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National Repository of Grey Literature 2 records found  Search took 0.00 seconds. 
The Comparison of the Film Propaganda in the German Reich and in the Soviet Union
 Tvrdá, Kristina ; Emler, David (advisor) ; Zelená, Alena (referee)
This bachelor thesis deals with the comparison of film propaganda in Nazi Germany and the Soviet Union. The first part briefly describes the definition of propaganda and propaganda techniques in those films. This second and third chapter will cover the German and Russian film industry during the 1920s and 1940s and the creation of propaganda films. Film propaganda has become both a procist and for the Soviets one of the most effective ways of manipulating the population. In addition to mastering cinematography, focusing on various content of propaganda films, which are derived from individual ideologies. The fourth chapter, which presents the practical part of this work, compares two Nazi and two Soviet propaganda films based on three criteria. The first criterion is the use of a propaganda technique in a film that represents their propaganda character. In the case of a different procedure, it should be noted that these are cases where there is an infringement. Selected films often relate only to its propaganda system, but also to ist editing or music which mainly concerns the viewer's subconscious. The aim of the thesis is the responsibility of the queries, which are different or the form of the propaganda technique and technique used.
Detailed record
The Comparison of the Film Propaganda in the German Reich and in the Soviet Union
 Tvrdá, Kristina ; Emler, David (advisor) ; Zelená, Alena (referee)
This bachelor thesis deals with the comparison of film propaganda in Nazi Germany and the Soviet Union. The first part briefly describes the definition of propaganda and propaganda techniques in those films. This second and third chapter will cover the German and Russian film industry during the 1920s and 1940s and the creation of propaganda films. Film propaganda has become both a procist and for the Soviets one of the most effective ways of manipulating the population. In addition to mastering cinematography, focusing on various content of propaganda films, which are derived from individual ideologies. The fourth chapter, which presents the practical part of this work, compares two Nazi and two Soviet propaganda films based on three criteria. The first criterion is the use of a propaganda technique in a film that represents their propaganda character. In the case of a different procedure, it should be noted that these are cases where there is an infringement. Selected films often relate only to its propaganda system, but also to ist editing or music which mainly concerns the viewer's subconscious. The aim of the thesis is the responsibility of the queries, which are different or the form of the propaganda technique and technique used.
Detailed record

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