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Light like a dramatic expression tool in cinematography
Pavelek, Tomáš ; ŠPELDA, Josef (advisor) ; MACÁK, Jiří (referee)
This thesis focuses on the importance of light as one of the main aspects of filmmaking and as a main tool for creation of atmosphere in cinematography.
I mention some expressive cinematographer's styles in the history of cinematography and how different the work with light was in the context of the era.
I focus on realistic and logical way of work with light and on technical and technological cinematographer's tools
which enable this work and help him to create the light atmospheres and support the script to be perfectly visually translated.
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LIVE - music, image, emotions
Elšík, Adam ; ŠPELDA, Josef (advisor) ; MYSLÍK, Jiří (referee)
I personally love to watch LIVE concerts. The goal of LIVE watching is to be in place and at times outside space and time. To feel to be present.
As a spectator I try to experience the story of music. As a creator I look for possibilities I have and can use. The goal is to point out the possibility to change the view on the genre with which every one of us meets as a spectator or as creator.
I will always be influenced by my personal opinions, experience and preferences. The thesis points out the different possibilities how to understand term LIVE. Different rules and methods of processing formal as well as artistic. The audience will be recommended where and how LIVE should be meaningfully watched, thus determining the end viewer himself.
Specific ways and possibilities of production allow a wide variety of processing of the resulting work. However, the creators should follow the principles and rules of filming without compromise, otherwise the quality of the result can be negatively affected.
Thesis was written thank to consultations with specialists in the field, who very positively formed the result. From my musical taste and preferences in musical genres I've chosen the examples which could be pointed as average. Therefore this thesis should be understandable for the widest circle of readers.
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Light sources and their use in cinematography practice
Pavelek, Tomáš ; ŠPELDA, Josef (advisor) ; MACÁK, Jiří (referee)
This thesis is written in the genre of manual with reflection of a problem and focuses on the importance of light as one of the main aspects of filmmaking and as a main tool for creation of an atmosphere. That are examples of the key expressions, which are used and described in the text: light ratio, light as a source of shadow, characteristic of the light, light perspective, color temperature, reflectance, skin tone, light design for film stock and digital camera. In order the problematic of lights sources with different color temperature is presented, so as the aspects of shooting low light chiaroscuro atmospheres, Inverse-square law usages, light source as a part of the frame, shooting in small scale locations and shooting with multiple cameras.
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The means of expression in Darius Khondji's films
Fantová, Klára ; KOBLOVSKÝ, Petr (advisor) ; ŠPELDA, Josef (referee)
The objective of this thesis is to describe the differences between the means of expression of the cinematographer Darius Khondji on examples of his three films. I describe how these differences affect the resulting visual stylization. In this thesis I focus on both technical and artistic aspects of his approaches. In the selected films I compare the contrast, lighting, color concepts, camera angles and camera movement. I describe also Khondji's approaches in relation to the dramaturgy of the story.
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Technical Aspects of Imaging in Cinematography
Paluš, Radim ; Špelda, Josef (advisor) ; Košťál, Emil (referee)
This thesis is focused on practical tests of contemporary video technology, comparing several standard and high definition camcorders, to find out it´s real qualities, also compared to the digital intermediate technolgy. At the end there is a list of the best tools available for digital cinematography questioning if it can be compared to the quality of film or if it insn´t already better.
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