|
|
My Bachelor's Thesis
Moravanský, Tomáš ; Nadaud, Pierre (referee) ; Ptáček, Jiří (advisor)
Videomeaning is the second of a series of pictorial compositions. They build on linking words and their meanings, each one kreujúcich framework. In the version of the genre are the outputs of the four characters in the same situation in one room, each of which can function as a single unit with an inherent background as well as a sample, cut a kind of fictional universe, which in his work long build. Imagine more storey house on each floor and several rooms. Monochrome spaces throughout the building, where the color and atmosphere determined by light and sound in every room differently. As one of the rooms, the floors, the theme of which is Videomeaning. Room inhabit in this case four characters, each living their own lives. The characters carried by description, white card on which the explanation of their meaning in the simplest form possible. They are the only other inhabitants of the house. On this floor is their meaning, have meaning. Explanation importance. The first plan. Name, origin, function and material. Some character is a separate room, another may be the opposite in greater numbers, and the focus is more on the compositional enjoyment. Indeed, each it is operating on their own, unless in one act with several characters to one meaning. For this moment, I chose the example of the four figures that work in both cases.
|
|
|
Tableau Vivant and its Practice in the Czech Milieu of the Second Half of the 19th Century
Daňková, Lucie ; Prahl, Roman (advisor) ; Rakušanová, Marie (referee)
The thesis explores the phenomenon of so-called living pictures, often internationally known under the French translation of the phrase - as tableaux vivants (in singular form a tableau vivant). It is a type of theatrical performance and a paratheatrical genre performed by participants in costumes who, for a short time, motionlessly maintain a certain position, so that the whole scene resembles a work of art - most often a picture, as the term suggests. As templates for the scene composition were selected famous paintings (contemporary audience then amused themselves by identifying them and by the illusion of the picture "brought to life", which the production evoked), but also sculptures; some scenes were designed from scratch, as in the case of so-called Apotheosis (a living picture meant for glorification of a certain personality) and various allegories, in the Czech milieu often with patriotic overtones. A living picture therefore had many forms, and also a variety of different functions - entertaining, aesthetic, communicating or for instance representational, which is associated with aristocratic families in particular and in our lands very considerably with the Sokol organization. Attention is focused on the "golden age" of living pictures, i.e. the 19th century, specifically in its second...
|
|
|
Tableau Vivant and its Practice in the Czech Milieu of the Second Half of the 19th Century
Daňková, Lucie ; Prahl, Roman (advisor) ; Rakušanová, Marie (referee)
The thesis explores the phenomenon of so-called living pictures, often internationally known under the French translation of the phrase - as tableaux vivants (in singular form a tableau vivant). It is a type of theatrical performance and a paratheatrical genre performed by participants in costumes who, for a short time, motionlessly maintain a certain position, so that the whole scene resembles a work of art - most often a picture, as the term suggests. As templates for the scene composition were selected famous paintings (contemporary audience then amused themselves by identifying them and by the illusion of the picture "brought to life", which the production evoked), but also sculptures; some scenes were designed from scratch, as in the case of so-called Apotheosis (a living picture meant for glorification of a certain personality) and various allegories, in the Czech milieu often with patriotic overtones. A living picture therefore had many forms, and also a variety of different functions - entertaining, aesthetic, communicating or for instance representational, which is associated with aristocratic families in particular and in our lands very considerably with the Sokol organization. Attention is focused on the "golden age" of living pictures, i.e. the 19th century, specifically in its second...
|
|
|
Teatro salone italiano in Prague
Tillmanová, Hana ; Ottlová, Marta (advisor) ; Jakubcová, Alena (referee)
This BA thesis paints a portrait of one of the most interesting Vinohrady arenas, a permanent variety theatre founded by Italian theatre entre- preneur Eugenio Averino in 1875. The work partially departs from scarce entries in extant scholarship but mostly relies on independent source research, focused on a detailled study of the advertising and reportage tra- ced within contemporary periodicals and surviving theatre posters and programmes. The goal of the work is to provide as precise facts as possible concerning the theatre itself, its programme and the people performing in it and participating in its activity, with emphasis on a detailled differentiation of the individual stages of the theatre's development and with consideration for the theatre's position within Prague's cultural life.
|
|
|
My Bachelor's Thesis
Moravanský, Tomáš ; Nadaud, Pierre (referee) ; Ptáček, Jiří (advisor)
Videomeaning is the second of a series of pictorial compositions. They build on linking words and their meanings, each one kreujúcich framework. In the version of the genre are the outputs of the four characters in the same situation in one room, each of which can function as a single unit with an inherent background as well as a sample, cut a kind of fictional universe, which in his work long build. Imagine more storey house on each floor and several rooms. Monochrome spaces throughout the building, where the color and atmosphere determined by light and sound in every room differently. As one of the rooms, the floors, the theme of which is Videomeaning. Room inhabit in this case four characters, each living their own lives. The characters carried by description, white card on which the explanation of their meaning in the simplest form possible. They are the only other inhabitants of the house. On this floor is their meaning, have meaning. Explanation importance. The first plan. Name, origin, function and material. Some character is a separate room, another may be the opposite in greater numbers, and the focus is more on the compositional enjoyment. Indeed, each it is operating on their own, unless in one act with several characters to one meaning. For this moment, I chose the example of the four figures that work in both cases.
|
guest ::
