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Perské vyprávění & Evropské vyprávění
Mohammadi Kangarani, Azadeh ; KORČÁK, Jakub (advisor) ; NEUMANN, Julius (referee)
Hlavním cílem mé práce je popsat a definovat mou cestu od herectví, od doby kdy jsem neměla žádné zkušenosti s režií, k režírování divadelních her, což byl můj hlavní důvod pro studium na DAMU, ale také mou cestu objevování vlastního vnitřního hlasu a režijního přístupu. Popisuji svůj studijní proces a získávání vědomostí, jak používat divadelní techniky a způsoby komunikace s různými složkami divadelní inscenace. V úvodu popisuji své předchozí zkušenosti. Moje diplomová práce má pět kapitol včetně chronologického přehledu mého přístupu ke každé jednotlivé inscenaci, na které jsem pracovala od prvního dne na DAMU dodnes. Závěrečná kapitola shrnuje mé dosavadní přístupy divadelní režisérky
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Scream and Silence
Štefaňák, Ondřej ; NEBESKÝ, Jan (advisor) ; KORČÁK, Jakub (referee)
The work aims to examine the artistic expressionist tendency, manifested in expressionist drama and theater practice. In the first part, the author focuses on the origin and the direction of its general manifestations in arts and the historical context of expressionism. The author also attempts to highlight the features of expressionism in drama and contemplates the methods of expressionist artists in theater. In the second part, the author reflects his own experience of the production of an early expressionist text ''Spring’s Awakening''. He analyzes the text's dramaturgical potential and creates the basis for the theatrical production. He describes the creation of the staging as an audio-visual and scenic solution, where the particular focus is on the stylization of actors. Finally, the author tries to capture the essence of expressionism in a broader sense, as a peculiar way of expression for the artist.
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THE DRAMATICAL SCRIPT AS A NECESSARY BASIS FOR SPACIAL REALIZATOIN
Tretiag, Štěpán ; KORČÁK, Jakub (advisor) ; HRBEK, Daniel (referee)
Using the concrete examples of my practical bachelor work my intent is to retrospectively describe and reflect on our scenic realization of the play Missing by south-African author Reza de Wet. The essence of a modern dramatic direction is to perceive the script of a play as a model which becomes a basis for its interpretation and the subsequent staging of the play. It is the process from the initial interpretation to final scenic realization I wish to focus on in my work.In the first part I will be dealing with creation of a physical space, that being stage design. I will try to capture what lead us to its final shape and how the basis for that can be found in the script of the play as well as the potential capability of the physical space to become a dramatic space. Its ability to create a platform for the actors to proceed from and how can it provoke them into acting, in particular. In the second part I will be dealing with the dramatic space, ergo the spacial expression of relationships and themes. I will proceed again retrospectively, focusing on how we managed to achieve the stage image which is functioning as a materialized metaphor. I will focus mostly on non-verbal actions, but with regard to the fact, that dramatical script is the basis for our realization of the play.
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A Word in a Space
Pácl, Štěpán ; VOSTRÝ, Jaroslav (advisor) ; KORČÁK, Jakub (referee)
The doctoral dissertation named A word in a space (A scene solution and an audience experience of a drama) is a theoretical reflection of six productions I was involved as a director in the years from 2008 to 2013 Four of them are wrote by czech authors: Josef Topol: The End of Carnival, Josef Kajetán Tyl: Bloody Christening or Drahomíra and her sons, František Langer: Periphery, and Lenka Lagronová: From the dust of stars; and two plays are from authors abroad: Anton Pavlovich Chekhov: Ivanov and Pedro Calderón de la Barca: Them Constant Prince. The subject of this research is the relationship between internal theme of a playwright??s text and scene solution that specifies the audience reception. I assume here, that what wiever sees and hears creates for his perception ? perception connected with experiencing followed by imagining ? binding conditions.
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Body as a source and a carrier of information and emotion
Vacke, Ondřej ; PACEK, Martin (advisor) ; KORČÁK, Jakub (referee)
In my diploma thesis I will explore the body language of actors in detail and describe my own practical experience. Most of my experiences come from performance training, which I have gained whilst attending The Theatre Faculty of the Academy of Performing Arts in Prague (DAMU). In the first part I describe physical movement in the early days of theater. Then I focus on analysing the concepts of nonverbal communication and its usage on the stage. I explore various different performance spaces and analyze their influence on the subsequent differences in physical acting-expressionism. The aim of my thesis is to explain how we can use our bodies during the process of preparing for performance and what can affect it. The benefit of this approach is the subsequent self-reflection, which forced me to deeply develop the basic techniques of physical communication. To be specific, the physical movements which lead to the transmission of emotion, feelings and information to the viewer.
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RELATION OF STAGE AND STORYTELLING
Holec, Jan ; HRBEK, Daniel (advisor) ; KORČÁK, Jakub (referee)
The bachelor thesis deals with stage setting of academic performance Maryso! Evo! Dom! Author analyses the evolution of this stage setting from conceptual preparation to final rehearsing phase. The thesis is also considered on various aspects of stage setting. Author is dealing with relation of stage and actor, stage and theme and also stage and storytelling. In conclusion it is hinting at the issue of transferring the performance to another theatre.
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The Duchess of Malfi by John Webster
Bailey, Jennifer Margaret ; DUŠEK, Jan (advisor) ; KORČÁK, Jakub (referee)
This thesis includes the complete process of my visual interpretation of John Webster?s Jacobean play named The Duchess of Malfi for DAMU?s International Master Degree final task. It includes a political and social account of the 16th century, the development of my idea, which consist of inspirations storyboard and the psychological meaning of my use of a minimalist stage and ending with a conclusion of the progression of my idea and my personal development at DAMU.
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Turandot by Giacomo Puccini
Lituhayu, Cahaya ; DUŠEK, Jan (advisor) ; KORČÁK, Jakub (referee)
The complete process of Giacomo Puccini?s opera called Turandot for DAMU International Master Degree final tasks, that includes the analysis of the play, the characters studies, performance references, the design process and the result of the model making and the photographs The writer personal view on how the story influenced her to created the space.
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The acting profession: Diagnose?
Nechvátal, Matěj ; SÍLOVÁ, Zuzana (advisor) ; KORČÁK, Jakub (referee)
This thesis is a summary of the experience gained during my studies. It compares the functioning of student, independent and professional theater. The term diagnose is used as a possible metaphor for the approach in thinking about the acting profession and the acting experience itself. The thesis discusses the various types of work-related stress. It seeks to analyze and describe their origin. We ask: Can the acting profession be considered a job for the mentally ill? To what extent is this profession pathogenic? And we also attempt to find answers to questions considering phenomena of putting oneself into one's position, experiencing a role, the embodiment and trans-bodiement. It is based on a comparison of the experience of rehearsing completely different genres in completely different areas and types of functioning.
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Potential of Contemporary Russian Play Staging
Kačmarčík, Josef ; KORČÁK, Jakub (advisor) ; VEDRAL, Jan (referee)
Thist thesis examines contemporary Russian playwrighting and options of its staging. The author is trying to explore basic specifics of this theatrical movement, considering his own experience with bachelor´s staging of Nikolai Kolyada´s play Murlin Murlo. In the first chapter, he is trying to describe the development of the modern Russian drama, it´s contemporary situation and the leading playwrights. Special attention is given to Nikolai Kolyada, who made a huge impact on development of the contemporary Russian drama. At the end of this part the author examines main characteristics of Russian playwrighting. In the second part the author reflects the Murlin Murlo staging and analyses the work on it. Both parts of thesis are trying to solve the basic question, if should be the contemporary Russian plays staged in Czech theatres and which positives can they bring into our setting.
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