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Spoirituals, Sacred Songs of the American Negro
Bauer, Pavel ; Tvrdek, Petr (advisor) ; Bravená, Noemi (referee)
This diploma thesis "Spirituals, sacred songs of the American Negro" deals with the Negro spiritual, the conditions of its origin; and how they influenced the music culture - at first in the USA, later on in Europe, nowadays all over the world. Afro-American spirituals originated the elements of the whole scale of that is now called modern music (blues, jazz, rock'n'roll, pop-music etc.). To elected lyrics there are invited melodies, for to catch the poetry of the spirituals. Spirituals influenced a number of the composers in fin de siécle (from Czech ones we can mention Antonín Dvořák on the field of classical music, and Jaroslav Ježek on jazz). We can find them even in the hymn-books of some churches.
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Church Music of Johann Sebastian Bach
Staňková, Eva ; Tvrdek, Petr (advisor) ; Špačková, Alena (referee)
Annotation: Málková, Eva. Church Music of Johann Sebastian Bach. Prague: Hussite Theological Faculty, Charles University, 2012. Thesis. The aim of this thesis is to introduce church music of Johann Sebastian Bach and its theological announcement. By looking up and appraising musical-theological elements at Bach's work this thesis brings near to the reader the theological, philosophical and mystic thinking of Bach. By pre-understanding and complexity of perception of Bach's church music is possible to see deep sense and aim of artist's work. In the first (theoretical) part I am engaged in systems of thinking that could Bach's church work influence. Then I am specifying the pieces that are supposed to be church music. In the second (practical) part I am looking for musical- theological elements that could Bach be influenced with. By researching of Bach's artistic style I am trying to find correlation of musical and theological contents and I am trying to point out that the message of Bach's church work is relevant.
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Methodology of playing the flute of children from four to six years
Bezchlebová, Pavlína ; Leontovyčová, Jana (advisor) ; Tvrdek, Petr (referee)
This thesis Methodology of playing the flute of children from 4 to 6 years deals with the problem of learn to play the flute preschool children. The theoretical part deals with the importance of this activity, its contribution to the children themselves. It focuses on the developmental characteristics of this period, the physical and mental maturity, the skills needed for learning to play flute. It also compares the methodology and the methodology of music education games on the soprano recorder for children of school age and younger children. The practical part deals with the specific methodology you learn to play the soprano flute - using the "color music". Describes the formation method, its advantages for the acquisition of flute playing children 4 to 6 years, application of methods in teaching and, not least, textbook design, the concept would be based on this method.
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The Second Liturgy of Czechoslovak Hussite Church
Basl, Vojtěch ; Kolář, Pavel (advisor) ; Tvrdek, Petr (referee)
Presented work has in its first part tried to evaluate both textual and theological development of the liturgy in the Czechoslovak (Hussite) church. It has focused on Farsky's translation of the Roman Mass from 1919, first liturgical reforms of the young church, liturgical diversification and unifiction in newly conceived liturgy by Karel Farsky in 1923. The work further follows development of such liturgy, especially its revision in 1939 and attempts of liturgical renewal in seventies and eighties of the twentieth century. The final conclusion of the thesis resides in stating that revision was crucial for blurring certain parts of Farsky's liturgy. It was not conciliated with Učení, official doctrinal document of the Church, and also didn't stay in line with its origin. The main part of the work is focused on analysis of singular parts of Second Liturgy s it was adopted by Assembly in 1991. We attempt to compare this liturgy with earlier versions as mentioned above. This thesis particularly states, that recent version of the Second Liturgy presents two parts of the liturgy of the Word,when the first reading is sharply distinguished from the rest. Furthermore, Opening antiphon (Introit) and Communium antiphon (Communio) are misleadingly placed. In fact, only Offertory antiphon (Offertorium) is located...
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The Comparasion of Funeral Rituals in RCC, ECCB, CHC
Bjolková, Gabriela ; Kolář, Pavel (advisor) ; Tvrdek, Petr (referee)
This thesis deals with a funeral and rituals connected with it. After the introduction, in the second part it follows the development of the Christian funeral rituals and briefly sets them in a historical context. The next parts are devoted to the selected Churches: they are the RCC, ECCB and CHC, firstly, their development connected with the topic is described, then, on the basis of the current agendas, a comparison through analytical and comparative methods of the selected parts of the ritual is carried out. The pieces of knowledge are summarised in the Conclusion together with a reflection of the phenomenon of death and church rituals connected with death in today's society.
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Gregorian Chant in the Liturgy of the Church
Křížová, Zuzana ; Špačková, Alena (referee) ; Tvrdek, Petr (advisor)
The aim of this thesis is to illustrate the perception of a Gregorian Chant in a historical context. It is far from being easy mainly because of the fact that there is unanimous contention - even among musiologists - which chants could or should be understood under this contention. In the first section of the historical part I was trying to describe the sources of latin liturgical chants, the sources of Gregorian Chants and personality of pope Gregory the Great. The theoretical section is dealing with the gregorian notations, melody, rhythm, particular forms, parts of church mass ordinarium and proprium and finally, gregorian text.
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