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Photographic prints and forming processes and their relations to another artistic media
Hrabina, Martin ; Wittlich, Petr (advisor) ; Rakušanová, Marie (referee)
This thesis is devided in two related fields. First of them observe photography in the 19th century in a broader context. Is focused on photography which borrow traditional art rules and aspects in aim to get an equal status between fine arts. This first part helped valuate technics of so-called photographic processes in the second part of the thesis. This domain of photography is concentrated not only on technology but also on problems of amateurism or a theory of artistic photography of the time. The last chapter presents the most important Bohemian representatives of this profession and demonstrates a broad scale of artistic posibilites on concrete samples.
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The woman across the art
ŽALUDOVÁ, Radka
This work is focused on a woman in relation with practical and theoretical art and her social role. All three areas mutually affect each other and therefore should not be neglected. First chapter is focused on the term of art where there are different opinions. Second, the most comprehensive chapter, is a chronological overview of art history, theory and social life. Fully developed pluralism of art styles in the 20th Century presents only a number of well known authors of this topic. One of the most important chapters is also art of feminism. In the third, last of the chapters, I present my view resulting from research of the issue. Based on this research, I have created series of pictures that are included within this work.
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Epigraphica & Sepulcralia III. Proceedings from conferences devoted to the question of sepulcral monuments, organised by the Institute of Art History of the AS CR from 2008 to 2010
Roháček, Jiří
The publication includes a total of 33 papers presented at the 7th, 8th and 9th consultations. All the contributions are accompanied by a summary in German and extensive illustrations. Periodical international conferences on issues relating to sepulchral monuments have been held by the Institute of Art History, Academy of Sciences of the Czech Republic, since the year 2000. Their main aim is to facilitate contact between interested representatives of all disciplines and fields of study that are related to the subject (art history, general history, auxiliary historical disciplines, archaeology, monument conservation, museology, restoration practice, petrography, etc.) in order to promote greater interdisciplinarity and coordination of previously unconnected research. The common denominator is a factual or methodical connection to Central European material and a primary factual or contextual focus on material sepulchral monuments in the restricted interpretation of the term.
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JAN KVĚT (1896-1965): BETWEEN ART AND HISTORY.
DUBOVÁ, Stanislava
This diploma thesis aims at capturing the personality of the art historian Jan Květ. Based on previously unavailable archival material, it attempts to show his personal life, public activities as well as his work, and to place them in the context of the first half of the 20th century. The heuristic base of the thesis consists of materials created as a result of Jan Květ?s works, correspondence, memoir literature as well as resources taken from up-to-date literature from the fields of history, art history and scenography. Not least, the thesis makes use of a contemporary?s recollections. The text is divided into four chapters, out of which the first three deal with the lives of Jan Květ in biographical order. The first chapter describes the family milieu and the time of his studies, i.e. the essential period when the young man?s personality was formed. The second part discusses the years after World War II, Květ?s work at The National Museum and Charles University. The third chapter deals with the life period between 1945 and 1965, i. e. the bustling time when the foundations of new science and culture were beany built. The last chapter is concerned with the works of Jan Květ, both theoretical ? his scientific writings ? and practical ? his scenography.
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