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Piano Works by Béla Bartók. The Using at the Music Schools
Štaudová, Martina ; Palkovská, Jana (advisor) ; Kopecká, Věra (referee)
Magdalény Rettigové 4, 116 39 Praha 1 tel.: +420 221 900 111 www.pedf.cuni.cz IČ 00216208 DIČ CZ00216208 Dle čl. 4 Opatření rektora č. 6/2010 o Zpřístupnění elektronické databáze závěrečných prací http://www.cuni.cz/UK-3470.html a čl. 1 Opatření děkana 17/2010 se z časového hlediska závěrečné práce dělí do tří skupin: a. "nové práce", tj. práce odevzdávané k obhajobě počínaje 29. 9. 2010, b. "starší práce", tj. práce odevzdané k obhajobě od 1. 1. 2006 do 28. 9. 2010, c. "práce před rokem 2006", tj. práce odevzdané k obhajobě před 1. 1. 2006. V tomto případě jde o "starší práci" odevzdanou k obhajobě od 1. 1. 2006 do 28. 9. 2010. Omlouváme se, ale dokument není k dispozici.
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Overview of Mongolian Classical Music and it's Significant Representative - Composer Sembe Gonchigsumlaa
Tunsag, Tsolmon ; Kopecká, Věra (advisor) ; Gregor, Vít (referee)
Music composer Sembe Gonchigsumlaa is considered as a founder of Mongolian classic music. His life and work essentially influenced a development of Mongolian classic music that's why I have chosen this topic as a title of my diploma thesis. The chapter one presents a brief description of the Mongolian political and cultural background from the early 20th century till today, it's the key to understand the development of Mongolian classic music. Mongolia was influenced by classic Western culture, introduced from Russia. In the end of the chapter are described notable music institutions of Mongolia. The chapter two is dedicated to the composer's life and work from his early steps of composing until the masterpieces. In the last chapter I focus on composer's concentration to the piano as a fundamental instrument of classic music. Gonchigsumlaa was involved in many musical institutions and guided the evolution to ensure systematical and methodical education of amateur, professional musicians and composers. Mongolian composers combine traditional elements with modern classic techniques to produce unique sounds and compositions.
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Methodological Specifics of Beginner Piano Teaching of Students of Different Ages
Mihulková, Šárka ; Tichá, Libuše (advisor) ; Kopecká, Věra (referee)
The thesis is concerned with methodological specifics of beginner piano teaching of students at different age levels. It attempts to give a complex view of its various aspects. The thesis is subdivided into several chapters, drawing on available psychological and methodological literature, piano course books and a questionnaire survey. The first chapter focuses on a beginner piano learner as an individual undergoing a particular stage of psychological development. It explores learners' general as well as music- specific characteristics and links these characteristics to piano playing. In addition, it describes motivational tendencies prevailing at different development stages, and other factors which can substantially influence the learning process, but have not hitherto been discussed with respect to piano teaching in greater detail although a pedagogue can more easily deal with potential problems that may arise at beginner levels when thoroughly informed. It namely discusses learning and teaching styles, hindrances to learning and learning disabilities. The second chapter is devoted to methodological specifics of teaching learners of different age groups. The third chapter then expands on the subject of beginner piano teaching specifics, comparing techniques used in beginner piano books aimed at various...
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International Fryderyk Chopin Piano Competition and Fryderyk Chopin Festival in Mariánské Lázně
Jeništová, Eliška ; Kopecká, Věra (advisor) ; Palkovská, Jana (referee)
International Fryderyk Chopin Piano Competition and Chopin Festival in Mariánské Lázně The annual Chopin festival in Mariánské Lázně is an event of a supreme significance. Its dramaturgy and diverse selection of performers bring the listeners an interesting and extraordinary experience of Chopin's music. Chopin Festival is one of our most treasured cultural events. It became a meeting point for artists from all over the world, but the core group consists of Polish interpreters, mostly laureates of the International Chopin Piano Competition in Warsaw. Besides the time-proven compositions, the organizers include some infrequently played and unknown pieces, the works of Czech and foreign composers or contemporary artists. They also attracted the audience by inviting popular performers, amateur ensembles, holding golf and tennis tournaments, exhibitions or film projections. Lately, the festival has been getting back to its traditional image and the purpose of celebrating Chopin's music. The piano competition, interpreter seminars and musicologist seminars are still a part of the event. The Chopin Festival is the only one in Czech that has been listed by UNESCO and is widely popular. It is necessary to point out the efforts and credit of the main organizers, the Fryderyk Chopin Society in Mariánské...
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Piano Works of Vítězslav Novák - usage in education at the music schools
Obručová, Lenka ; Palkovská, Jana (advisor) ; Kopecká, Věra (referee)
The goal of the work Piano Works of Vítězslav Novák is to map out the important part of Czech piano music, to outline possibilities of its usage in concerts as well as in pedagogical practice and to present the results to the wide public. This work wants to use potential and special knowledge of its problems, make an analysis of usage possibilities in performing and pedagogical practice. The work is divided into three parts: the first part introduces Novák's life, the second part offers a list of Novák's piano works. The third part is a selection of author's best pedagogicly applicable works, including didactical analysis and practical tips for use of these compositions.
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Piano duets. Historical, theoretical and pedagogical aspects of music
Kozánková, Olga ; Palkovská, Jana (advisor) ; Kopecká, Věra (referee) ; Ardaševová, Renata (referee)
TITLE: Piano duets. Historical, theoretical and pedagogical aspects of music. AUTHOR: Olga Kozánková DEPARTMENT: Music Education Department SUPERVISOR: doc. MgA. Jana Palkovská ABSTRACT: This disertation thesis deals with the history of piano duets including the pedagogical aspects of contemporary education at music schools in the Czech Republic. This theme has not yet been explored in this country. The thesis is divided into two parts. The primary aim of the first part is to determine the earliest mention of piano duet composition and to explore the periods which influenced subsequent development of the subject using deductive, progressive,typological and biographical methods. The author describes the development of duet compositions, including important milestones and personalities, from the turn of 16th and 17th century through the 20th century. The second part of the thesis includes qualitative research using data collected from teachers in the Czech Republic. The research focuses on the educational topic of piano duets within piano education. The results of the research confirm that even though there is a tradition of including this topic in music education, there is only a partial understanding of the subject. This thesis should be beneficial for teachers devoted to the subject of piano duets at music...
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