|
|
Scenic Designs of High Baroque in the National Collections of the Czech Republic
Krůfová, Johana ; Zlatohlávek, Martin (advisor) ; Oulíková, Petra (referee)
Scenic Designs of High Baroque in the National Collections of the Czech Republic The thesis deals with the Baroque scenic designs which are situated in public collections of the Czech Republic. These are mainly the works by Josef Hager and Josef Redlmayer, whose production was inspired by the Italian baroque scene designer Giuseppe Galli Bibiena. The aim of the thesis is to describe inspirational sources which influenced the artists and to comprehensively classify their production within the European context of the Baroque period. The diploma work also explains the history of Baroque theatres in Bohemia as well as in the whole Europe. It shows their connection with the pompous cellebrations so popular in Baroque period. The thesis also informs about the progress of Italian scenography and scenic designs with the explaination of stage decorations. The thesis is divided into five general chapters which show the local and time consequences. The first part brings the general introduction into the baroque theatre and baroque theatrality. It explains the beginning, genres and technical issues of the baroque theatre. This information is extended further during the thesis. The second chapter deals with the baroque celebrations and their tight connections with the theatre. The third part deals with...
|
|
|
The Drawings of Roman Mannerist Artists in the National Collections of the Czech Republic
Krůfová, Johana ; Zlatohlávek, Martin (advisor) ; Kropáček, Jiří (referee)
The Drawings of Roman Manneristic Artists in the National Collections of the Czech Republic The thesis is engaged in drawings of the artists who were creating in Rome during the period of Mannerism: Polidoro da Caravaggio, Marco Marcchetti da Faenza, Giulio Romano, Francesco de'Rossi yclept Salviati, Perino del Vaga, Giorgio Vasari and Taddeo Zuccari, whose works abide in the National Collection of the Czech Republic. The thesis contains a brief introduction to the drawing of the 16th century and its importance in fine art, characteristics of the Roman Manneristic period, the despoliation of Rome, Rome position in the artistic field before conquest, Manneristic period origins and Michelangelo's importance as an inspiratory source for the artists. Another part is a catalogue of selected Roman mannerist drawings, which is supplemented with brief biographies of the artists of the Roman art school. The aim of the thesis is to give a synopsis of those artists and description of their works and to comprehend main inspiratory influences. Work finally includes a brief history of the four public collections of drawings in the Czech Republic. This is drawings in the Collection of Prints and Drawings, National Gallery in Prague; in the Archbishopric of Olomouc; in the Moravian Gallery in Brno and in the...
|
|
|
Scenic Designs of High Baroque in the National Collections of the Czech Republic
Krůfová, Johana ; Zlatohlávek, Martin (advisor) ; Oulíková, Petra (referee)
Scenic Designs of High Baroque in the National Collections of the Czech Republic The thesis deals with the Baroque scenic designs which are situated in public collections of the Czech Republic. These are mainly the works by Josef Hager and Josef Redlmayer, whose production was inspired by the Italian baroque scene designer Giuseppe Galli Bibiena. The aim of the thesis is to describe inspirational sources which influenced the artists and to comprehensively classify their production within the European context of the Baroque period. The diploma work also explains the history of Baroque theatres in Bohemia as well as in the whole Europe. It shows their connection with the pompous cellebrations so popular in Baroque period. The thesis also informs about the progress of Italian scenography and scenic designs with the explaination of stage decorations. The thesis is divided into five general chapters which show the local and time consequences. The first part brings the general introduction into the baroque theatre and baroque theatrality. It explains the beginning, genres and technical issues of the baroque theatre. This information is extended further during the thesis. The second chapter deals with the baroque celebrations and their tight connections with the theatre. The third part deals with...
|
|
|
The Drawings of Roman Mannerist Artists in the National Collections of the Czech Republic
Krůfová, Johana ; Zlatohlávek, Martin (advisor) ; Kropáček, Jiří (referee)
The Drawings of Roman Manneristic Artists in the National Collections of the Czech Republic The thesis is engaged in drawings of the artists who were creating in Rome during the period of Mannerism: Polidoro da Caravaggio, Marco Marcchetti da Faenza, Giulio Romano, Francesco de'Rossi yclept Salviati, Perino del Vaga, Giorgio Vasari and Taddeo Zuccari, whose works abide in the National Collection of the Czech Republic. The thesis contains a brief introduction to the drawing of the 16th century and its importance in fine art, characteristics of the Roman Manneristic period, the despoliation of Rome, Rome position in the artistic field before conquest, Manneristic period origins and Michelangelo's importance as an inspiratory source for the artists. Another part is a catalogue of selected Roman mannerist drawings, which is supplemented with brief biographies of the artists of the Roman art school. The aim of the thesis is to give a synopsis of those artists and description of their works and to comprehend main inspiratory influences. Work finally includes a brief history of the four public collections of drawings in the Czech Republic. This is drawings in the Collection of Prints and Drawings, National Gallery in Prague; in the Archbishopric of Olomouc; in the Moravian Gallery in Brno and in the...
|
guest ::
