National Repository of Grey Literature 2 records found  Search took 0.00 seconds. 
Documentary series from the perspective of creators and audiences
Janeček, Tomáš ; Šmejkalová, Jiřina (advisor) ; Vochocová, Lenka (referee)
The thesis "The documentary series Kmeny from the perspective of creators and viewers" addresses the audience reception and notions of culture documentary series producer strains. Kmeny are unique documentary series that aired on Česká televize from March 2015 to June 2015. The aim is to describe the primary intention of producers representing various urban subcultures and this plan will be confronted with the reception of the audience. The theoretical part focuses on the documentary, his conception of the role and film-maker. Further describes several approaches to research audiences and influence of media messages to the audience. Research will be presented to representatives of the main concepts of cultural studies - Stuart Hall and John Fiske. The last part will focus on the aesthetics receptionist kostnická škola. The research part will be done through interviews with viewers and creators. Secondary research method will be in-depth interviews with viewers within an ethnographic approach.
The dialogue author - music; about the process of origin of a conceptional musical piece
Urbánek, Stanislav ; RUT, Přemysl (advisor) ; ČUNDERLE, Michal (referee)
The author in this thesis addresses selected aspects of the process of origin of a conceptional musical piece, particularly a song (as a complete form), he reflects the principle of a dialogue which is present in music and tries to describe the way in which the originating musical structure is perceived from the point of view of the author. That is the communication of the authorial self with his own musical idea. Furthermore the author strives to authentically reflect the process of the origin of his own musical attempts. Each of the five chapters of this thesis deals with different set of themes- themes which are closely connected with the actual process of musical creation (the process of creating music and foremost the process of "making" songs). The first chapter is dedicated to formation of values and to determining the author-music relationship, while the question of taste, necessity and creative direction is being emphasized. The second chapter attempts to answer the question what exactly can be regarded as a song, how its boundaries can be defined and in what way can time and space be managed within those boundaries. The third chapter approaches the author's relationship with his music as a dialogue, tries to describe it and it also deals with understanding of the current in music and the necessity of the element of the immediate during the process of musical creation. In chapter four of this thesis the order of steps in the birth of a song is discussed - from the initial idea to the final form. In the last fifth chapter the author seeks his own constructive and creative expression and he especially analyzes the relationship between originality and authenticity.

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