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What was/is the meaning of independent publications in countries with a totalitarian regimes?
Demovičová, Barbora ; Čumlivski,, Jan (referee) ; Macháček, Mikuláš (advisor)
Is it important that a graphic designer/art student expresses their opinion on the society and world around them through their work? How can a graphic designer influence social situation, the community in which they live, or other events? What is the role of civic protest and activism? What is the relationship between art and politics? What is the political power of the art? Researching the role of political art, independent publishing, civic actions and comparing the public protests in the past with protests today lead to creating a self-published independent publication reflecting current issues in Slovakia. Focus on Slovak society came after the murder of investigative journalist Ján Kuciak and his fiancée Martina Kušnírová resulting in a wave of public protests and formation of new government of Slovak Republic. This publication is mix of hope for change, idealism, and later scepticism and frustration. This publication is comprised of author’s personal texts and interviews with different persons working in various fields, for example with investigative journalist Marek Vagovič, sociologist and one of the leaders of Velvet Revolution Fedor Gál, publisher and owner of samizdat library Libri Prohibiti Jiří Gruntorád, or Slovak artists Peter Kalmus and Miroslav Cipár.
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Microcosms: the phenomenon of Zine and its application in art education
Nováková, Barbora ; Raudenský, Martin (advisor) ; Sedlák, Michal (referee)
The bachelor's thesis will try to clarify the phenomenon of zine and find its application in art education. Zines are presented here as means of communication and creativity. They are non- commercial, low-cost publications that are usually produced within an interest group or subculture. The theoretical part will deal with the emergence of the zine medium, its various characteristics and meanings, and will focus on contemporary approaches to it. It will examine the possible benefits of the medium of zine in pedagogy and make suggestions on how to integrate zine into teaching, specifically in art education. The framework curricula and teachers' experience will be taken into account. In the practical part, the process of creating a collective zine will be presented, when the young generation of creators will be approached in order to create a coherent series of illustrations and designs. The zine will be produced in both digital and print formats. KEY WORDS zine, magazine, media, art education, media education, independent publishing, non-commercial publishing, design
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Printed Independent Magazines in Post-Digital Age
Teplý, Ondřej ; Hroch, Miloš (advisor) ; Cebe, Jan (referee)
The diploma thesis Printed Independent Magazines in Post-Digital Age tries to discover the motivation of editors-in-chief/art directors for creating a printed, independent magazine in Central Europe and at the same time how these magazines are influenced by post-digital trends. It uses a qualitative method of Grounded Theory based on data from semi-structured interviews. In the practical part of the research, nine authors from Austria, Germany, Poland, the Czech Republic, Slovakia, and Hungary were approached. From the total number of respondents, data was obtained from seven of them. In the theoretical part, the work is focused on the history of independent print, in terms of technological changes in the printing field and it defines the term "printed independent magazine". The main contribution of the work is a mapping of the Central European independent magazine scene, which has not been thoroughly examined in any academic work yet. The text puts this scene in the international context, and it points out the certain specifics which are associated with Central Europe.
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Printed Independent Magazines in Post-Digital Age
Teplý, Ondřej ; Hroch, Miloš (advisor) ; Cebe, Jan (referee)
The diploma thesis Printed Independent Magazines in Post-Digital Age tries to discover the motivation of editors-in-chief/art directors for creating a printed, independent magazine in Central Europe and at the same time how these magazines are influenced by post-digital trends. It uses a qualitative method of Grounded Theory based on data from semi-structured interviews. In the practical part of the research, nine authors from Austria, Germany, Poland, the Czech Republic, Slovakia, and Hungary were approached. From the total number of respondents, data was obtained from seven of them. In the theoretical part, the work is focused on the history of independent print, in terms of technological changes in the printing field and it defines the term "printed independent magazine". The main contribution of the work is a mapping of the Central European independent magazine scene, which has not been thoroughly examined in any academic work yet. The text puts this scene in the international context, and it points out the certain specifics which are associated with Central Europe.
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What was/is the meaning of independent publications in countries with a totalitarian regimes?
Demovičová, Barbora ; Čumlivski,, Jan (referee) ; Macháček, Mikuláš (advisor)
Is it important that a graphic designer/art student expresses their opinion on the society and world around them through their work? How can a graphic designer influence social situation, the community in which they live, or other events? What is the role of civic protest and activism? What is the relationship between art and politics? What is the political power of the art? Researching the role of political art, independent publishing, civic actions and comparing the public protests in the past with protests today lead to creating a self-published independent publication reflecting current issues in Slovakia. Focus on Slovak society came after the murder of investigative journalist Ján Kuciak and his fiancée Martina Kušnírová resulting in a wave of public protests and formation of new government of Slovak Republic. This publication is mix of hope for change, idealism, and later scepticism and frustration. This publication is comprised of author’s personal texts and interviews with different persons working in various fields, for example with investigative journalist Marek Vagovič, sociologist and one of the leaders of Velvet Revolution Fedor Gál, publisher and owner of samizdat library Libri Prohibiti Jiří Gruntorád, or Slovak artists Peter Kalmus and Miroslav Cipár.
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