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Do not be afraid! The Topic of Fear in the Synoptic Gospels
Samec, Pavel ; Ryšková, Mireia (advisor) ; Scarano, Angelo (referee)
UNIVERZITA KARLOVA KATOLICKÁ TEOLOGICKÁ FAKULTA Katedra biblických věd Pavel Samec Nebojte se! Téma strachu v synoptických evangeliích Diplomová práce Vedoucí práce: doc. PhDr. Mireia Ryšková, Dr. theol. Praha 2019 2 Abstract The thesis deals with the topic of the fear in synoptic gospels. Fear is a phenomenon that affects every person and is subject of interest to several scientific disciplines. This thesis is focusing on fear as an emotion. The selection of gospel excerpts is narrowed to those containing call to overcome fear. The pericopes are categorized according to situations causing fear: fear of the future, fear of people, fear of tasks' difficulty, fear during miraculous apparitions, fear of death, and fear of apocalyptic dreads. The last topic of the thesis are general calls to overcome fear. The reactions of the biblical personalities are diverse and can be viewed as model attitudes inspiring modern society. In the introduction, the topic of fear is briefly characterized in perspective of psychology, philosophy and theology. The focus of the thesis is the exegesis of selected pericopes, thematically sorted into seven chapters ending with short recapitulations of the main ideas. After the generalizing conclusion, an overlap into spiritual life is suggested.
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Frankenstein: Changes of Fantastic Appearance and Terror in Movie Adaptations and Theatre
Ševčíková, Michaela ; Činátlová, Blanka (advisor) ; Hrbata, Zdeněk (referee)
Master's thesis presents comparison of motifs and images of fantastic appearance and terror in the novel Frankenstein or the Modern Prometheus by Mary Shelley and its film and theatre adaptations, and studies their changes. It deals not only with theoretical problems of fantastic appearance, terror (horror) and adaptation, but especially the Frankenstein myth and its influence on creating these images in given texts. Thesis describes the development of fantastic and horrific images from the literary text towards visual and performance media. The thesis studies the transformation of these images within three film adaptations made by directors J. Searlse Dawley (1910), James Whale (1931) and Kenneth Branagh (1994), and one play written by Nick Dear and directed by Danny Boyle (2011). Key words: Frankenstein, Frankenstein myth, fantastic appearance, fantastic, terror, horror, adaptation
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