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The elements of Mudejar art
Guia, Eva ; Veselý, Rudolf (advisor) ; Kropáček, Luboš (referee)
The Mudejar Art means the art of mudejars ( muslims who lived under the dominion of Christians), of moriscos (muslims which were forced to accept the baptism, but which staied secretly practising lslam) and ofthe other ethnic or religious groups which used their technics. Because it is realized outside of the lands of lslam, it is usually associated to the elements of the other religions and traditions and to their buildings. The Mudejar Art is limited to the Pyrenean Peninsula (Spain, Portugal) and their former colonies. The Spanish and French historians of art tended frequently to doubt about the Mudejar Art and his existence like independent style, the same name of this style was disputed and the other better was been looking for unsuccessefully. Maybe it was also because of the fragmentation total of the Mudejar Art, which in every area (Castile and León, Aragon, Toledo, Andalusia, the eastern zone etc.) has his specific character. Four materials have been considereted like typically mudejars (brick, wood, gypsum, ceramics). This definition, which was been accepted in the III. lnternational Symposy of Mudejarismo in Teruel, was in the first two cases doubted by Phi1ippe Araguas and Nuere Matauco, like his al1eged economicity. The decoration come from Antiquity, from the traditions ofVizigots and Europe...
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The elements of Mudejar art
Guia, Eva ; Kropáček, Luboš (referee) ; Veselý, Rudolf (advisor)
The Mudejar Art means the art of mudejars ( muslims who lived under the dominion of Christians), of moriscos (muslims which were forced to accept the baptism, but which staied secretly practising lslam) and ofthe other ethnic or religious groups which used their technics. Because it is realized outside of the lands of lslam, it is usually associated to the elements of the other religions and traditions and to their buildings. The Mudejar Art is limited to the Pyrenean Peninsula (Spain, Portugal) and their former colonies. The Spanish and French historians of art tended frequently to doubt about the Mudejar Art and his existence like independent style, the same name of this style was disputed and the other better was been looking for unsuccessefully. Maybe it was also because of the fragmentation total of the Mudejar Art, which in every area (Castile and León, Aragon, Toledo, Andalusia, the eastern zone etc.) has his specific character. Four materials have been considereted like typically mudejars (brick, wood, gypsum, ceramics). This definition, which was been accepted in the III. lnternational Symposy of Mudejarismo in Teruel, was in the first two cases doubted by Phi1ippe Araguas and Nuere Matauco, like his al1eged economicity. The decoration come from Antiquity, from the traditions ofVizigots and Europe...
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