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The Transformation of the lyrical subject in poetry of Václav Hrabě
Jonášová, Alena ; Hoffmann, Bohuslav (advisor) ; Holý, Jiří (referee)
This bachelor thesis is focused on the intricacies of the poetic legacy of Václav Hrabě. The first part of the thesis contains a general introduction - the poet′s life, the difficulties with the posthumous publication of his work and the development of the work′s reception. The second part of the thesis is dedicated to an analysis of the lyrical subject in different publications of Hrabě′s poetry and in particular poems as well. Attention is given especially to the problems of different editions of his work. The conclusion of this analysis is founded upon the basic principles of Václav Hrabě′s poetics and describing the transformations of the lyrical subject. Powered by TCPDF (www.tcpdf.org)
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The Transformation of the lyrical subject in poetry of Václav Hrabě
Jonášová, Alena ; Hoffmann, Bohuslav (advisor) ; Holý, Jiří (referee)
This bachelor thesis is focused on the intricacies of the poetic legacy of Václav Hrabě. The first part of the thesis contains a general introduction - the poet′s life, the difficulties with the posthumous publication of his work and the development of the work′s reception. The second part of the thesis is dedicated to an analysis of the lyrical subject in different publications of Hrabě′s poetry and in particular poems as well. Attention is given especially to the problems of different editions of his work. The conclusion of this analysis is founded upon the basic principles of Václav Hrabě′s poetics and describing the transformations of the lyrical subject. Powered by TCPDF (www.tcpdf.org)
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The young poetry of the 1990s
PIORECKÝ, Karel
The submitted work is oriented towards the writing of young poets who made their authorial debuts into literary communication in the 1990s. It regards the creation of authors unburdered by experience with the cutural politics valid before November 1989, and therefore creation born in the complicated context of the post-totalitarian cultural situation in which very different traditions were combined, including traditions which were banned from public communication during the previous decades. Parallel with this process the young poetry of the 1990s was born, whose character was inevitably marked by the period interest in everything from the past that had been until recently forbidden. The work begins with an independent chapter devoted to the literary-critrical reception of young poetry in the 1990s. Aspects analyzed include the language, framework of values, criteria and expectations which were valid for contemporary literary criticism of young poetry in the 1990s. It is demonstrated that the key question for young poetry to answer was the question of what traditions it should draw upon in the changed and democratized cultural and social conditions. Expectations were oriented in the direction of the past, towards a connection with one of the worthy and newly non-proscribed traditions, rather than towards a neo-avantgarde seach for new expressive registers. The subsequent three chapters follow three expressive currents within the framework of young poetry of the 1990s {--} spiritual poetry, objective poetry and imaginative poetry. Analytical and interpretational explorations of these three currents are linked by a common point of view, which is a focus on the lyrical subject and the form of its stylization. This methodological point of departure leans on Červenka's theory of the the lyric subject, to which is devoted the independent theoretically oriented chapter in the introductory part of the work. This unified focus of attention on the lyric subject made it possible in the conclusion of this work to create a typology of the form of the lyric subject and to follow basic tendencies characteristic for subjectivity in the young poetry of the 1990s. It was demonstrated that the young poetry of the 1990s was willing to accept the three traditional lyrical modes and expressive registers, but it removes from them any kind of programmatic and ideological accents. Traditional lyrical modes, after their transplantation into a post-totalitarian and also post-modern situation, stop being part of a master narrative and therefore their original metanarrative character is eliminated (from spiritual poetry the explicit confessionality is lost, imaginative poetry removes surrealistic revolutionarity and psychologism, the poetry of objectivity eliminates the pathos regarding necessary developmental change, with it this lyrical mode was applied by Skupina 42). Traditions therefore do not continue to evolve in their original forms, but are selectively used with a view to the current state of culture and thought.
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Poetry of Viktor Fischl
ŠTUMPFOVÁ, Barbora
The following master thesis is focused on the poetry work of Viktor Fischl. This thesis is also focused, among the others, on the topic of whether and how a point of view of a lyrical subject on a living in reality is changing in the poems. The thesis deals with the forming of Viktor Fischl's poetry itself in the context of present development and thinking. For showing of a complete author's work it was necessary to deal not only with collections of poems that had been published in book form, but also with available work in manuscript (or typescript) in the Viktor Fischl's Fund at the Museum of Czech Literature in Prague. The master thesis is methodologically based on the concept of Miroslav Červenka's fictional worlds. In his book Fikční světy lyriky (Fictional Worlds of Lyric Poetry) describes, among the others, the relationship of the current world and fictional world in lyric poetry. About the fiction and fictional worlds was thought only in connection with a narrative story. However, also in the lyric poetry it is necessary to think about the fictional worlds and Červenka proves that the relationship of reality and fictional world could be in lyric poem more often than in the narrative. In this master thesis the poetry work of Viktor Fischl is divided for clarity into several parts. Each part is devoted to a specific range of the author's poetry. Collections or cycles of poems were assigned to the chapters according to the period, in which were finished. The first interpretive chapter of the master thesis is focused on work itself, the earliest work of Viktor Fischl, a work from the period 1928 - 1929. The next chapter deals with his work in the thirties. The third significant section consists of the exile poetry from the author's stay in the United Kingdom during the Second World War. Next chapters are focused on the post-war author's work, work from the fiftieth and late poetic work of Viktor Fischl. The last chapter is devoted to poems and some fractions that are not included in the collections of poems.
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Lyrical Discourse and Representations of Subject in the Works of Group 42
LENCOVÁ, Pavla
This diploma thesis is focused on exploring the forms of representing the lyric subject in the poetry of authors in Group 42 with a special focus on the forms of depicting the existential status in the text. Prior to the analysis of forms of representation of the lyric subject in the poetry of Group 42, attention will firstly be drawn to the changes of lyrical discourse in the 40's and 50's of the 20th century. Further on the ways of representation of the subject will be examined as well as the ways of depicting reality in the works of the authors of Group 42. At the end of this thesis, based on previous analysis, attention will be drawn to in what ways are principles of existential imagination depicted in the space of a lyrical piece of work.
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