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Web FIT
Čepa, Marián ; Kajan, Rudolf (referee) ; Beran, Vítězslav (advisor)
The goal of this thesis is to redesign the website of the Faculty of Information Technology (BUT) on the basis of analysis and user testing of the current website. The theoretical part deals with the iterative development of user interfaces, user-centered design and basics of the user experience design. The work also deals with possibilities of analysing and user testing of the user interfaces. The main part of the thesis consists of analysis and user testing of the current website and then designing the new one based on user research and regular user testing.
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User Interface of FIT Information System
Vyroubal, Marek ; Kodym, Oldřich (referee) ; Beran, Vítězslav (advisor)
The aim of this bachelor thesis is to design and create a user interface (UI) of information system of Faculty of Information Technology, Brno University of Technology which is based on analysis and user testing of current UI. The theoretical part describes UI creation, user friendly design, basic methods of user experience design and about user testing UI. Bachelor thesis focuses on implementation of a web UI or web frontend. The output of this thesis is user research, follow-up to design and implementation of new information system FIT interface based on user testing of the current information system.
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PATTERN PAINT ROLLER LAB
Giacintová, Zdeňka ; Arndt, Jan (referee) ; Ondrík, Jozef (advisor)
My work focuses on the technique of pattern paint rollers and their historical context. Above all, the work presents an opportunity for me to engage with a phenomenon that was very popular in its time and to explore its potential beyond traditional perceptions. Through a series of tests, I experimented with creating new designs and explored the possibilities of this technology, which included, for example, tests of the materiality and size of the roller matrix or the transfer of the decor from its typical interior setting to an exterior environment.
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Ink
Vomelová, Lenka ; Rydval, Michal (referee) ; Macháček, Mikuláš (advisor)
-ink- ink is a small independent publishing house, that is aiming to publish student-written literature with graphic design and illustrations made by young designers and artists. Main goal of the publishing house is to support, execute and spread projects of young, not yet estabilished authors and artists and thus develop the contemporary art scene. The visual identity of the publishing house is left open, it is going to be created in time by the books that are going to be published by ink. The logo is often used as a background to posters, or a stamp over photographs. I'm letting the content to speak for it's brand, not the logo. I created business cards, bookmarks, a stamp, wrapping papers that are used for parcels as well as a background for posters, and stickers. Novel Devil Novel Devil is a first book published by ink. Author of the book is Jan Smutný, recent graduate of Faculty of Fine arts in Brno. Illustration and the overall design of the book are made by me. The design is inspired by gothic books written in textura or bastarda and illustrated with woodcuts. My aim was to create a book clearly referencing this visuality, but not a „retro“ or a historicist book. I tried to create a classical book with a modern twist. That's why I chose new, modern typefaces Enigma and Lapture and the illustrations are just vector lines. Because of the theme I work only with black and and background white colour. The book was published in 200 copies.
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Live typeface
Jiříček, Milan ; Špiřík, Jan (referee) ; Rajmic, Pavel (advisor)
The work describes the theoretical foundations of modern methods of creating new fonts, that is, using information technology, specifically vector programs. It also marginally shows the history of the font, Roman writing, the basic division of its compositions and describes its individual elements. The next part of the project focuses on creating digital fonts and continues with bringing it to live using algorithms and methods that can easily be processed in Matlab programming language. The method of implementation of the bringing the typeface to live is described and presentation of the generated results are then shown in few examples. Attention is also paid to the coordinates system, which is very important to solve geometric transformations, and two-dimensional vector graphics, which are widely used in the design and to render the fonts. Bézier curves and cubic Bézier curves are described in further detail along with vector graphics rasterization. One part of this text describes very important de Casteljau algorithm. The last chapter focuses on implementation in Matlab programming language, the creation of curves, that means single font characters, and the ways of how the algorithm works with transformations. Some sample images showing transformations using different input arguments are displayed in this section as well. There is evaluation of the contribution of this application and the possibilities of further expansion at the end.
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CASTLE ZDISLAVICE - CONCEPT OF RECOVERY OF CULTURAL MONUMENTS
Valentová, Veronika ; Pospíšil, Zdeněk (referee) ; Boháč, Ivo (advisor)
The task of this thesis is the concept of restoration of the castle Zdislavice and its new use as a literary hotel, focusing on the personality of a prominent Austrian writer Marie Ebner-Eschenbach, née Dubská. My goal was to find use, which could be revived and could thus be preserved for future generations. Thanks to the personality of the writer, I decided to create site devoted to literature. I designed hotel for literary enthusiasts, linguists, copywriters and professionals. But also for visitors who are interested in the person of Marie Ebner-Eschenbach. There is also a restaurant, a literary cafe with an associated museum of the writer, chapel, banquet halls with potential uses for conference and library (three libraries). Part of the area is used as a park. It is designed as an English park, but part of the area closest to the castle is designed as a French garden. The tomb of Marie Ebner-Eschenbach is near the castle and is accessible via a staircase. Connection between tomb and castle is shown in the situration plan.
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Písmová rodina Pagella: rozšíření o arménské písmo
Nazarjanová, Kristina
The bachelor thesis focuses on extending the Pagella font family to include the Armenian alphabet. This study draws inspiration from the Palatino and URW Palladio font families. The font is designed using FontForge software, and the theoretical part of the thesis covers topics such as fonts in the TeX system, the TeX Gyre project, and the comparison of font families. The practical part of the study describes the process of creating the Armenian alphabet in four typefaces - regular, italics, bold, and bold italics - and includes a presentation of the finished fonts. Overall, the thesis aims to contribute to the development of the Pagella font family and advance the design of Armenian typefaces.
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Grafická úprava prezentace pro žáky s dyslexií na středních odborných školách
Šimková, Ivana
The bachelor thesis dealing with the graphic design of a presentation for dyslexic pupils at secondary vocational schools is divided into theoretical and practical parts. The theoretical part describes dyslexia. The main attention is paid to the process of reading as a basic skill. The first chapter of the practical part deals with typography and its influence on the readability of the text. The second chapter summarises graphic design in presentations. The main aim of the practical part of the bachelor thesis is to create a methodolo-gical description of working with graphic design, which is adapted to the needs of dyslexic pupils.
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Evolution of FC Manchester United logotype
Lisnychyi, Stanislav ; Slanec, Jaroslav (advisor) ; Novotný, Jan (referee)
This bachelor thesis focuses on the development of the FC Manchester United logo and its relation to club identity and marketing. The work describes the process of logo development and its symbolism from the beginning of the club's history to the present day. It also focuses on the methodologies of logo development and the significance of club identity for football clubs. Furthermore, the thesis conducts an analysis and comparison with other significant football clubs and evaluates how FC Manchester United maintains its position in the global sports industry. Emphasis is placed on the fan culture and community of FC Manchester United and the relationship of club identity to this culture. The work also includes an analysis of marketing strategies that the club utilizes to communicate with fans and maintain its global standing. Finally, the thesis summarizes the key insights regarding logo development, club identity, and marketing activities of FC Manchester United. The bachelor thesis provides a comprehensive view of one of the most significant football clubs in the world and its relationship to graphic representation. Furthermore, this bachelor's thesis will propose a new, more modern and contemporary logo for Manchester United FC.
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inprogress.type
Zábojník, Ondřej ; Hojgr, Jakub (referee) ; Kubíková, Zuzana (advisor)
Typography as a discipline is nowadays mostly considered as authorial, and in common practice we usually encounter an approach where the authors of fonts carefully guard and hide their know-how and do not share workflows/"unfinished" files. This creates a kind of mysterious and impenetrable membrane around the whole field, in which there is distrust of others and a pervasive fear of loosing one's own "originality". All of this is done to favour their position on the market and to accumulate financial and social capital. The bachelor's thesis presents various problems pervading typographic practice, draws conclusions on how these problems can be combated, and "humbly" invites typographers to collaborate, be community-minded, share knowledge and ideas, and presents the limits/negatives of existing alternatives. This brings to light the author's motivations for creating the inprogress.type platform and how this tool can help to re-set existing paradigms. Inprogress.type is a platform/online tool for sharing, collectively designing and/or incrementally re-designing open-source fonts, visualizing and archiving the whole process, breaking the boundaries between author, designer and end-user, and creating a digital environment helpful for self-education of students and laics. This tool is based on the lack of alternatives in the online space.
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