National Repository of Grey Literature 7 records found  Search took 0.00 seconds. 
Piano Composition by Polish Composers after Chopin
Strzelecka, Milena ; Kozánková, Olga (advisor) ; Palkovská, Jana (referee)
The aim of the diploma thesis is to bring information about Polish famous composers after Chopin. The work contains an overview of life, work, and describes individual examples of piano and composer work. We look at the styles and character of Polish pianists together in selected parts of the compositions
Toru Takemitsu: Rain Tree Sketch II: Music analysis for piano
Kono, Shoko ; MALÝ, František (advisor) ; WEISER, Helena (referee)
The aim of this master’s thesis is to present the composer Toru Takemitsu, the composer of Japanese classical music and to understand connection between analyzed music, composer’s life and his philosophy. Thesis consists of six parts. Namely introduction, biography, musical works, characteristics of compositions, musical analysis and conclusion. Musical analysis will be performed on his composition called Rain Tree Sketch II – In Memoriam Olivier Messiaen –.
E. Irshai - Overview of life and work
Stráňavský, Adam ; KRAJNÝ, Boris (advisor) ; MALÝ, František (referee)
Master thesis E. Irshai – Overview of life and work contains 6 chapters. In first chapter we spoke of life of E. Irshai in Russia, we pointed out negative impact of soviet regime on life of artists. In second chapter we talked about E. Irshai after his emigration to Slovakia. Third chapter is dedicated to his work overall, fourth chapter only to his cykle Letter to Ofodur. Fifth chapter contains information on his piano works. In sixth chapter we did brief analysis of some selected works – Tasaufi and his second piano sonata Dreams of my childhood. Last chapter is dedicated to problems, that contemporary composers have to face.
Piano Composition by Polish Composers after Chopin
Strzelecka, Milena ; Kozánková, Olga (advisor) ; Palkovská, Jana (referee)
The aim of the diploma thesis is to bring information about Polish famous composers after Chopin. The work contains an overview of life, work, and describes individual examples of piano and composer work. We look at the styles and character of Polish pianists together in selected parts of the compositions
Piano Work of Composers of Ostrava Region Since 1950
Zubíček, Jaromír ; Gregor, Vít (referee)
The main aim of this thesis covering the topic "Piano Work of Composers of Ostrava Region Since 1950" was to point out the importance of piano work of Ostrava region. I also wanted to make closer certain historical aspects, connections and resulting ways of interpretation the piano work was caused by. I also focused on some outstanding composers, their ways of solving this problem and their results in future evolutionary period of piano work. The main author's target was, above all, a brief summarization of individual ways and opinions on mentioned problem. Thanks to comparison of various compositions, it was easy to point out the great variety of composers' creative attitudes and, especially for non- professional pianists, to provide a better orientation concerning the composition and the decision which of these composers to choose. To fulfill these aims I mainly used historical-comparative methods, I presented individual authors and their works. Author tried to choose their best compositions at the same time. The compositions were studied with the main focus on primary elements - form of composition, possible tonality, degree of usage piano possibilities etc. My intention was to refer to individual differences in creative attitudes of these composers and to match them with the appropriate...
The Piano Works of Josef Bohuslav Foerster
Havlíček, Zdeněk ; Gabrielová, Jarmila (advisor) ; Douša, Eduard (referee)
Zdeněk Havlíček The Piano Works of Josef Bohuslav Foerster (The Lyrical Piano Pieces of the Turn of the Century) ABSTRACT: The presented thesis deals with the piano works of Josef Bohuslav Foerster - in detail, it is concerned with his lyrical piano pieces from the turn of the century. After mapping out the relevant Foerster-related literature and sources, it approaches the issue of lyrical piano piece as a music genre, and gives a relatively detailed outline of its development in the 19th century. This becomes a background against which, at some points, the nature of the analyzed pieces is to be shown. In the analysis of the piano cycle "Snění" ("Dreamings", 1898), the motivic and thematic processes are the main object, the analysis of the cycle "Růže vzpomínek" ("Roses of Memories", 1902) is dominated by the aspect of harmony and also takes into consideration the context of the various piano genres employed. From the cycle "A jabloně kvetly" ("And the Apple trees blossom", 1905), only the first piece ("Dream") is closely observed. Finally, an attempt is made to discuss the piano works in question in broader musical-historical and musical- historiographical contexts.

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