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National Repository of Grey Literature 2 records found  Search took 0.01 seconds. 
Minimalism, inventions in contemporary dance creation
 Stupecká, Kateřina ; ELIÁŠOVÁ, Bohumíra (advisor) ; WIESNER, Daniel (referee)
Describing the understanding of the term ´dance minimalism´ is the content of this theses. Following the minimalism´s journey (in the history of dance) and exploring how minimalism changes the ways of thinking and attitude helped me to clear my intention. I present information about radical figures, who were at birth (of minimalism), and period context mainly in the matter of searching and exploring the new ways of creation and also change of perceiving art that goes with it. The most important criterion is the change, which brings not only artist but also spectators to the new ways of thinking. The methods and ways of work of the important creators/artists, who work with or through out minimalism their own way or even create it are described with more depth. Music inspiration and its infiltration and impulses brought into the field of dance are at the forefront of the theses. I deconstruct and generalize the principles of minimalism, that go beyond to philosophical thougths and questions. The these also follows up the fundamental essence of minimalism - time, which in it´s innovative and till then not used ways affects spectators meditatively/contemplatively and even transcendently.
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Stage presence
 Stupecká, Kateřina ; KAZÁROVÁ, Helena (advisor) ; Puchowska, Sara (referee)
The Chapter which bears the Title of the whole Work indicates the Key points addressed: The Expanding Body, Energy in Time, Energy in Motion, and Dynamics of the Body. In addition, I elaborate on the implications and effects of Space, Time and Rhythm. "Stage Presence" is presented with especial reference to leading researchers and physicists in the field. I also mention the philosophies of Far Eastern religions and their effects on the art of dance as well as the opinions of researchers in the field of dance. The whole work takes as its basis my own views on creativity and movement itself as supported by the afore-mentioned personalities and their ideas.
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