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Synthetic bodies
Veselá, Lenka ; Kolářová,, Kateřina (referee) ; Klodová, Lenka (referee) ; Fajnor, Richard (advisor)
In my dissertation thesis grounded in the notion of synthetic bodies, I reflect on the fact that we are not enclosed entities, but lively structures formed in relation to the environments which surround and entangle us. With a focus on industrially manufactured chemicals, which have become ubiquitous on Earth in the Anthropocene, I examine the far-reaching effects of what it means to be a synthetic body in a world permeated and transformed by man-made technologies. Through the collective publication and exhibition project Synthetic Becoming and individually developed intervention which localizes the effects of anthropogenic chemical pollution on our sadness, irritability, anxieties, inability to concentrate, and feelings of despair and hopelessness, I explore how we can live well in the context of changes caused by industrial modernity. How can we come to terms with our open and permeable, and thus also vulnerable and wounded bodies? How can we understand who we are becoming with anthropogenic chemicals? How can we accept and affirm the part of ourselves which is co-constituted through industrial production, distribution, and consumption? How can we resist, survive, and keep going — with and despite industrial chemicals?
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Movement and multiplicity. Ontological dimension of painting in Gilles Deleuze's works.
Sluková, Tereza ; Fišerová, Michaela (advisor) ; Marcelli, Miroslav (referee)
Annotation: The aim of the thesis is to verify the claim that movement and multiplicity in the works of Francis Bacon, as interpreted by Deleuze, become novel ontological features of the paintings; at the same time, Deleuze's critical reading of Bacon's thoughts and other texts foregrounds the relationships of representation and interpretation, thus making Deleuze's concepts applicable to the philosophical refexion of the theory of painting. The chief goals of the thesis are therefore to understand the rhizomatic thinking in the perception of the artwork and to emphasize the problem-riddled nature of the relationship of representation and interpretation in the works of Gill Deleuze. By way of comparison of two actual texts it will be demonstrated that the endeavour by Deleuze to use the rhizome concept to transcend represention is doomed when confined to the level of immanence. What is thus arrived at is a far more fundamental topic of the relationship of the levels of immanence and consistence.
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Becoming a doctor from the viewpoint of anthropologist
Rebendová, Eva ; Halbich, Marek (advisor) ; Hrešanová, Ema (referee)
This paper is about a process of a nascency of new doctors, and how it is possible to approach this topic from the viewpoint of social anthropologist. As a starting point, I use actor-network theory, which is one of the social science paradigms focusing on materiality. I consider it (on the basis of work by Bruno Latour and other scholars, who are dealing with this field), to be a remarkable actor in matters connected with human action, and thus an appropriate subject for an anthropological inquiry. Since the topic concerns medicine in the Czech Republic nowadays, I contribute to the knowledge of medical anthropology, which does not have such a strong academic base here as in the Anglo-Saxon world. Special attention is dedicated to a detailed description of activities leading to the formation of the text of this thesis. Reflexivity, on which I put emphasis, shall serve as the foundation of the context of genesis of an anthropological knowledge and also to describe the ethical concerns of the research. The main methods are observation and semi-structured in-depth interviews with twelve informants, who were medicine students or medicine faculty graduates.
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Radical Experience and Thinking of Poetic Inspiration. The Body (without Organs) in Maurice Blanchot's Space of Literature.
Poch, Martin ; Ševčík, Miloš (advisor) ; Jarošová, Helena (referee)
Radical Thinking and Experience of Poetic Inspiration → Abstract Blanchot's radical thinking of writer's experience poses, but do not answer a question of its physical dimension. According to Blanchot, it seems as if the writer's experience was completely unbodied, so that it excludes the possibility of writing and realization of essential speech in the world. Our interpretation of Blanchot's key concepts proceeds with an attempt to solve this problem and present its main consequences. In the last section we operate some of the terms of Deleuze and Guattari - namely becoming, the body without organs - in order to conceive writer's experience as inherently differentiated process in which the body is absent, because - deprived of its organs - it becomes an imperceptible part of assemblage which enters the space of literature.
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Becoming Heaviness: Philosophy of Difference and Metal Music
Volák, Vojtěch ; Švantner, Martin (advisor) ; Marcelli, Miroslav (referee)
Metal music is a term that currently serves as a designation for a plethora of different subgenres. The main goal of this work is to find a process that is shared between given subgenres of metal music. The search is based on the non-essentialist position of Gilles Deleuze's philosophy of difference. For this reason, the first focus of the work is extensive excursion into this philosophy, to which it devotes it's first chapter. In it, through analysis of Difference and Repetition, it creates a thought and conceptual basis for the processual perception of ideas as multiplicities, a position that makes it possible to examine the process of becoming. From this position, the second chapter focuses on metal music and it's main characteristic quality - heaviness, and examines the ways in which music can become heavy. Keywords: Gilles Deleuze, metal music, heaviness, difference, becoming, multiplicity, intensity
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Kierkegaard's philosophy of existence
Šimeček, Andrej ; Kouba, Pavel (advisor) ; Němec, Václav (referee)
This work takes as its central issue the existential movement as it appears in the philosophy of Soren Kierkegaard. There appears to be relatively little secondary literature on this topic, so it is a very fruitful area to explore. The texts explored include Kierkegaard's 'psychological' books, in particular Concept of Anxiety and Sickness unto Death. These provide our work with the crucial concepts of innocence, guilt, despair, anxiety, existence and spirit. From the more traditional philosophical works, Philosophical Fragments, Concluding Unscientific Postscript to Philosophical Fragments and Johannes Climacus have been utilised. These texts inform the work mostly on the meaning of movement, doubt, contradiction and absolute paradox. From the more lyrical works, this work is informed by Fear and Trembling and Repetition. Inquiry into these texts combined will provide a picture of existential movement as it is presented by Kierkegaard. This work attempts to capture the 'becoming subjective' which is so central to Kierkegaard's thought, through the reconstruction of the existential stages. It is also the purpose of this work (in the process) to treat areas of Kierkegaard's thought that are usually left untreated. The latter are for example, the problematic of the leap of sin, the unclear status of the...
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Movement and multiplicity. Ontological dimension of painting in Gilles Deleuze's works.
Sluková, Tereza ; Fišerová, Michaela (advisor) ; Marcelli, Miroslav (referee)
Annotation: The aim of the thesis is to verify the claim that movement and multiplicity in the works of Francis Bacon, as interpreted by Deleuze, become novel ontological features of the paintings; at the same time, Deleuze's critical reading of Bacon's thoughts and other texts foregrounds the relationships of representation and interpretation, thus making Deleuze's concepts applicable to the philosophical refexion of the theory of painting. The chief goals of the thesis are therefore to understand the rhizomatic thinking in the perception of the artwork and to emphasize the problem-riddled nature of the relationship of representation and interpretation in the works of Gill Deleuze. By way of comparison of two actual texts it will be demonstrated that the endeavour by Deleuze to use the rhizome concept to transcend represention is doomed when confined to the level of immanence. What is thus arrived at is a far more fundamental topic of the relationship of the levels of immanence and consistence.
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Becoming a doctor from the viewpoint of anthropologist
Rebendová, Eva ; Halbich, Marek (advisor) ; Hrešanová, Ema (referee)
This paper is about a process of a nascency of new doctors, and how it is possible to approach this topic from the viewpoint of social anthropologist. As a starting point, I use actor-network theory, which is one of the social science paradigms focusing on materiality. I consider it (on the basis of work by Bruno Latour and other scholars, who are dealing with this field), to be a remarkable actor in matters connected with human action, and thus an appropriate subject for an anthropological inquiry. Since the topic concerns medicine in the Czech Republic nowadays, I contribute to the knowledge of medical anthropology, which does not have such a strong academic base here as in the Anglo-Saxon world. Special attention is dedicated to a detailed description of activities leading to the formation of the text of this thesis. Reflexivity, on which I put emphasis, shall serve as the foundation of the context of genesis of an anthropological knowledge and also to describe the ethical concerns of the research. The main methods are observation and semi-structured in-depth interviews with twelve informants, who were medicine students or medicine faculty graduates.
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Radical Experience and Thinking of Poetic Inspiration. The Body (without Organs) in Maurice Blanchot's Space of Literature.
Poch, Martin ; Ševčík, Miloš (advisor) ; Jarošová, Helena (referee)
Radical Thinking and Experience of Poetic Inspiration → Abstract Blanchot's radical thinking of writer's experience poses, but do not answer a question of its physical dimension. According to Blanchot, it seems as if the writer's experience was completely unbodied, so that it excludes the possibility of writing and realization of essential speech in the world. Our interpretation of Blanchot's key concepts proceeds with an attempt to solve this problem and present its main consequences. In the last section we operate some of the terms of Deleuze and Guattari - namely becoming, the body without organs - in order to conceive writer's experience as inherently differentiated process in which the body is absent, because - deprived of its organs - it becomes an imperceptible part of assemblage which enters the space of literature.
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