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Methodology of the Cooperation between the Director and Actor and Contermporary Theater Practice
Glogrová, Kateřina ; BURIAN, Jan (advisor) ; HRBEK, Daniel (referee)
The thesis deals with the cooperation between the director and actor during individual phases of the staging process as they appear in everyday theatre life. The indiviual phases of the staging process are supplemented by the author's own experience with managing the actors, which she gained especially in the course of her studies at the Drama Faculty of AMU. The second part of the thesis investigates the issues of inner truthfulness and the possibilities of its achievement within the production of a play. As a part of collecting the material for the thesis, the author conducted a research, which included interviews with three professional directors - Hana Burešová, Ladislav Smoček and Štěpán Pácl, whose methods of work are described. In the final part of the thesis the author states that it is difficult to draw general conclusions about the cooperation between the director and actor because it is always of subjective nature. The issue of inner truthfulness is similarly difficult to generalise. Due to the multiplicity of options, however, neither of them loses attractiveness for further research.
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THE ACTOR-DIRECTOR COOPERATION ON CREATION OF DRAMATIC CHARACTER
Šanda, Václav ; TÖPFER, Tomáš (advisor) ; KORČÁK, Jakub (referee)
In my thesis I would like to describe the relationship between the two of the most cardinal professions that take part on the creation of a theatre production. A director is the person who creates and influences the most the idea, thoughts and genre of the production; and an actor is the one who embodies all of this on stage. I want to try to clearly demonstrate difficulties or, in the other hand, inspirational sources, which the actor is dealing with during creation of a role, depending and changing in relation with the director. As a basis of this work I chose my personal experience with two directors, whose stance during the work and relation to the actor is strongly different. First of them is Ladislav Smoček, director and playwright of Cinoherni klub. Then I would like to mention principles of cooperation with director Pavel Khek. In the first part of my thesis I want to make brief insight into history of direction and try to describe basic evolution of actor-director relationship. My goal is not to present comprehensive survey of direction history. My goal is to refer to different approaches and changes in actor-director cooperation.
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ON THE EDGE BETWEEN DISTANCE AND SELF - IDENTIFICATION
Kraus, Adam ; KUDLÁČKOVÁ, Jana (advisor) ; MRKVIČKA, Ladislav (referee)
The title of this work ?On the edge between distance and self - identification? refers to the problem that Adam Kraus is dealing with for some time. Kraus reflects his own experiences that he got at acting classes, on his internship in London and even during his first experience in stage direction. Although it´s not easy to move on this edge, he explores the conflict between his inclination to analyse things and to approach them in a critical way and between his need to identify himself with the character he creates. He tries to find the essence of this conflict and to find a way out of it that could develop his creative potential.
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Interaction of the dramatic personage
Petřeková, Adéla ; KUDLÁČKOVÁ, Jana (advisor) ; PLEŠTILOVÁ, Miroslava (referee)
The thesis describes my personal experience which I gained during my studies at the Academy of Performing Arts (DAMU), rehearsals at the Theatre Studio Disk as well as experience gained out of school. This experience is illustrated with several examples of practical work which I participated in. Specially is described the interaction with the director, my theatrical partners, theatre-goers and with my own during the process of rehearsals.
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