one focuses on the phenomenon of realism and realist tendencies during the process of creating a stage production. The work explores the evolution of the propensity for realist representation in the course of history. It focuses especially on the modern realism of the German director Thomas Ostermeier. It also tries to examine realism in its social context and define its role in society‘s development. The second part focuses on author‘s personal experience during creation of stage productions mainly, but not entirely, in work done for the university.
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Antic theather by eyes of Milan Sládek
Biel, Petr ; PETIŠKOVÁ, Ladislava (advisor) ; BENČIK, Juraj (referee)
This work focuses on life, theatre works, and specific point of wiev on antic theather by eyes of the world famous mime Milan Sládek. Discusses about progresion of this significant mime actor life, about his specific acting style, documenting proces of creation inscenation Antigone, reflect audience reaction on this inscenation and finally presenting mistr Milan Sladek in his humane position.
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Conversations with Jindřiška Křivánková
Fröhlichová, Marie ; SOPROVÁ, Jana (advisor) ; HALAŠ, Adam (referee)
The aim of the thesis is to describe the principles of creativity of Jindřiška Křivánková, senior professional and a highly experienced theatre performer; and confront her way of thinking and creativity with my own artistic view and my skills gained during my time of study at HAMU. Thereafter, the thesis will first elaborate on her theatre development, from the beginning of her carrier until now. Further it will addresses the major aspects and circumstances that led to her prospering in the field. It also examines the influence of particular personalities that helped her to develop her distinct views on theatre. A further discussion on the various aspects of artistic creation and creative process in a mutual confrontation of the two of us, in which we touch not only broad general issues concerning the culture and theatre, but also the special approaches towards it.
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FILLING A MOVEMENT SCORE
Debnárová, Barbora ; HORÁK, Roman (advisor) ; SOPROVÁ, Jana (referee)
This master thesis highlights one way of specifying a relationship of topic and content in the present mimical theatre. Most importantly it deals with finding, creating and functioning of body expression form. It comes from an analysis of graduation (master) performance Uroboros and on the basis of the analysis it names some of principles, with which the actual movement theatre works-
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School of Art Brno
Scholzová, Simona ; ing.arch. Lukáš Ležatka, Ph.D (referee) ; Pavlovský, Tomáš (advisor) ; Sobotka, Jindřich (advisor)
Based on the study, developed in the course of the AG32 second year, is compiled following thesis that the study further expands into the stage of documentation for building permits and documentation for the execution of the project. The central theme is Art School in Brno, the construction site was entered on Kraví Hora in Brno Veveří. In the vicinity of the area is a park on Kraví Hora, Observatory and Planetarium in Brno, swimming pool Kraví Hora, allotments adjacent to the north and east sides of buildings and tennis, baseball and tennis halls at the southern boundary. The land is sloping, which had the effect of rendering the building. The idea was to create a building for the wider public offering leisure activities in the arts. The concept became a sector of a circle with the same center, surrounding amphitheater with a stage and incorporated into the existing terrain. The result was a two-storey building with a spacious terrace. The facade is patterned wooden slats supported by a contrasting dark gray facade in combination with glass surfaces. The public space around the school has landscaping. The school then becomes part of a large park open to the public amphitheater seating. The building has cultural and educational function, associated with the commercial function, which represents a cafe and leasable hall. The overall look with an organic, but also rational impression.
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Air conditioning in the theater
Lenhart, Marek ; Vlček, Petr (referee) ; Blasinski, Petr (advisor)
The Bachelor’s dissertation is divided into three parts: theoretical, computational and design. The theoretical part is focused on heat recovery systems in air condition. The computational and project part deal with the design of air ventilation, heating and air conditioning theater.
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Marketing Strategy of Community Centre Rubín in Brno
Varmužová, Romana ; Urbánek,, Jiří (referee) ; Chlebovský, Vít (advisor)
The main objective of this thesis is the description and complex evaluation of the functioning of the Cultural House Rubin in Brno Žabovřesky in the context of the neighborhood and the city, and create a strategy for its further development. Thesis deals with marketing of culture and describes the functioning of the House of Culture, its program and service offerings, visitors and defines its position within the city. It also contains characteristics of major competitors in the cultural context and sets hypotheses for the practical examination.Research part consists of quantitative research - in the form of a survey among the target audience. The conclusion contains a summary of findings from the theoretical part and practical research and their incorporation into the overall marketing strategy of Community Centre Rubín in Brno.
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Expérience Grand-Guignol: a project description from the viewpoint of the dramaturg
Kebrtová, Helena ; HANČIL, Jan (advisor) ; SCHEJBAL, Milan (referee)
This Master Thesis describes the Expérience Grand-Guignol project, consisting on the one hand of research of the texts preserved in the Parisian Theatre Grand-Guignol (1897 – 1963) and on the other hand of a graduation performance in Theatre DISK which staged four plays from the repertory of this famous theatre of horrors. The Expérience Grand-Guignol project explored in practice various approaches to the historical material of Grand-Guignol placed in a contemporary context. It examined limits of the genre and methods of staging favorable to the Grand-Guignol experience today. The thesis is structured in three parts. The first part presents the Grand-Guignol theatre phenomenon, its history and theory compiled from accessible literature. The second part is dedicated to a detailed preparation and realization of the project. It presents four performed shows, including the overall set design and storyline, which provides the frame for the cycle. The last part presents a short reflection on fear as an effect of a theatre performance, a summary of observations from the practical examination, and an evaluation of project.
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Symbol and physical theatre
Votočková, Kateřina ; SOPROVÁ, Jana (advisor) ; BENČIK, Juraj (referee)
The aim of the thesis is to survey the connections among basic concepts like symbol, archetype, story in connection with their use in physical theatre. The symbol itself is more visual than verbal and therefore it works as one of the basic elements of the physical theater production. By defining common definitions seen in the wider context associated with the concepts of physical theater – whether it's mimésis, sign, symbol or archetype – the thesis aims towards the essence of the nonverbal dramatic works, namely the plot and the story. I link overall conclusions of researched terms and practical production concept on example of project Uroboros by Barbora Debnárová.
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