National Repository of Grey Literature 3 records found  Search took 0.00 seconds. 
Mold melted glass sculpture
KUCHYŇKOVÁ, Lucie
Bachelor thesis "Mold melted glass sculpture" is divided into a theoretical part a practical part. The first part of the theoretical work deals with the origin, the development of fused sculpture in the context of the period after the Second World War. In the second part mentions the most important Czech artists of fused sculptures. The third part describes fused sculptures after the year 1989 and aslo contemporary creators of glass design. The last fourth part of the theoretical work is dedicated to Zdeněk Lhotský, who became the inspiration for this bachelor thesis. The practical part is focused on the making of molten glass object, which the author was inspired by monumental sarcophagus made by Czech glass artist Zdeněk Lhotský.
The sarcophagus of Tomaš Špidlík in Velehrad in the wider spiritual and artistic context of Centro Aletti in Rome.
Šefernová, Marie ; Royt, Jan (advisor) ; Oulíková, Petra (referee)
This thesis deals with the modern sarcophagus designed for cardinal Tomáš Špidlík SJ (1919- 2010), located in the basilica of the Assumption of the Blessed Virgin Mary and Saints Cyril and Methodius in Velehrad. The sarcophagus was created in the Atelier of Liturgical art of Centro Aletti in Rome in 2010. The main target of the thesis is to put in the creation and emplacement of the masterpiece into the wider spiritual and artistic context. In order to introduce the Centro Aletti's liturgical art, it is important to focus on Špidlik's thoughts about art on theological background. His theological direction and spiritual guidance were a resource for a painter and jesuit Marko Ivan Rupnik (*1954) and Špidlik's disciple and the head of Centro Aletti in Rome. A significant part of the work is focused on the emplacement of the sarcophagus in the basilica of Velehrad, famous for the cult of saints Cyril and Methodius. The main part of the thesis deals with the formal analysis and iconographic interpretation of the topics depicted on the sides of the sarcophagus from a methodological point of view. This also applies to other attached pieces of art as the bronze inscription on the lid by the sculptor Otmar Oliva (*1952) and the panel with Špidlik's motto, which is to be found behind the sarcophagus....
Stone Sarcophagi in Egypt during the 3rd Millenium BC
Štěpánová, Věra ; Bárta, Miroslav (advisor) ; Krejčí, Jaromír (referee)
This thesis deals with the origin and development of stone sarcophagi in the Old Kingdom. Based on documentation of finds and their statistical processing aims to characterize the main diachronic trends in specific social classes of ancient Egyptian society.

Interested in being notified about new results for this query?
Subscribe to the RSS feed.