National Repository of Grey Literature 2 records found  Search took 0.01 seconds. 
Motives of the pre-Colombian art in modern Mexican art
Taltynová, Marie ; Křížová, Markéta (advisor) ; Binková, Simona (referee)
Diploma thesis Motifs of pre-Columbian America in modern Mexican art deals with the pre- Columbian motifs in the work of three leading representatives of the Mexican muralism - Diego Rivera, José Clemente Orozco and David Alfaro Siqueiros. Muralism, monumental painting with a clearly defined socio-educational function, started to develop on the initiative of the post- revolutionary Mexican government, since the 1920s of the 20th century. During its development, it gained international fame and today it is widely regarded as a uniquely Mexican style of art. An integral part of muralism form scenes from the life of pre-Columbian cultures. The main objective of this work is to analyse these scenes, the origin of particular motifs, their original meanings and meanings, which they assumed in the context of the murals. The work also reflects where muralists acquired knowledge about the Indian civilizations and what image of pre-Columbian past they created. The work also seeks to clarify the question in what specifically was the muralist access to pre-Columbian cultures innovative. The paper uses qualitative methods of analysis of the available written sources and analysis of visual materials.
Czech society and change in the concept of tattooing in the medium term
Feitl, David ; Pargač, Jan (advisor) ; Hejzlarová, Tereza (referee)
Anntotation This bachelor thesis deals with the change of perception and reception of tattoo and tattooing in the Czech society over the last aproximatelly thirty years. The turning point was the socio-political revolution in 1990s. The revolution has changed the perception of tattoos in the post-socialistic society and tattooing itself. In this respect, it points to the differences between the Czech Republic and the western Europe which are influenced by dynamic development and the perception of the visual aspect of tattoo changing through time. Contemporary tattoos are confronted with tattoos made by native cultures in parts of this thesis. Such comparison answers following question: Could a tattoo be a rite of passage or a record of an event etc. even today in our culture? The bachelor thesis mentions the problem of subcultures which are sometimes characterised by specific tattoo. To the contrary, tattoo can represent an effort to express one's individuality. The thesis answers following questions: What does a tattoo mean to its holder from a time distance? What was the reason for getting it? Last but not least motives and the age of getting the first tattoo are essential for research and for answering the questions mentioned above. The research part of this thesis is based on questionnaires. The sample...

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