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Concert-Hall Brno
Špondrová, Hana ; Šrubař, Pavel (referee) ; Odvárka, Antonín (advisor)
This study addresses the design of a new cultural center in the Moravian Square – a polyfunctional object with a great concert hall, a small multifunctional hall with operating and technical facilities, parking, customer services for visitors, and areas for employees and musicians. Also, a restaurant & cafe is a part of this proposed project. New space replaces the unsatisfactory conditions of the current residence of Brno Filharmony in Besední dům – too small, unsatisfactory acoustics, and complicated operation. The cultural center, also, serves as a congress center that is currently missing in Brno - a city of trade fairs and exhibitions. The proposition respects the existing character of the park. The capacity of the new proposed design is from three-quarters underground, and therefore makes a way (nebo „space“) for greenery and pedestrians. The designed object consists of one ground and two underground levels. It has a simple shape with a greenery roof, and is incorporated into the existing spaces of the square. The distinctive element of the design is an open outside atrium in the first underground level. The facase is covered with boards (nebo „panels“) made out of Corian® material in a white shade of Glacier White in contrast to glass windows. The supporting construction is designed from monolithic iron concrete.
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Music as a public space - New concept of Brno Philharmonic
Kamená, Markéta ; Mutina, Petr (referee) ; Wahla, Ivan (advisor)
The Philharmonic building is designed as a circular central building located in the center of an elliptical water ring. The house moderately expands to upward by an angle of ten degrees. This compositional princip implicitly refers to the morphology of ancient temples, but his reasoning is mostly functional. The water ring has a maximal size considering the size of the park, in spite of it is a significant limit for dimensions of the object. First floor therefore builds up the smallest possible surface area of the ring and each higher floor is increased according to the need of the philharmonic, especially so the floor area suffises to the big amount of dressing rooms and rehearsal. The total cubic capacity of the object is almost minimalist, a concert hall and other necessary equipment is designed in the lower limit of the minimum dimensions. The philharmonic is opened to the neighborhood around the perimeter of all floors, behind the facade common life takes place, this fact makes the building visually interesting. In the daylight, when traffic is muted, it gives the impression of the stoic temple, but in the evening it "coming to life". Architectural expression is subordinated to this princip. The facade is designed from structural glazing, to achieve the greatest possible effect of transparency. The abstract shaping without natural scale of the window or other articulated architectural elements is chosen with respect to the principle philharmonic as a temple of music, not primarily "only" public building. Requirements for the indoor climate indicate a need of the interior shading. In accordance with previous principles the shading elements are chosen abstractly as continuous vertical wooden beams starting at different height with respect to public space inside of the building.
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Gallery of modern art
Husárová, Anette ; Kipila, Lubomír (referee) ; Boháč, Ivo (advisor)
The conceptual design of the Gallery of Modern Art is created with the aim to build the timeless social and cultural center, situated in urban conservation zone, which is in the connection with the cultural axis of the existing round avenue of Brno. The proposed building is located in the Moravian Square, in the place of the existing park. It is a neoplasm in the historic space, which is adding the uniqueness of surrounding by its concept. This proposed building will reflect the most modern architectural, building and construction elements.
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Gallery of modern art
Husárová, Anette ; Kipila, Lubomír (referee) ; Boháč, Ivo (advisor)
The conceptual design of the Gallery of Modern Art is created with the aim to build the timeless social and cultural center, situated in urban conservation zone, which is in the connection with the cultural axis of the existing round avenue of Brno. The proposed building is located in the Moravian Square, in the place of the existing park. It is a neoplasm in the historic space, which is adding the uniqueness of surrounding by its concept. This proposed building will reflect the most modern architectural, building and construction elements.
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Studie vybraného městského prostoru
Pôbiš, Michal
This bachelor thesis titled Study of chosen urban space, puts emphasis on current situation and historical development of urban spaces. Theoretical part focuses on literary research, explanation of terminology related to the topic and origins, development and direction of public urban space. Thesis also shows examples of transformed public spaces, which demonstrate appropriate approaches to solving problems of various urban circumstances. Project part of the thesis consists of conceptual design of chosen area, Moravian square in Brno. The design thrives to restore the area with regard to its rich history, direct connection to the city centre and connection to the urban green space system.
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Concert-Hall Brno
Špondrová, Hana ; Šrubař, Pavel (referee) ; Odvárka, Antonín (advisor)
This study addresses the design of a new cultural center in the Moravian Square – a polyfunctional object with a great concert hall, a small multifunctional hall with operating and technical facilities, parking, customer services for visitors, and areas for employees and musicians. Also, a restaurant & cafe is a part of this proposed project. New space replaces the unsatisfactory conditions of the current residence of Brno Filharmony in Besední dům – too small, unsatisfactory acoustics, and complicated operation. The cultural center, also, serves as a congress center that is currently missing in Brno - a city of trade fairs and exhibitions. The proposition respects the existing character of the park. The capacity of the new proposed design is from three-quarters underground, and therefore makes a way (nebo „space“) for greenery and pedestrians. The designed object consists of one ground and two underground levels. It has a simple shape with a greenery roof, and is incorporated into the existing spaces of the square. The distinctive element of the design is an open outside atrium in the first underground level. The facase is covered with boards (nebo „panels“) made out of Corian® material in a white shade of Glacier White in contrast to glass windows. The supporting construction is designed from monolithic iron concrete.
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Music as a public space - New concept of Brno Philharmonic
Kamená, Markéta ; Mutina, Petr (referee) ; Wahla, Ivan (advisor)
The Philharmonic building is designed as a circular central building located in the center of an elliptical water ring. The house moderately expands to upward by an angle of ten degrees. This compositional princip implicitly refers to the morphology of ancient temples, but his reasoning is mostly functional. The water ring has a maximal size considering the size of the park, in spite of it is a significant limit for dimensions of the object. First floor therefore builds up the smallest possible surface area of the ring and each higher floor is increased according to the need of the philharmonic, especially so the floor area suffises to the big amount of dressing rooms and rehearsal. The total cubic capacity of the object is almost minimalist, a concert hall and other necessary equipment is designed in the lower limit of the minimum dimensions. The philharmonic is opened to the neighborhood around the perimeter of all floors, behind the facade common life takes place, this fact makes the building visually interesting. In the daylight, when traffic is muted, it gives the impression of the stoic temple, but in the evening it "coming to life". Architectural expression is subordinated to this princip. The facade is designed from structural glazing, to achieve the greatest possible effect of transparency. The abstract shaping without natural scale of the window or other articulated architectural elements is chosen with respect to the principle philharmonic as a temple of music, not primarily "only" public building. Requirements for the indoor climate indicate a need of the interior shading. In accordance with previous principles the shading elements are chosen abstractly as continuous vertical wooden beams starting at different height with respect to public space inside of the building.
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