National Repository of Grey Literature 2 records found  Search took 0.00 seconds. 
Apropriations in contemporary Czech painting
Špačková, Miroslava ; Špirk, Ivan (advisor) ; Slavík, Jan (referee) ; Dytrtová, Kateřina (referee)
5 ABSTRACT The Thesis named Apropriations in contemporary Czech painting is based on art historical foundations. The aim is to analyze the phenomenon of quotation. The first part analyzes the scientific literature, the emphasis is on analytical branch. The topic is contextualised in Czech and international artistic environment. It represents a fundamental interpretation of artworks. The second part, the research is divided into two parts. The first presents a qualitative research based on structured interviews with open questions, which were conducted with painters stigmatized time of totalitarianism. Article in the appendix shows its use and method of processing. The second part is based on phenomenological interview. They were interviewed three painters (Gerboc, Petrbok, Stech). The aim is reconstuction experiences of these painters in relation to apropriations and classification of their creative intentions into typologies. Individual profiles are based on the interpretation of works of art. The third part - art education - examining the relationship of contemporary art and art education, presents practical examples. Describes the didactic curriculum transformation in the context of concept analysis. KEYWORDS appropriation, quotation, denotation, connotation, concept analysis, context, qualitative...
Artistic films produced by the pharmaceutical company Sandoz
Petříková, Lea ; BENDOVÁ, Helena (advisor) ; Dytrtová, Kateřina (referee)
The aim of this Master’s thesis is to analyse formal and thematic layers of the artistic films produced by the pharmaceutic company Sandoz and to put them in the relation to the specific history of the company. Sandoz laboratories produced mainly in the 60’s and 70’s several artistic films (e.g. La Femme 100 Têtes which was the adaptation of Max Ernst’s collages or Images du monde visionnaire with the presence of artist Henri Michaux). The thesis explores some of the films and, at the same time, describes the production background and cinematographic context in the relation to the history of Sandoz laboratories.

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1 Dytrtová, Kristýna
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