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National Repository of Grey Literature 2 records found  Search took 0.01 seconds. 
Television drama in Czechoslovak specialized discourse of the 1950s and 1960s
 Jiřiště, Jakub ; Svatoňová, Kateřina (advisor) ; Klimeš, Ivan (referee)
Thesis deals with basic tendencies and preconditions of the aesthetic development of Czechoslovak television drama of the 50s and 60s through its specialist reflection. The method of a discourse analysis which is applied to the area of aesthetics and inspired by the concepts of Michel Foucault and Achim Landwehr maps locally- and time-based field of the discourse about television drama and penetrates surface relations between subdiscourses (television criticism, television theory and influences of institutions) with the aim to capture the formative order of the discourse. A basic axis of the analysis is the evolution of the concept of television specifity which will be tracked through the crucial discussions of the period. They reflects a gradual revision of initial assumptions about the formal emancipation and the legitimacy of art of television. The next step of the analysis is the mutual comparison of solutions at which these discussions arrived via various aspects and methods. This way a second goal of the discourse analysis will be fulfilled - to trace the essential unity of the discourse which is represented by the complex of jointly asserted requirements about the ideal form of the television drama. The complex is possible to consider as an implicit poetics of Czechoslovak television drama...
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Transformations of Drama department of Czechoslovak television Prague in the period of consolidation
 Jiřiště, Jakub ; Czesany Dvořáková, Tereza (advisor) ; Klimeš, Ivan (referee)
The bachelor's thesis follows impacts of consolidation process after 1968 on Literary department of Czechoslovak television. Therefore the area of interest is not individual pieces of work of television dramatic production, but their organizational background. It is analyzed from the point of view of dramaturgy development and personal changes that had direct impact on dramaturgy conception. Since consolidation was not the only change of state but also return before the previous state, the determinants of power of the two stated points of view are followed even during the period before 1968. Only by taking account of such period of time it is possible to capture essential changes of relation of power to the television dramatic production. In the introduction of the thesis is described the activity of followed television department including relevant terminology. The introduction also contains description of the roots of dramaturgy crisis which has exceeded even into the period of Prague spring. The next part of the thesis and mainly its merit monitor specific and in terms of time shifted consolidation process in the Literary department. It is monitored on the background of general development in television and society. This period of time is divided in phase of minimum interest of power...
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