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"The Grand Conspiracy: A Lacanian Reading of Contemporary Conspiracy Theories"
Bohal, Vít ; Armand, Louis (advisor) ; Vichnar, David (referee)
The numerous and varied conspiracy theories which circulate in the contemporary discourse are subject to hyperstition, insofar as they are grouped into wider, more elaborate structures. Some of them become hierarchic to such a degree, that they may, in Michael Barkun's typology, be labeled as "superconspiracy" constructs. No author is more prolific and systematic in the crafting of these constructs than the guru of anglophone conspiracy theory belief, David Icke. The work attempts to keep as its object of study the work of David Icke and his "reptoid hypothesis," as it is effectively one of the most elaborate and baroque conspiracy theories which populate contemporary political discourse. It is Icke's oeuvre which this thesis attempts to recontextualize within the confines of critical social theory and Žižekian psychoanalysis. The existence of a "paranoid style" as professed by Richard J. Hofstadter can be noted throughout the history of western culture, from the Homeric gods, scheming behind the scenes, to its modern incarnations culminating in the superconspiracy constructs of David Icke, Alex Jones, and others. The work focuses not on specific conspiracy theories and their claim to facticity, but rather attempts to trace the structural features of Icke's construct and establish their underlying...
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Stereotypes in the Works of Jára Cimrman
Bulejová, Hana ; Bílek, Petr (advisor) ; Činátlová, Blanka (referee)
This thesis deals with the dramatic work of Jara Cimrman, which is based on the cooperation of two authors named Zdenek Sverak and Ladislav Smoljak. In the introductory chapters we analyze the genesis of mystifying legend named Jara Cimrman, then his way from the radio show to the theatre and also his own cult, which all leads to the general poetics of the Theatre of Jara Cimrman. We can find some related attributes in this theatre, like specific acting, phenomenon of their workshops and imaginative humour. All of these attributes leads to the definition of repetitive stereotypes in the plays of this theatre. In this thesis we also try to define the genre of the plays, also their subject matter, topics and their motives. The aim of this thesis is to describe these motives and also its gradual progress as in the particular dramas, so in the social atmosphere of those days.
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