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Medieval Mural Painting in the Doupov Region. Churches of st. Nicolas and st.Wolfgang in Doupov.
Vrba, Martin ; Royt, Jan (advisor) ; Ottová, Michaela (referee)
Středověká nástěnná malba na Doupovsku Abstract This thesis focuses on medieval mural paintings in the area of the Doupov Mountains on two examples, church of St. Nicholas in Nepomyšl and destroyed cemetery church of St. Wolfgang in Doupov. Description of both churches contains historical background of its origin and decoration, including donors. Other parts of thesis deal with present condition of paintings, iconographical and iconological analysis as well as inspiration and analogy. In both cases the largest part takes the Christological cycle in the naves. The medieval paintings from two periods were recently uncovered in the church of St. Nicholas in Nepomyšl. The older of them are dated to the second half of 14th century. Remains of them are in the presbytary of the church. The younger are from the beginning of 16th century. They are in the nave and they are influenced by Cranach's graphics of Passion Cycle. The church of St. Wolfgang in Doupov was built at the end of the 14th century; nevertheless the donor of the paintings was Jan Mašťovský of Kolovraty, who died ca. 1527. After the World War II the German inhabitants were moved away and the military area was founded here. The church was not maintained and perished through the time. The paintings are preserved in the form of transfers, which were...
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Rakovnik altar
Lokšová, Pavlína ; Nespěšná Hamsíková, Magdaléna (advisor) ; Royt, Jan (referee)
Bachelor thesis entitled Rakovnik's altar deals with four both sides painted panels, which formed wings of the late gothic altar in the church of St. Bartholomew in Rakovnik. It aims to create a monograph as a basis of further research. The thesis generally describes the historical context, the city Rakovnik and the church of St. Bartholomew. It subsequently describes the panels, gives characteristics of the authors of the altar and the basis of their art. All this is set into the contemporary context of panel painting. The work captured the movement of panels and their restoration. The important parts of the thesis are original graphic material, basis iconography and trace analogies.
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The Reception of Dutch Realism in the Late Gothic Panel Painting in Bohemia
Fiřt, Jan ; Royt, Jan (advisor) ; Konečný, Lubomír (referee) ; Nespěšná Hamsíková, Magdaléna (referee)
The dissertation deals with the reception of Dutch realism in the late Gothic panel painting in Bohemia. Its aim is to examine the principles of reception of new artistic forms and ideas that originated in the Dutch art centers in the 15th century. The Czech painting of the 15th century was adopting these innovative trends exclusively from the neighbouring countries. Therefore, the work addresses mainly issues related to artistic exchanges between Bohemia and the surrounding - mostly German-speaking - regions. It looks into the specific ways in which artistic exchange took place - the mobility of artists, art imports, the importance of graphic and other models. The dissertation focuses on the most important examples that show the reception of Dutch realism: The Ark of Grand Master Puchner, The Křivoklát Altarpiece, and works associated with it. These matters are addressed mainly through a formal stylistic analysis and formal comparison. In the case of the Puchner Ark, via these methods, it has been possible to point out a possible artistic basis of the author in Swabia - within a circle of the followers of the Master of the Sterzing Altarpiece. The dissertation has tried to prove the artistic origin of the Master of the Litoměřice Altarpiece within the circle of the Ulm painter B. Zeitblom. These...
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The Reception of Dutch Realism in the Late Gothic Panel Painting in Bohemia
Fiřt, Jan ; Royt, Jan (advisor) ; Konečný, Lubomír (referee) ; Nespěšná Hamsíková, Magdaléna (referee)
The dissertation deals with the reception of Dutch realism in the late Gothic panel painting in Bohemia. Its aim is to examine the principles of reception of new artistic forms and ideas that originated in the Dutch art centers in the 15th century. The Czech painting of the 15th century was adopting these innovative trends exclusively from the neighbouring countries. Therefore, the work addresses mainly issues related to artistic exchanges between Bohemia and the surrounding - mostly German-speaking - regions. It looks into the specific ways in which artistic exchange took place - the mobility of artists, art imports, the importance of graphic and other models. The dissertation focuses on the most important examples that show the reception of Dutch realism: The Ark of Grand Master Puchner, The Křivoklát Altarpiece, and works associated with it. These matters are addressed mainly through a formal stylistic analysis and formal comparison. In the case of the Puchner Ark, via these methods, it has been possible to point out a possible artistic basis of the author in Swabia - within a circle of the followers of the Master of the Sterzing Altarpiece. The dissertation has tried to prove the artistic origin of the Master of the Litoměřice Altarpiece within the circle of the Ulm painter B. Zeitblom. These...
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Rakovnik altar
Lokšová, Pavlína ; Nespěšná Hamsíková, Magdaléna (advisor) ; Royt, Jan (referee)
Bachelor thesis entitled Rakovnik's altar deals with four both sides painted panels, which formed wings of the late gothic altar in the church of St. Bartholomew in Rakovnik. It aims to create a monograph as a basis of further research. The thesis generally describes the historical context, the city Rakovnik and the church of St. Bartholomew. It subsequently describes the panels, gives characteristics of the authors of the altar and the basis of their art. All this is set into the contemporary context of panel painting. The work captured the movement of panels and their restoration. The important parts of the thesis are original graphic material, basis iconography and trace analogies.
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