|
|
Digiverse Monument
Tajovský, Jakub ; Blažíček, Martin (referee) ; Resslová, Veronika (advisor)
In my diploma thesis I deal with the image on the border of digital and analog media and horizon as border of visual perception. Output is computer program, variable image, digital version of artefact. The image is the grid of pictures superimposed in horizontal strip, particular pictures we can vary for their alternatives. The image we can see from various point of view: 1. As a picture on the wall of gallery, 2. from the space behind the canvas, from where is able to contol it with cursor, 3. on the internet, as video stream.
|
|
|
Wolves in a Burner
Šprincl, Petr ; Blažíček, Martin (referee) ; Cenek, Filip (advisor)
My grandfather 's name is Adolf Šprincl . Over 12 years he was a professional coach hockey teams in France (with various interruptions from 1971 to 1994 ) , where he trained teams in Tours, Villard de Lans and Grenoble. The last named team is most associated with him. Les Loups de Brleurs - Wolves in the burner. My father's name is Milan Šprincl . From the age of 5 years he`s playing hockey. From the age of 18 years it played at a professional level in the Czech first league . The most important places in his life are hockey stadiums in Jihlava and Hodonin. Both stadiums stands on the site of a old cemetery in neighborhood there is a Baroque cemeterychapel. I tried to play hockey, but I failed. I continue in the family tradition of hockey and also the grandfather's work in Grenoble. Documentary film with elements of experimental manipulations and fiction passages will map to the development of French hockey and also the mystique associated with hockey . Attempts to reveal a seemingly random connections between hockey and sacred land for the rest of the dead. At the same time this film plans to close a series of films with the theme of my personal family history, to which I perceive in abstract forms. The film is shot on VHS camcoder. I shoot hockey stadiums (especially in Hodonin and Jihlava ) in which interests me as architectural monumentality of these sports , but also the context in which they are found (hockey arena on former cemeteries , etc. ) . The next part takes place in France , near Grenoble, where he focuses on the current state of French hockey (interviews with prominent personalities of French hockey - Jean Leblond / Vice President of the French hockey , Dany Grandor / former player Grenobelu - officer team, Stéphane Bailles / first hockey scout in France, Jean - Luc Dalaison / journalist Le Dauphiné and others) and link to my grandfather , who is one of the most important figures in the history of the hockey team Bruleurs Les Loups de Grenoble . Another important part is i work with historical documents ( articles in French and Czech press about his grandfather , his personal correspondence , notebooks with notes for training and game strategy , and also relics of his time in France) and a part takes place on the ice rink , where you will be using the other game lines and projections manipulated match in hockey (tells the legend of the mountain Vercors of wolves who ate people ) . Part of the film is the creation of costumes (especially hockey jerseys ) and props.
|
|
|
Cinema of transgression
Čejková, Karolína ; DAŇHEL, Jan (advisor) ; BLAŽÍČEK, Martin (referee)
This bachelor thesis deals with loose American group of filmmakers from 80s which
is called Cinema of Transgression. It explores films of Nick Zedd, Richard Kern and
David Wojnarowicz. The thesis is trying to find a common formal practise which
were used by the filmmakers to confront the viewer. Thanks to light explanation
of the term transgression, in interpretation of Georges Bataille, reader can view
those films in a new perspective. The thesis is trying to understand motivations,
creation and its process and reason of death of those films.
|
|
| |
|
|
Live Cinema
Blažíček, Martin ; VOJTĚCHOVSKÝ, Miloš (advisor) ; BAGDASAROV, Georgy (referee)
This work provides contextual analysis of contemporary live cinema practise.Based on reflection of selected works by czech artists it points to various aspects of contemporary live cinema practice in context of media and fine arts.
|
|
|
Wolves in a Burner
Šprincl, Petr ; Blažíček, Martin (referee) ; Cenek, Filip (advisor)
My grandfather 's name is Adolf Šprincl . Over 12 years he was a professional coach hockey teams in France (with various interruptions from 1971 to 1994 ) , where he trained teams in Tours, Villard de Lans and Grenoble. The last named team is most associated with him. Les Loups de Brleurs - Wolves in the burner. My father's name is Milan Šprincl . From the age of 5 years he`s playing hockey. From the age of 18 years it played at a professional level in the Czech first league . The most important places in his life are hockey stadiums in Jihlava and Hodonin. Both stadiums stands on the site of a old cemetery in neighborhood there is a Baroque cemeterychapel. I tried to play hockey, but I failed. I continue in the family tradition of hockey and also the grandfather's work in Grenoble. Documentary film with elements of experimental manipulations and fiction passages will map to the development of French hockey and also the mystique associated with hockey . Attempts to reveal a seemingly random connections between hockey and sacred land for the rest of the dead. At the same time this film plans to close a series of films with the theme of my personal family history, to which I perceive in abstract forms. The film is shot on VHS camcoder. I shoot hockey stadiums (especially in Hodonin and Jihlava ) in which interests me as architectural monumentality of these sports , but also the context in which they are found (hockey arena on former cemeteries , etc. ) . The next part takes place in France , near Grenoble, where he focuses on the current state of French hockey (interviews with prominent personalities of French hockey - Jean Leblond / Vice President of the French hockey , Dany Grandor / former player Grenobelu - officer team, Stéphane Bailles / first hockey scout in France, Jean - Luc Dalaison / journalist Le Dauphiné and others) and link to my grandfather , who is one of the most important figures in the history of the hockey team Bruleurs Les Loups de Grenoble . Another important part is i work with historical documents ( articles in French and Czech press about his grandfather , his personal correspondence , notebooks with notes for training and game strategy , and also relics of his time in France) and a part takes place on the ice rink , where you will be using the other game lines and projections manipulated match in hockey (tells the legend of the mountain Vercors of wolves who ate people ) . Part of the film is the creation of costumes (especially hockey jerseys ) and props.
|
|
|
Digiverse Monument
Tajovský, Jakub ; Blažíček, Martin (referee) ; Resslová, Veronika (advisor)
In my diploma thesis I deal with the image on the border of digital and analog media and horizon as border of visual perception. Output is computer program, variable image, digital version of artefact. The image is the grid of pictures superimposed in horizontal strip, particular pictures we can vary for their alternatives. The image we can see from various point of view: 1. As a picture on the wall of gallery, 2. from the space behind the canvas, from where is able to contol it with cursor, 3. on the internet, as video stream.
|
|
|
Glitch within art and its evolution
Zábrodský, Petr ; BLAŽÍČEK, Martin (advisor) ; POSPISZYL, Tomáš (referee)
The focus of this paper is the development of art that implements technological error, known as glitch. It covers the whole spectrum, from the musical origins of glitch up to its contemporary multi-disciplinary state. This paper does not omit a mention of the theory of glitch and its wider importance within the frameworks of culture, society and the history of art. Glitch is, due to its essence, dependent on the technological conditions at the time of its creation, which means that this paper also includes a description of established methods of using the disruption of data flows as well as the results of such interventions. Nonetheless, what follows is a description of the basic groundwork of such methods and an outline of their inner principle that one can find in the contemporary new ways of understanding and using glitch. This work thus mainly focuses on the history of glitch rather than its new forms, however it concludes by a description of the assimilation of its aesthetics, more than its principles, by mass culture, which brings a shift in its aesthetic function in specific popcultural contexts.
|
|
| |
|
|
Human Voice Phenomenon in contemporary audiovisual art
Abrahám, Stanislav ; VOJTĚCHOVSKÝ, Miloš (advisor) ; BLAŽÍČEK, Martin (referee)
This diploma thesis develops the theme of the bachelor thesis: Human voice, artificial speech ? vocal speeech and the context of its representation through technical tools. In bachelor thesis I created a clear structure of concepts and categories of the ways in which people spread their voice speech through Information and Communication Technologies. I also dealt with the nature of the changes that happen to the human voice in the process of its representation. In diploma thesis I apply the theoretical basis of my bachelor thesis when analyzing specific works of contemporary audiovisual art. I reflect the broad contexts of the phenomenon of the human voice in selected artistic concepts through the analysis of practical examples. Key terms are words remediation, phonography, sound installation, performance, artistic concept.
|
guest ::
RSS feed.