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National Repository of Grey Literature 2 records found  Search took 0.01 seconds. 
Interpretation of the Theme Noli me Tangere in Paintings of the 15th and 16th Centuries. Selected examples of Italian and North European region
 Květ, Přemysl ; Jarošová, Markéta (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
Keywords:Paintings, biblical theme, Noli me tangere, Italian Renassaince, North European Renassaince Abstrakt anglicky The aim of this bachelor thesis is an analysis of the iconographic theme of the Passion cycle Noli me Tangere (Don't touch me) in Paintings of the 15th and 16th Century in Italian and Northern European region. The main intention of this thesis is focused on deep analysis and evaluation of selected works of art depicting Noli me Tangere. Within individual catalog entries will be attention dedicated to the chosen theme and the author himself, the research in this work will be incorporated in the broader context of the artist's work. The final evaluation will undertake mutual comparisons of selected works with implications on authorship and provenience. Powered by TCPDF (www.tcpdf.org)
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Questions of Saxon Renaissance
 Ramešová, Michaela ; Macek, Petr (advisor) ; Biegel, Richard (referee)
Dealing with both practical and consequently theoretical aspects, the thesis treats the Saxon Renaissance with the emphasis on the architecture in the Czech Republic. The purpose of the first part was to put together a list of historical monuments. Supported by previous research the selection method was determined and the individual buildings described. As a result we organized them into types and specified the Saxon Renaissance architectural features. Then we discussed broader issues related to the Saxon Renaissance architecture that were: the influence of Saxon timber-framed architecture, the origins and the role of the portal with seat shaped niches in the jambs; we re-examined the importance of the architectural commissions of the house of Pernštejn and we proposed to link the Bohemian Saxon Renaissance architecture with Czech early renaissance terracotta pieces. The second part of the thesis further explores the contextual issues. It tracks the early sixteen century French architecture and focuses on the German renaissance architecture, that of Saxony in particular. Then some theoretical reflections on the character of transalpine architecture are presented. Consequently, the thesis analyses the particularities of the region where the Saxon Renaissance architecture appeared - North-western...
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