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Dance in Brno
Papcun, Peter ; Všetečková, Alena (referee) ; Galeová, Nicol (advisor)
Contemporary dance theater faces the problems of insufficient infrastructure and unsuitable spaces for its performances. Classic theater buildings and other transformed spaces often do not meet the specific needs of dance art. The lack of new, specially designed spaces in the Czech Republic leads to the migration of dancers abroad or to Prague. In this work, I devoted myself to the analysis of the current issue of dance theater and at the same time I focused on the analysis of the solved plot. Based on these analyses, I developed a proposal for a new theater that reflects the identified problems, offers solutions and deviates from standard ideas about the theater. The goal of my proposal is to create an environment that will be in line with the requirements and needs of the dance theater today. When designing the theater, I took into account aesthetic, functional and technical aspects in order to create a space that will allow the presentation of dance performances in the best possible form. The result is a comprehensive theater design, which is based on thorough analysis and at the same time brings innovative solutions for dance theater today. The building should be integrated into the scale of the city of Brno and become an integral part of its life.
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Dance in Brno
Ondřejová, Daniela ; Páterová, Kateřina (referee) ; Galeová, Nicol (advisor)
The aim of the diploma thesis was to design a theatre building for dancing, placed in the centre of Brno, in one part of Roosevelt Street in the park of Danuše Muzikářová. The design continues in the pre-diploma project with the topic Ideal: Dancing Theatre, which examines the history and present of the stage space for dance, different ways of use of the space, theatre technology, the economic demands of the sustainability of a cultural building and its comparison with foreign countries. Especially there are interviews with people that are somehow connected with contemporary dance. I mainly follow historical development and interviews. In my opinion, dancing theatre in the Czech Republic does not have as broad audience as it could have. That is why I design the centre for dance, where I try to give people an idea of modern dancing theatre in different ways. Because it is a new form of dancing performance I wanted to look at the design of the theatre from a different point of view than usual. In the theoretical part of my thesis, I concentrated on a Japanese tradition connected with a dancing performance and overall perception of space and architecture. From those theses, I chose principles which I used in the design of my diploma project.
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Dance in Brno
Kuklová, Tereza ; Všetečková, Alena (referee) ; Galeová, Nicol (advisor)
Dance, as many understand and perceive it, is no longer the dance we know from theater stages. It is not strictly confined to the movements of ballet, the compositions of contemporary dance, or the steps of traditional dances. Dance has begun to evolve more towards a spiritual direction. It is the expressive movements of individuals who convey stories through their movements, performers who react to their surroundings with their gestures, and groups of dancers who connect with each other through their movements. This is the current form of dance that spills out of the classical theaters and into the streets, cultural centers, and parks. It goes where there is a sensitive and perceptive observer. Such performers go where they feel comfortable, where they can develop their movements, their thinking, and where they can be inspired. However, currently, there are not too many spaces that are conducive to such individuals. In Prague, there are a few theaters that focus on the current direction of dance development and on dancers moving in this direction. In Brno, there are significantly fewer such platforms for dance, and the facilities are inadequate. Therefore, it happens that dance leaves Brno for cities where it has more favorable conditions. A step towards improving the conditions for contemporary dancers is to give them their own spaces, spaces designated for their dance. To move away from classical theaters, where these individuals feel rather uncomfortable in their large spaces. The aim of this work is to present a new form of theater as a space for free dance and movement artists. Incorporating such a structure into the scale of the city of Brno and integrating it into the city's life.
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USAGE OF THE ANIMAL MASK IN THE DANCE PERFORMANCES
Kalivodová, Anežka ; SMOLÍK, Robert (advisor) ; BAŽANT, Jan (referee)
This thesis concentrates on the subject of use of the animal masks in the ritual
ceremonies and dances. In the theoretical part of the thesis I try to describe on
several examples different points of view of divergent cultures on a mask production
and mask dances. The second part of this thesis describes my work during the
preparation process of the performance using animal masks.
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Spoken word in contemporary dance theatre
Mottlová, Kamila ; WIESNER, Daniel (advisor) ; NĚMEČKOVÁ, Elvíra (referee)
Bachelor thesis deals with the spoken word in contemporary dance theatre. Approximates the contact points in the history of dance theatre and offers an insight view into the way how contemporary artists works in this field. Finally, it introduces the experience of the author to production in collaboration with the graduate student of department of authorship at the Theatre Academy of Prague.
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