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National Repository of Grey Literature 2 records found  Search took 0.01 seconds. 
Aesthetic distance
 Kadlčíková, Radka ; Kubalík, Štěpán (advisor) ; Dadejík, Ondřej (referee)
This work will persue with the concept of psychical distance introduced into the aesthetic theory by Edward Bullough. Psychical distance is a state in which the current "me" is separated from its affects.Psychical distance will be explained by concrete examples of the aesthetic experience. The concept of psychical distance will be applied to both - to art as well as to the common experience. Through the distance we will explain the difference between the pleasant and the beautiful. We will also deal with the role of the lower senses in aesthetic theory. The term psychical distance has been criticized by several authors.The work will also introduce some criticisms with the aim to refute or to prove their relevance for Edward Bullougha's psychical distance concept.
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The role of places of indeterminacy in the proces of reading the work of art
 Kadlčíková, Radka ; Kubalík, Štěpán (advisor) ; Ševčík, Miloš (referee)
The work is focussing on two aesthetic theories, which primarily deal with the reception of literary work of art. Thesis discusses about the phenomenological aesthetics of Roman Ingarden and reception aesthetics of Wolfgang Iser. Research is conducted to clarify the notion of indeterminacy places in a literary text and its function in it. Both authors explain this concept by their own approach to the reception of literary work of art. The method of work is defined by the description of these two presented theories, and by the end of the thesis, both approaches are compared. The aim of the thesis is to characterize both theories and define the concept of indeterminacy places within them. The aim is also to describe the moments in which Wolfgang Iser theories are inspired by Roman Ingarden and also the place where their theories do not agree and Iser revises it.
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See also: similar author names
1 Kadlčíková, Renáta
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