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Cultural Center Brno
Schneiderová, Petra ; Žalmanová, Petra (referee) ; Šindlar, Jiljí (advisor) ; Pěnčík, Jan (advisor)
The theme of my bachelor’s thesis is a design of a new multifunctional centre in Brno, Údolní street. The area is located opposite the Obilný trh. Within the studio subject AG33 has been worked a study of this subjekt. This study was extended to the documentation for building permit, the documentation for the execution of the project now. The principle of the proposal is a connection of the Obilný trh and the Špilberk Castle. The building with its ramps and terraces follows the jurney is of the park and connects with them. The building is set down mainly for cultural events and leisure activities. Spaces are designed variably - can be adapted to different activities. The main mass of the building consists of two concert halls, café and a gym. In the other part of the building there is space for clubs, studio, hinterland of concert halls and technical rooms. The object is situated in the hillside and it is partly set in the terrain. Spaces without nature light and without ventilation are used as a technical rooms and warehouses.
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Cultural Center Brno
Schneiderová, Petra ; Žalmanová, Petra (referee) ; Šindlar, Jiljí (advisor) ; Pěnčík, Jan (advisor)
The theme of my bachelor’s thesis is a design of a new multifunctional centre in Brno, Údolní street. The area is located opposite the Obilný trh. Within the studio subject AG33 has been worked a study of this subjekt. This study was extended to the documentation for building permit, the documentation for the execution of the project now. The principle of the proposal is a connection of the Obilný trh and the Špilberk Castle. The building with its ramps and terraces follows the jurney is of the park and connects with them. The building is set down mainly for cultural events and leisure activities. Spaces are designed variably - can be adapted to different activities. The main mass of the building consists of two concert halls, café and a gym. In the other part of the building there is space for clubs, studio, hinterland of concert halls and technical rooms. The object is situated in the hillside and it is partly set in the terrain. Spaces without nature light and without ventilation are used as a technical rooms and warehouses.
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Various faces of the stage
Kohoutová, Alena ; KASÍK, Martin (advisor) ; KLÁNSKÝ, Ivan (referee)
This study is an insight into the variety of professional stages on which we as musicians spend our time on different occasions. It focuses on a place that could be embraced either by four walls of an architectural jewel ? concert halls, or modest greenrooms of rest homes or asylums. How to react to these different situations, what direction should we aim the goal of our performance to and why should we perform at different types of stages are the main topics that should be thought of and an opinion of our own should be found. To accomplish our stage resolve we need to find inner freedom and creativity that coule be choked by our fear and the feeling responsibility. The last chapter is focused on stage fright from psychological and musical point of view.
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Organizing of classical music concerts
Čermáková, Kateřina ; BĚLOR, Roman (advisor) ; ŠTILEC, Jiří (referee)
Theses Organizing of classical music concerts especially concentrates on practical side of above-mentioned highly complex activity. The objectives of the theses are to provide an overview of all aspects and details, which should not be neglected by organizer. At first, it discusses the possible spaces, suitable for concert use, and specifies the types of potential organizers. The main part attends to organization itself.
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