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Reflex of Space
Šrom, Samuel ; František,, Dvořák (referee) ; Korbička, Pavel (advisor)
The diploma thesis named Reflections of Space aims to change the approach at material anodizing and to move this purely technological process to the artistic level. The first part of the thesis summarises concisely a process of anodising and seeks for its demonstrations in the field of culture. The second part of the thesis describes the intention itself and the results of the research in the framework of technological proofs which are presented in the figurative part of the thesis.
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Kitsch in the visual arts and the presence kitsch in my work
Olšarová, Markéta ; Korbička, Pavel (referee) ; Trnková, Barbora (advisor)
The work deals with kitsch, which appears in the personal life of the author, her work and in the households of their loved ones. It examines the form of kitsch and its benefits. It compares his condemned emotional skill with its contribution to personal pleasure. It seeks the meaning of kitsch with regard to taste. During the work, short videos on this topic were created and which are incorporated into the final installation.
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In the process
Volková, Markéta ; Velická, Erika (referee) ; Korbička, Pavel (advisor)
My bachelor's thesis is an object responding to the space that surrounds it. It points out the contradiction between organic and austere form. In my work, I materialize abstract experiences through metonymically selected building elements related to the places in which I have these experiences. As an extraction of elements appearing in the architecture of the Southern Mediterranean, a form of ornament appears in the work, which is understood by a figurative comparison to the experience of travelling on holiday. Another element, representing a figurative experience of returning "to reality", are the lux spheres. Their character is linked to the architecture of Central Europe. I explore the relationship between the different types of buildings, which I then freely develop. My perception of reality enhances the recognition of the new with the already known. I let the objects represent and capture these two opposing perceptions with implications and emphasis on their differences. In this way, I come to find in my work a similarity between geometric austerity, which signifies perfectionism, and the intuitive unfolding of ornament, which inserts the theme of organicity into the object. An important aspect of the thesis is processuality. I understand my work as a border between conceptual and intuitive process.
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Space of perception
Olšarová, Markéta ; Skoták, Hynek (referee) ; Korbička, Pavel (advisor)
In her final thesis, the graduate will deal with the overlap of her previous works and build on them thematically. The result will be a site-specific installation, using light and possibly sound media to achieve a real illusion of space through the activation of visual or auditory receptors. The installation will be physically accessible and will be used for perception from the inside.
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I form
Wollasch, Sara ; Orlová,, Jana (referee) ; Korbička, Pavel (advisor)
In the final thesis, the graduate will deal with the overlap of her current work and build on them thematically. There should be a connection between the installation and the previous performance experience. The installation should feel feminine and tell a personal story.
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Kitsch in the visual arts and the presence kitsch in my work
Olšarová, Markéta ; Korbička, Pavel (referee) ; Trnková, Barbora (advisor)
The work deals with kitsch, which appears in the personal life of the author, her work and in the households of their loved ones. It examines the form of kitsch and its benefits. It compares his condemned emotional skill with its contribution to personal pleasure. It seeks the meaning of kitsch with regard to taste. During the work, short videos on this topic were created and which are incorporated into the final installation.
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Reflex of Space
Šrom, Samuel ; František,, Dvořák (referee) ; Korbička, Pavel (advisor)
The diploma thesis named Reflections of Space aims to change the approach at material anodizing and to move this purely technological process to the artistic level. The first part of the thesis summarises concisely a process of anodising and seeks for its demonstrations in the field of culture. The second part of the thesis describes the intention itself and the results of the research in the framework of technological proofs which are presented in the figurative part of the thesis.
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