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Oskar Nedbal Theatre: Former and Now
OTRADOVCOVÁ, Lucie
The diploma thesis entitled Oskar Nedbal Theatre: Former and Now aims to present some fundamental and interesting moments from the history of the Oscar Nedbal Theare Tábor in the context of changes in local culture from its inception to the present. The work is divided into seven chapters, which represent the developmental stages since the establishment of the theatre. It will first focus on building theatre by amateurs under the influence of the national revival in the process 19th century, further maps the important moments that took place in the theatre during the challenging 20th century and describes how the theatre functioned during the two world wars. Later, it focuses on the period of theatre, which we could call the present. The work methodologically based on cultural studies maps important moments in the development of the theatre, in terms of building, repertoire and (artistic) management of the theatre as such, does not neglect the issue of changing the name of the theatre and presents personalities that were crucial for the theatre. The work is supplemented by testimonies and memories of performers and spectators who worked in the theatre or visited it. For a closer understanding of the important events that took place in the Oscar Nedbal Theatre in its history, the work is supplemented by the context of the development of Czech theatre and society from the 19th to the 21st century. The main sources of the submitted diploma thesis are sources searched in the State District Archive Tábor, as well as information from periodicals and there are also sources from available literature.
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Transformation of opera ensemble of South Bohemian Theatre?
Krenčíková, Eva ; SRSTKA, Jiří (advisor) ; KOFROŇ, Petr (referee)
Following thesis on opera ensemble of South Bohemian Theatre should bring comparison between current repertory system, potential so-called semi-stagione (this mode is thought to be set after transformation of this opera ensemble) and stagione mode that is typical for running opera production abroad.
The main aim of the thesis is to analyse these models and evaluate them regarding economic, artistic and organizational point of view.
Although it is focused on South Bohemian Theatre in Ceske Budejovice, there are more opera ensembles in regions facing the same problem and asking the same question: which would be the most effective model of running our business?
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Management and stagione funding on example of the Municipal Theatre Jablonec nad Nisou
Koublová, Simona ; Riedlbauch, Václav (advisor) ; Homindová Römerová, Eva (referee)
The subject of this thesis is to present the characteristics of stagione type of theatre as part of a comprehensive typology of theatres in the Czech Republic presented on example of the Municipal Theatre Jablonec nad Nisou. The theoretical part of the work that is created based on the evaluation of secondary data, describes the legal base of theatres, their funding opportunities, both from public and private sources, further managerial style and the specifics of cultural marketing. The theoretical part is followed by the practical part, which deals primarily with the analysis of the Municipal Theatre Jablonec nad Nisou, along with a glimpse at the activities of the F. X. Šalda Theatre in Liberec and comparison of both theaters. The analytical part is based on in-depth interviews and questioning of the author, and is complemented by research on the perception of the theatre by its visitors. The aim is to determine whether the stagione type of theatre is a perspective for the Czech theatre culture in the future, whether it plays supporting role or merely is only a transitional form.
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