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Forming the Branch Nomenclature of Folf Costume
Dědovský, Daniel ; Štěpánová, Irena (advisor) ; Petráňová, Lydie (referee) ; Křížová, Alena (referee)
The folk costume, including its revitalized forms, is one of the most significant and simultaneously one of the most studied categories in the research of european folk culture. This research project is focused on reflections of the branch nomenclature of folk costume in the context of ethnological methodology with consideration of museological aspects and above all the history and development of the branch in its relevant european schools, streams and centers. The work is based on comparative communication of the author with less or more important characters in the branch (or closely connected) who were oriented on research of the folk costume cathegory or widely of the material culture, mostly through their professional texts. The contemporary researchers, whose work is not finished yet, are not evaluated in this work by intention, but their work and thoughts are reflected strongly as an important inspiration source of the presented dissertation. The primary goal of this project is not only observation and study the terminology and methodology for technical processing of the ethnological cathegory of folk costume, but also the research of the history of this branch underpinning its fundamental as well as less important aspects in the european international context.
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SCHOOL FOR FLUTE
Zeráková, Jana ; VÁLEK, Jiří (advisor) ; PIVODA, Radomír (referee)
The aim of this diploma thesis is to create, if possible, a comprehensive view of the methodology of the playing the flute.
The work includes a brief informations about history and development of the flute. It desribes individual parts of the flute, suitable production materials and appropriate instrument care. The work is also focused on holding the instrument, the flute playing posture, making a tone, embouchure, breathing, dynamics and vibrato. Part of my thesis is also devoted to pedagogy, it contains informations about the pupils' and educator's access to education and describes several options of proper exercising.
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American Opera and it´s History in the 20th Century
Vacíková, Alena ; BÁRTA, Martin (advisor) ; HAJÓSSYOVÁ, Magdaléna (referee)
The objective of this thesis is to provide an overview of history and development of American opera, ie opera in the territory of today´s USA, in the 20th century. It is a chronological overview of the main influences that shaped this development. It focuses on turning moments, historical milestones, significant opera composers and their core works. It notes the distinction between American and European musical traditions and focuses on the specifics of American opera art. This thesis was created by a compilation method based on several professional works by leading American musicologists and scholars in the field of cultural history. The reason for creating this work is the absence of any more inclusive or more comprehensive literature in the Czech language, which deals with this topic.
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Forming the Branch Nomenclature of Folf Costume
Dědovský, Daniel ; Štěpánová, Irena (advisor) ; Petráňová, Lydie (referee) ; Křížová, Alena (referee)
The folk costume, including its revitalized forms, is one of the most significant and simultaneously one of the most studied categories in the research of european folk culture. This research project is focused on reflections of the branch nomenclature of folk costume in the context of ethnological methodology with consideration of museological aspects and above all the history and development of the branch in its relevant european schools, streams and centers. The work is based on comparative communication of the author with less or more important characters in the branch (or closely connected) who were oriented on research of the folk costume cathegory or widely of the material culture, mostly through their professional texts. The contemporary researchers, whose work is not finished yet, are not evaluated in this work by intention, but their work and thoughts are reflected strongly as an important inspiration source of the presented dissertation. The primary goal of this project is not only observation and study the terminology and methodology for technical processing of the ethnological cathegory of folk costume, but also the research of the history of this branch underpinning its fundamental as well as less important aspects in the european international context.
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