|
|
Mini 3D printer
Čermák, František ; Cejpek, Zdeněk (referee) ; Hůlka, Tomáš (advisor)
This bachelor's thesis deals with desig of a functional miniature 3D printer. The theoretical part analyzes the anatomy and control of such printer. There is also a detailed description of individual parts of the printer. Materials that are used by FDM printer are mentioned as well. The practical part is about design and construction of the miniature FDM printer. Then the detailed workflow of electronic connection and manipulation with softwares to control the 3D printer is described. At the end of the thesis, the unusual problems that I encountered while solving the task are also analyzed and explained.
|
|
|
Mini 3D printer
Čermák, František ; Cejpek, Zdeněk (referee) ; Hůlka, Tomáš (advisor)
This bachelor's thesis deals with desig of a functional miniature 3D printer. The theoretical part analyzes the anatomy and control of such printer. There is also a detailed description of individual parts of the printer. Materials that are used by FDM printer are mentioned as well. The practical part is about design and construction of the miniature FDM printer. Then the detailed workflow of electronic connection and manipulation with softwares to control the 3D printer is described. At the end of the thesis, the unusual problems that I encountered while solving the task are also analyzed and explained.
|
|
|
Anthiphonary of Sedlec and Czech painting of the 13th century
Šubrtová, Jana ; Kubík, Viktor (advisor) ; Ottová, Michaela (referee)
Painting decorations of the Sedlec Antiphonary manuscript (Prague, NK ČR, XIII A 6) serve as significant evidence for art painting development in Central Europe during the cultural changes, when Late Romanesque style evolved into Gothic. The aim of the thesis is to submit profound art-historical analysis of the Sedlec Antiphonary manuscript, which is stored in National Library of the Czech Republic in Prague, call number XIII A 6. The main method of this work is the careful study of painting decorations in the manuscript, in terms of both analysing their layout in general and typology of the single ornament motifs. Among other methods are formal analysis, comparison based on typology and iconography analysis. Similarities of the manuscript and works of the same time of origin, such as Mater verborum manuscript (Prague, KNM, X A 11) or Wolfenbüttel sketch-book , are also taken into consideration. Due to this comparison could be proved that the author of the Sedlec Antiphonary was probably influenced by Byzantine, Venetian and German painting styles. The Sedlec Antiphonary represents an important and practically key work in the context of painting development in the 13th century. Keywords book painting, miniature, initial letter, Women at the Sepulcher, 13th century
|
|
|
Graduals from the Workshop of Jan Táborský of Klokotská Hora
Součková, Ema ; Royt, Jan (advisor) ; Brodský, Pavel (referee) ; Hlaváčková, Jana Hana (referee)
The dissertation focuses on the decoration of 16th century choral manuscripts. The first part is devoted to the person of Jan Táborský of Klokotská Hora (1499-1572) who was a scribe and an owner of a scribe manufactory, and to the most significant illuminators of the the 16th century who contributed to the decoration of songbooks in the Lands of the Bohemian Crown. Attention is given not only to the illuminators to whom Jan Táborský of Klokotská Hora assigned the work and whose contribution can be inferred from the documents or stylistic analysis of their illuminations, but also to their contemporaries. Besides the frequently mentioned Fabián Puléř, we can assume that Jan Taborský also collaborated with Matouš Ornys of Lindperk, Matyáš Hutský of Křivoklát, Ambrož Ledecký and, presumably, others. In this context, one part of the thesis is focused on engravings by Martin Schongauer, Albrecht Dürer, Bernard Salomon and on the domestic prints by George Melantrich the Elder, as these engravings, mostly woodcuts, served as patterns and inspiration for almost every Bohemian illuminator. Themes found in this type of manuscript are mostly based on Biblical stories, corresponding to the feasts of the liturgical year. In addition to these themes, the graduals contain many miniatures associated with various...
|
|
|
Miniature artworks of Cristoforo Orimina
Pavlova, Anna Amedea ; Kubík, Viktor (advisor) ; Ottová, Michaela (referee)
The purpose of the thesis is an analysis of Cristoforo Orimina's miniature artwork in the context of 14th century's manuscript in the Southern Italy and summary of the topic's literature. Additionally to the artworks of Cristoforo Orimina, attention is also paid to the book painting in Badia di Cava dei Tirreni; the historical context (miniature artworks in the time of Robert I and Joanna Anjou); C. Orimina's stylistic starting points and parallels of his work (especially a summary of the miniature artworks of Orimina's collaborators or miniature artists of his time).
|
|
|
Graduals from the Workshop of Jan Táborský of Klokotská Hora
Součková, Ema ; Royt, Jan (advisor) ; Brodský, Pavel (referee) ; Hlaváčková, Jana Hana (referee)
The dissertation focuses on the decoration of 16th century choral manuscripts. The first part is devoted to the person of Jan Táborský of Klokotská Hora (1499-1572) who was a scribe and an owner of a scribe manufactory, and to the most significant illuminators of the the 16th century who contributed to the decoration of songbooks in the Lands of the Bohemian Crown. Attention is given not only to the illuminators to whom Jan Táborský of Klokotská Hora assigned the work and whose contribution can be inferred from the documents or stylistic analysis of their illuminations, but also to their contemporaries. Besides the frequently mentioned Fabián Puléř, we can assume that Jan Taborský also collaborated with Matouš Ornys of Lindperk, Matyáš Hutský of Křivoklát, Ambrož Ledecký and, presumably, others. In this context, one part of the thesis is focused on engravings by Martin Schongauer, Albrecht Dürer, Bernard Salomon and on the domestic prints by George Melantrich the Elder, as these engravings, mostly woodcuts, served as patterns and inspiration for almost every Bohemian illuminator. Themes found in this type of manuscript are mostly based on Biblical stories, corresponding to the feasts of the liturgical year. In addition to these themes, the graduals contain many miniatures associated with various...
|
|
|
Anthiphonary of Sedlec and Czech painting of the 13th century
Šubrtová, Jana ; Kubík, Viktor (advisor) ; Ottová, Michaela (referee)
Painting decorations of the Sedlec Antiphonary manuscript (Prague, NK ČR, XIII A 6) serve as significant evidence for art painting development in Central Europe during the cultural changes, when Late Romanesque style evolved into Gothic. The aim of the thesis is to submit profound art-historical analysis of the Sedlec Antiphonary manuscript, which is stored in National Library of the Czech Republic in Prague, call number XIII A 6. The main method of this work is the careful study of painting decorations in the manuscript, in terms of both analysing their layout in general and typology of the single ornament motifs. Among other methods are formal analysis, comparison based on typology and iconography analysis. Similarities of the manuscript and works of the same time of origin, such as Mater verborum manuscript (Prague, KNM, X A 11) or Wolfenbüttel sketch-book , are also taken into consideration. Due to this comparison could be proved that the author of the Sedlec Antiphonary was probably influenced by Byzantine, Venetian and German painting styles. The Sedlec Antiphonary represents an important and practically key work in the context of painting development in the 13th century. Keywords book painting, miniature, initial letter, Women at the Sepulcher, 13th century
|
guest ::
